1
00:00:01,870 --> 00:00:05,639
[♪♪♪]

2
00:00:24,627 --> 00:00:26,527
I TOLD HIM.

3
00:00:26,562 --> 00:00:27,494
YOU DIDN'T?

4
00:00:27,530 --> 00:00:28,962
I DID.

5
00:00:28,997 --> 00:00:31,565
I'LL QUIT IF I HAVE TO.

6
00:00:31,601 --> 00:00:34,568
I FEEL SO STUPID
BEING IN THIS POSITION.

7
00:00:34,604 --> 00:00:36,670
WHAT DID HE SAY?

8
00:00:36,706 --> 00:00:37,804
HE WEASELED AROUND,

9
00:00:37,840 --> 00:00:39,240
THE USUAL.

10
00:00:39,275 --> 00:00:41,174
HE SAID JUST TO HANG ON,

11
00:00:41,210 --> 00:00:42,843
NOT MUCH LONGER.

12
00:00:43,946 --> 00:00:45,112
YOU'RE SERIOUS THIS TIME.

13
00:00:45,147 --> 00:00:46,413
YEAH.

14
00:00:46,449 --> 00:00:47,548
I'VE HAD IT.

15
00:00:47,583 --> 00:00:48,515
WELL, GOOD.

16
00:00:48,551 --> 00:00:49,883
GOOD FOR YOU.

17
00:00:49,952 --> 00:00:52,085
OKAY, WE GOTTA GO,

18
00:00:52,121 --> 00:00:53,120
'CAUSE YOU'RE GOING TO BE LATE.

19
00:00:56,125 --> 00:00:58,759
I CAN'T TELL YOU
HOW EXCITING THIS IS,

20
00:00:58,794 --> 00:01:00,661
NEW CD, NEW TOUR,

21
00:01:00,696 --> 00:01:03,464
IT FEELS GREAT
TO SAY THANKS BACK TO THE FANS.

22
00:01:03,499 --> 00:01:04,665
YOU'VE PLAYED
THE SMALLER MARKETS

23
00:01:04,734 --> 00:01:05,633
PRETTY CONSISTENTLY

24
00:01:05,701 --> 00:01:07,234
FOR THE LAST FEW YEARS.

25
00:01:07,270 --> 00:01:08,569
WHY START OFF WITH A SHOW HERE

26
00:01:08,638 --> 00:01:10,137
IN YOUR HOME TOWN?

27
00:01:10,172 --> 00:01:12,239
IT'S WHERE I FEEL
MOST COMFORTABLE,

28
00:01:12,275 --> 00:01:14,541
AND MY FRIENDS HERE
ARE VERY FORGIVING.

29
00:01:14,577 --> 00:01:15,442
[CHUCKLES]

30
00:01:15,478 --> 00:01:17,144
TELL ME ABOUT THE NEW CD.

31
00:01:17,179 --> 00:01:18,245
YOU RECORDED IT LOCALLY, RIGHT?

32
00:01:18,281 --> 00:01:19,346
THAT'S RIGHT.

33
00:01:19,382 --> 00:01:21,348
WE'RE NOT ON A LABEL
AT THE MOMENT,

34
00:01:21,384 --> 00:01:24,084
BUT WE CAN FUND AND PRODUCE
OUR OWN CD,

35
00:01:24,119 --> 00:01:26,687
AVAILABLE AT THE SHOWS
OR ON OUR WEBSITE.

36
00:01:26,722 --> 00:01:27,721
JOHN,
WHY THE NEW CD?

37
00:01:27,757 --> 00:01:29,222
WHY NOW?

38
00:01:29,292 --> 00:01:32,559
MY WIFE, PAMELA...

39
00:01:32,595 --> 00:01:34,027
[♪♪♪]

40
00:01:34,062 --> 00:01:36,196
SHE FELT I OWED IT
TO MY FANS.

41
00:01:36,265 --> 00:01:37,665
AND I THINK SHE WAS JUST
TIRED OF ME

42
00:01:37,733 --> 00:01:39,500
HANGING AROUND THE HOUSE.

43
00:01:39,535 --> 00:01:40,401
[LAUGHTER]

44
00:01:40,436 --> 00:01:41,902
BUT SERIOUSLY,

45
00:01:41,970 --> 00:01:43,837
SHE'S THE REASON
I'M WRITING AGAIN.

46
00:01:43,906 --> 00:01:46,239
SHE'S MY BEST CRITIC,

47
00:01:46,275 --> 00:01:47,541
MY MUSE,

48
00:01:47,576 --> 00:01:50,177
AND THE BOSS.

49
00:01:50,245 --> 00:01:52,613
AFTER 10 YEARS OF MARRIAGE,
I KNOW ENOUGH NOT TO ARGUE.

50
00:01:52,682 --> 00:01:53,547
[LAUGHTER]

51
00:01:58,120 --> 00:01:59,853
[♪♪♪]

52
00:01:59,888 --> 00:02:02,055
CHOCOLATE DONUT
OR BEAR CLAW?

53
00:02:03,459 --> 00:02:05,592
WHAT HAPPENED
TO SMOOTHIES AND KALE?

54
00:02:05,628 --> 00:02:06,860
THIS IS MEDICINE.

55
00:02:06,895 --> 00:02:07,861
DONUT OR BEAR CLAW?

56
00:02:07,896 --> 00:02:09,496
BEAR CLAW, SMALL PIECE.

57
00:02:09,532 --> 00:02:10,798
WHAT'S GOING ON?

58
00:02:10,833 --> 00:02:12,433
IT'S MY SISTER.

59
00:02:12,501 --> 00:02:13,500
IS SHE OKAY?

60
00:02:13,536 --> 00:02:15,202
SHE'S COMING FOR A VISIT.

61
00:02:15,270 --> 00:02:16,670
I'LL TAKE A BIGGER PIECE.

62
00:02:16,739 --> 00:02:17,738
WHEN IS SHE COMING?

63
00:02:17,773 --> 00:02:19,272
SATURDAY.

64
00:02:19,342 --> 00:02:20,541
WHY?
WHY AFTER ALL THIS TIME?

65
00:02:20,576 --> 00:02:22,209
SHE SAID SHE MISSES ME.

66
00:02:22,277 --> 00:02:24,110
WELL, THAT COULD BE GOOD.

67
00:02:24,146 --> 00:02:25,446
I MEAN, THAT COULD BE
A GOOD THING.

68
00:02:27,850 --> 00:02:29,483
OR YOU COULD
EAT YOUR FEELINGS.

69
00:02:29,518 --> 00:02:30,718
MM-HMM.

70
00:02:30,753 --> 00:02:32,453
[SHOP'S ENTRY BELL JINGLES]

71
00:02:34,156 --> 00:02:35,155
HI.

72
00:02:35,190 --> 00:02:36,323
CAN WE HELP YOU?

73
00:02:36,359 --> 00:02:38,392
YEAH, WE'RE LOOKING
FOR A VINTAGE COAT.

74
00:02:38,427 --> 00:02:41,027
LIKE, MEN'S,
MOHAIR, BLONDE...?

75
00:02:41,063 --> 00:02:42,496
LIKE A CAR COAT?

76
00:02:42,531 --> 00:02:45,098
LIKE JOHN DALTON WORE
ON HIS FIRST ALBUM?

77
00:02:45,133 --> 00:02:46,367
[CHUCKLES WRYLY]
UH, YEAH, EXACTLY THAT.

78
00:02:46,402 --> 00:02:47,735
IT'S FOR JOHN.

79
00:02:47,803 --> 00:02:49,803
I'M CASSIE PARKER,

80
00:02:49,839 --> 00:02:51,472
I'M JOHN'S
WARDROBE DESIGNER,

81
00:02:51,540 --> 00:02:52,406
AND THIS IS LITA MERRILL,

82
00:02:52,441 --> 00:02:53,507
SHE PLAYS BASS IN THE BAND.

83
00:02:53,542 --> 00:02:55,542
WELL, I'M JENN,
AND THIS IS DANI.

84
00:02:55,578 --> 00:02:56,610
SHE IS A BIG FAN.

85
00:02:56,645 --> 00:02:57,944
I'M JUST,
I LOVE HIS MUSIC.

86
00:02:57,980 --> 00:02:59,012
I DID READ

87
00:02:59,047 --> 00:03:00,313
THAT HE WAS PLAYING
A LOCAL CLUB?

88
00:03:00,349 --> 00:03:01,548
THAT'S RIGHT.

89
00:03:01,617 --> 00:03:02,983
I'D GET YOU GUYS TICKETS

90
00:03:03,018 --> 00:03:05,352
BUT IT'S SOLD OUT
TO FAN CLUB MEMBERS.

91
00:03:05,388 --> 00:03:06,854
YEAH, I HEARD
THAT, TOO.

92
00:03:06,889 --> 00:03:08,756
OH, I KNEW YOU SHOULD HAVE
JOINED THAT FAN CLUB.

93
00:03:08,791 --> 00:03:09,823
YOU COULD COME

94
00:03:09,892 --> 00:03:11,057
TO THE SOUND CHECK,

95
00:03:11,093 --> 00:03:12,192
NEXT BEST THING.

96
00:03:12,227 --> 00:03:14,027
YEAH, OR WE COULD
MAYBE GET JOHN

97
00:03:14,062 --> 00:03:15,128
TO SWING BY THE STORE.

98
00:03:15,163 --> 00:03:16,730
ARE YOU SERIOUS?

99
00:03:16,766 --> 00:03:19,032
I MEAN, WE WOULD JUST--
WE WOULD LOVE THAT.

100
00:03:19,067 --> 00:03:20,166
OKAY.

101
00:03:20,202 --> 00:03:21,635
JOHN DID SEND US
ON A MISSION, THOUGH,

102
00:03:21,670 --> 00:03:23,737
TO TRY TO FIND THE COAT
FROM THAT ALBUM COVER?

103
00:03:23,773 --> 00:03:24,538
I KNOW WHAT
YOU'RE TALKING ABOUT,

104
00:03:24,573 --> 00:03:25,539
BUT WE DON'T HAVE ONE.

105
00:03:25,574 --> 00:03:26,573
YOU MIGHT TRY
VINTAGE THREADS ON ELM.

106
00:03:26,642 --> 00:03:27,708
COOL.

107
00:03:27,777 --> 00:03:29,643
IT WAS REALLY NICE
TO MEET YOU GUYS.

108
00:03:29,678 --> 00:03:30,944
I'LL GET YOU ON THE LIST
FOR SOUND CHECK.

109
00:03:30,979 --> 00:03:32,279
THANK YOU!

110
00:03:32,314 --> 00:03:33,246
[GASPING IN DELIGHT]

111
00:03:33,315 --> 00:03:34,381
THAT'S SO COOL.

112
00:03:34,450 --> 00:03:37,718
WOW! "SOUND CHECK,"
SOUNDS SO OFFICIAL.

113
00:03:37,753 --> 00:03:40,521
[♪♪♪]

114
00:03:46,462 --> 00:03:48,462
DANI LOVES HIM,

115
00:03:48,497 --> 00:03:50,297
AND I'D LIKE TO GO
TO A SOUND CHECK.

116
00:03:50,365 --> 00:03:51,398
I'VE NEVER BEEN
TO ONE.

117
00:03:51,434 --> 00:03:52,733
JOHNNY DALTON.

118
00:03:52,802 --> 00:03:54,334
COUNTRY MUSIC,
RIGHT?

119
00:03:54,369 --> 00:03:55,436
I NEVER HEARD OF HIM.

120
00:03:55,471 --> 00:03:56,403
HE'S COUNTRY,

121
00:03:56,439 --> 00:03:57,838
BUT KIND OF MODERN.

122
00:03:57,873 --> 00:04:00,474
HE HAD THAT ONE BIG HIT,
UH, "TRUE TO YOU."

123
00:04:00,509 --> 00:04:01,942
I LOVE THAT SONG.

124
00:04:01,977 --> 00:04:03,410
THAT SONG WAS EVERYWHERE
A FEW YEARS AGO.

125
00:04:03,446 --> 00:04:04,711
THEN, NOTHING.

126
00:04:04,747 --> 00:04:06,313
I'D TAKE THE MONEY
FROM ONE BIG HIT.

127
00:04:06,348 --> 00:04:07,514
[CHUCKLING]

128
00:04:07,550 --> 00:04:09,550
WELL, I'VE GOT SOME, UH,
I'VE GOT SOME GOOD NEWS.

129
00:04:09,585 --> 00:04:12,385
WE JUST SIGNED A BIG CONTRACT
TO BUILD NEW LUXURY CONDOS

130
00:04:12,421 --> 00:04:14,421
ONCE THEY TEAR DOWN
THE OLD HATCHER BUILDING.

131
00:04:14,457 --> 00:04:15,756
AND YOU'RE GONNA LOVE THIS,

132
00:04:15,791 --> 00:04:17,257
IT'S COMPLETELY SUSTAINABLE
AND STATE OF THE ART.

133
00:04:17,292 --> 00:04:18,759
ISN'T THAT BUILDING
ON THE HISTORIC REGISTER?

134
00:04:18,828 --> 00:04:20,060
NO.

135
00:04:20,128 --> 00:04:21,528
NO, IT'S OLD,
IT DOESN'T LOOK IT,

136
00:04:21,597 --> 00:04:24,230
BUT IT'S OLD, AND IT'S...
IT'S COMPLETELY FALLING APART.

137
00:04:24,266 --> 00:04:25,699
IT IS OLD.

138
00:04:29,137 --> 00:04:31,204
I DIDN'T EVEN KNOW
THAT DANI HAD A SISTER.

139
00:04:31,239 --> 00:04:33,173
BETH ANN,
SHE'S OLDER.

140
00:04:33,208 --> 00:04:35,408
A BIT JUDGMENTAL AND CRITICAL,

141
00:04:35,444 --> 00:04:39,480
THINKS DANI SHOULD HAVE MARRIED,
HAD KIDS, GOTTEN A "REAL JOB."

142
00:04:39,515 --> 00:04:41,482
OWNING AN ANTIQUE STORE
ISN'T A REAL JOB?

143
00:04:41,517 --> 00:04:42,916
BETH ANN SAYS
IT'S A HOBBY.

144
00:04:42,952 --> 00:04:44,017
NEEDLESS TO SAY,

145
00:04:44,052 --> 00:04:45,552
THERE'S A LOT OF TENSION
BETWEEN THEM.

146
00:04:45,588 --> 00:04:46,353
WHAT DOES SHE DO?

147
00:04:46,388 --> 00:04:47,354
CHARITY WORK.

148
00:04:47,422 --> 00:04:48,755
SHE'S ON THE BOARD
OF THIS AND THAT.

149
00:04:48,791 --> 00:04:51,324
HER HUSBAND IS
SOME BIG CORPORATE EXECUTIVE.

150
00:04:51,360 --> 00:04:53,494
DOESN'T SOUND
REMOTELY LIKE DANI.

151
00:04:53,529 --> 00:04:55,462
SO, WHY IS SHE COMING TO VISIT?

152
00:04:55,498 --> 00:04:57,063
THEREIN LIES
THE MYSTERY.

153
00:04:57,099 --> 00:04:59,399
AH, THAT WORD...

154
00:04:59,468 --> 00:05:01,401
AT LEAST WE'RE
MAKING PROGRESS.

155
00:05:01,436 --> 00:05:02,736
HOW'S THAT?

156
00:05:02,771 --> 00:05:05,338
WELL, WE'VE GOT A MYSTERY,
BUT THERE'S NO DEAD BODIES.

157
00:05:05,374 --> 00:05:06,339
FUNNY.

158
00:05:06,375 --> 00:05:08,308
[CHUCKLING]

159
00:05:08,343 --> 00:05:09,242
GOOD NIGHT, SWEETIE.

160
00:05:09,277 --> 00:05:11,578
GOOD NIGHT.

161
00:05:22,224 --> 00:05:23,790
NO, TICKETS
ARE SELLING,

162
00:05:23,826 --> 00:05:24,925
JUST NOT AS WELL
AS WE'D HOPED.

163
00:05:24,994 --> 00:05:26,627
THAT'S HARD
TO BELIEVE.

164
00:05:26,662 --> 00:05:28,294
WELL, WHAT IF WE SWITCH UP
SOME OF THESE VENUES?

165
00:05:28,330 --> 00:05:30,096
YOU KNOW, SMALLER CLUBS
INSTEAD OF THEATRES?

166
00:05:30,132 --> 00:05:31,665
RICK, YOU ARE NOT
CHANGING ONE THING.

167
00:05:31,700 --> 00:05:33,266
THOSE SEATS WILL SELL
WHEN THE REVIEWS COME IN

168
00:05:33,301 --> 00:05:35,435
AND JOHN'S NEW CD
IS STREAMING.

169
00:05:35,470 --> 00:05:37,270
OKAY, THIS AND THIS
ARE BOTH "NO"S.

170
00:05:37,339 --> 00:05:38,539
THIS IS OKAY.

171
00:05:38,574 --> 00:05:40,173
I'M SERIOUS, RICK, NO JUNK.

172
00:05:40,208 --> 00:05:42,275
GET A DIFFERENT DESIGNER
IF HE CAN'T DO BETTER.

173
00:05:42,310 --> 00:05:43,276
JUST WANTED YOU TO SEE 'EM.

174
00:05:43,345 --> 00:05:45,311
I SAW THEM.

175
00:05:45,347 --> 00:05:46,513
YOU'D BETTER GET MOVING

176
00:05:46,549 --> 00:05:47,614
IF YOU'RE GOING TO GET
TO REHEARSAL ON TIME.

177
00:05:50,920 --> 00:05:51,785
[CLEARS THROAT]

178
00:06:04,567 --> 00:06:05,465
CAN I HELP YOU?

179
00:06:07,836 --> 00:06:08,936
BETH ANN?

180
00:06:08,971 --> 00:06:10,003
JENNIFER!

181
00:06:10,039 --> 00:06:11,504
OH! IT'S BEEN SUCH A LONG TIME.

182
00:06:11,540 --> 00:06:12,539
IT HAS BEEN.

183
00:06:12,608 --> 00:06:13,473
WONDERFUL TO SEE YOU.

184
00:06:13,508 --> 00:06:14,575
THANK YOU.

185
00:06:14,610 --> 00:06:16,009
IS DANI HERE?

186
00:06:16,045 --> 00:06:17,578
OH, NO, SHE'S OUT,
BUT SHE'LL BE BACK VERY SOON.

187
00:06:17,646 --> 00:06:18,679
WHERE'S YOUR LUGGAGE?

188
00:06:18,714 --> 00:06:20,280
DID YOU COME STRAIGHT
FROM THE AIRPORT?

189
00:06:20,315 --> 00:06:21,281
OH, NO. [LAUGHS] NO, NO.

190
00:06:21,316 --> 00:06:22,515
I'M AT THE REGENT.

191
00:06:22,551 --> 00:06:24,484
DANI'S PLACE
IS A LITTLE COZY FOR ME.

192
00:06:24,519 --> 00:06:25,452
OH.

193
00:06:25,487 --> 00:06:26,954
WOW, YOU KNOW,

194
00:06:26,989 --> 00:06:28,221
I HAVEN'T EVER BEEN
TO YOUR STORE.

195
00:06:28,256 --> 00:06:29,556
IT'S CUTE.

196
00:06:29,592 --> 00:06:32,125
YOU ACTUALLY HAVE SOME...
SOME NICE PIECES.

197
00:06:32,160 --> 00:06:33,293
THANK YOU.

198
00:06:33,328 --> 00:06:34,461
OH, WELL, LISTEN,

199
00:06:34,496 --> 00:06:35,929
I'M GOING TO GO
BACK TO THE HOTEL TO REST,

200
00:06:35,965 --> 00:06:38,231
BUT THE CONCIERGE RECOMMENDED
A LOVELY PLACE FOR DINNER.

201
00:06:38,300 --> 00:06:39,332
WILL YOU JOIN?

202
00:06:39,367 --> 00:06:40,634
MY TREAT.

203
00:06:40,669 --> 00:06:42,569
THANK YOU FOR THE OFFER,
I'M AFRAID I CAN'T.

204
00:06:42,605 --> 00:06:43,604
BUT MAYBE ANOTHER NIGHT.

205
00:06:43,672 --> 00:06:44,738
THAT'D BE WONDERFUL.

206
00:06:44,807 --> 00:06:45,606
SO GOOD TO SEE YOU.

207
00:06:45,641 --> 00:06:46,974
YOU TOO.

208
00:06:47,009 --> 00:06:48,075
WOW.

209
00:06:48,110 --> 00:06:49,676
IT REALLY IS LOVELY.

210
00:06:59,688 --> 00:07:00,754
HEY, DANI?

211
00:07:00,789 --> 00:07:02,355
FASTEN YOUR SEAT BELT.

212
00:07:02,390 --> 00:07:03,690
SHE'S HERE.

213
00:07:07,262 --> 00:07:10,263
♪ AND IT ALL
COMES DOWN TO THIS ♪

214
00:07:10,298 --> 00:07:13,967
♪ WHEN I'M NOT WITH YOU
YOU'RE THE ONE THAT I MISS ♪

215
00:07:14,003 --> 00:07:17,671
♪ YOU GOTTA BELIEVE
WHAT I'M SAYING TO YOU ♪

216
00:07:17,706 --> 00:07:20,340
♪ GOTTA BELIEVE
MY HEART HAS BEEN TRUE ♪

217
00:07:20,408 --> 00:07:25,779
♪ SINCE THAT
VERY FIRST KISS... ♪

218
00:07:25,814 --> 00:07:26,813
[SONG ENDS]

219
00:07:26,849 --> 00:07:29,182
TAKE FIVE, EVERYBODY.

220
00:07:29,217 --> 00:07:30,250
WOW, JOHN, MAN,
THAT WAS AMAZING.

221
00:07:30,318 --> 00:07:31,685
I REALLY FELT THAT.

222
00:07:31,720 --> 00:07:33,253
-IT WAS GREAT, WASN'T IT?
-IT'S A HIT.

223
00:07:34,256 --> 00:07:35,255
HEY, LITA.

224
00:07:35,290 --> 00:07:37,057
COME HERE,
I WANT TO TALK TO YOU.

225
00:07:46,001 --> 00:07:49,569
LEAVE YOUR PERSONAL ISSUES
AT THE DOOR, OKAY?

226
00:07:49,604 --> 00:07:51,672
IF YOU CAN'T EVEN ACT
LIKE YOU'RE INTO IT,

227
00:07:51,707 --> 00:07:53,874
THEN BASS PLAYERS
ARE A DIME A DOZEN.

228
00:07:53,909 --> 00:07:55,542
DO YOU WANT TO DO THIS TOUR?

229
00:07:55,577 --> 00:07:57,510
OF COURSE, I WANT
TO DO THE TOUR--

230
00:07:57,546 --> 00:07:58,478
THEN ACT LIKE IT.

231
00:08:04,720 --> 00:08:06,720
[♪♪♪]

232
00:08:12,327 --> 00:08:14,294
[ENTRY BELL JINGLES]

233
00:08:14,362 --> 00:08:15,762
HEY!

234
00:08:15,831 --> 00:08:18,031
HI!

235
00:08:18,100 --> 00:08:19,933
SO, I WAS ABLE TO GET YOU
ON THE LIST FOR THE SOUND CHECK.

236
00:08:19,968 --> 00:08:21,234
DANI IS GONNA BE THRILLED,
THANK YOU.

237
00:08:21,269 --> 00:08:22,335
AND...

238
00:08:22,370 --> 00:08:24,370
I HAVE
SOME DALTON TOUR JACKETS

239
00:08:24,439 --> 00:08:25,806
I'D LIKE TO SELL
ON CONSIGNMENT.

240
00:08:25,841 --> 00:08:27,040
OH, WOW, THESE ARE COOL.

241
00:08:27,076 --> 00:08:28,541
THAT ONE HAS
AN AUTOGRAPH, SO...

242
00:08:28,577 --> 00:08:30,476
IT SHOULD BE WORTH MORE.

243
00:08:30,512 --> 00:08:31,477
DANI MIGHT BUY IT FOR HERSELF.

244
00:08:31,513 --> 00:08:33,279
[CHUCKLING]

245
00:08:33,315 --> 00:08:36,349
IS THE REAL JOHN
LIKE THE ONE THE PUBLIC SEES?

246
00:08:37,319 --> 00:08:38,251
SURE.

247
00:08:38,286 --> 00:08:40,053
EVEN BETTER.

248
00:08:40,089 --> 00:08:41,254
IT'S NICE HE'S BEEN MARRIED
TO HIS HIGH-SCHOOL SWEETHEART

249
00:08:41,289 --> 00:08:42,689
FOR ALL THESE YEARS.

250
00:08:42,725 --> 00:08:45,826
DON'T FORGET, JOHN'S THE GUY
WHO WROTE "TRUE TO YOU."

251
00:08:45,894 --> 00:08:47,227
DO YOU REALLY THINK
THE FANS WOULD HAVE STAYED

252
00:08:47,262 --> 00:08:48,762
IF THEY'D BROKEN UP?

253
00:08:48,831 --> 00:08:50,697
I DO THINK THEY LIKE THE FACT
THAT THEY'VE STAYED TOGETHER,

254
00:08:50,766 --> 00:08:52,165
BUT EVERYONE'S HUMAN.

255
00:08:52,234 --> 00:08:54,134
EVEN SONNY AND CHER SPLIT UP.

256
00:08:54,203 --> 00:08:56,136
YUP.

257
00:08:56,171 --> 00:08:57,704
DIDN'T HURT HER CAREER.

258
00:09:00,109 --> 00:09:01,574
-HEY, HON'.
-HEY, SWEETHEART.

259
00:09:01,610 --> 00:09:02,475
[CHUCKLING] WHAT A DAY.

260
00:09:02,510 --> 00:09:03,543
LOOKS LIKE
WE MADE THE NEWS,

261
00:09:03,612 --> 00:09:05,011
SOMETHING ABOUT OUR
NEW CONDO PROJECT?

262
00:09:05,080 --> 00:09:06,412
REALLY?
WHAT ABOUT IT?

263
00:09:06,448 --> 00:09:07,580
I'M NOT SURE,

264
00:09:07,616 --> 00:09:09,349
THEY JUST GAVE ME A HEADS-UP
TO WATCH TONIGHT.

265
00:09:09,384 --> 00:09:10,683
OH.

266
00:09:10,719 --> 00:09:12,052
<i>COLLEGE STUDENTS</i>

267
00:09:12,087 --> 00:09:13,754
<i>WERE AT THE CITY COUNCIL</i>
<i>MEETING TODAY</i>

268
00:09:13,789 --> 00:09:15,856
<i>SEEKING HISTORICAL STATUS</i>
<i>FOR THE OLD HATCHER BUILDING,</i>

269
00:09:15,891 --> 00:09:18,458
<i>SLATED FOR DEMOLITION...</i>

270
00:09:18,493 --> 00:09:20,593
<i>WE ARE HERE TODAY</i>
<i>TO PRESENT A PETITION</i>

271
00:09:20,629 --> 00:09:24,264
<i>SIGNED BY 112</i>
<i>CONCERNED CITIZENS</i>

272
00:09:24,299 --> 00:09:25,298
<i>TO SAVE THE HATCHER BUILDING--</i>

273
00:09:25,333 --> 00:09:26,900
[PAUSES TV PLAYBACK]

274
00:09:26,935 --> 00:09:27,834
THAT'S HANNAH!

275
00:09:32,875 --> 00:09:35,041
HANNAH, HOW WAS YOUR DAY?

276
00:09:35,077 --> 00:09:36,109
IT WAS FINE.

277
00:09:36,145 --> 00:09:38,078
DO ANYTHING INTERESTING?

278
00:09:38,113 --> 00:09:40,046
NO, NOT PARTICULARLY.

279
00:09:40,082 --> 00:09:41,214
HMM.

280
00:09:41,250 --> 00:09:42,382
LOOKED LIKE YOU
ON THE NEWS TONIGHT.

281
00:09:43,852 --> 00:09:45,585
WE MADE THE NEWS?

282
00:09:45,620 --> 00:09:46,787
THAT'S GREAT.

283
00:09:46,855 --> 00:09:48,789
MAY I BE EXCUSED?
I'VE GOT TO TELL EVERYBODY.

284
00:09:48,824 --> 00:09:50,056
WHOA, THERE.

285
00:09:50,092 --> 00:09:52,159
YOU KNOW THAT'S MY COMPANY
BUILDING THE CONDOS.

286
00:09:52,227 --> 00:09:53,726
I KNOW.
BUT YOU CAN'T.

287
00:09:53,762 --> 00:09:55,495
ACTUALLY, WE CAN.

288
00:09:55,530 --> 00:09:57,197
DAD, A LOT OF PEOPLE
REALLY CARE

289
00:09:57,266 --> 00:09:58,265
ABOUT THAT BUILDING'S HISTORY.

290
00:09:58,300 --> 00:10:00,267
YOU CAN'T TEAR IT DOWN
TO BUILD CONDOS.

291
00:10:00,335 --> 00:10:01,401
WE'LL TALK LATER.

292
00:10:04,472 --> 00:10:05,939
DO YOU KNOW
THE HATCHER BUILDING?

293
00:10:05,974 --> 00:10:07,107
NO.

294
00:10:07,176 --> 00:10:08,875
BUT, I MEAN, IF YOU BUILD
A SKATE PARK THERE

295
00:10:08,911 --> 00:10:10,343
INSTEAD OF SOME CONDOS,

296
00:10:10,378 --> 00:10:12,779
YOU'VE DEFINITELY GOT MY VOTE.

297
00:10:14,749 --> 00:10:18,151
[CHUCKLING]

298
00:10:18,220 --> 00:10:20,520
OF COURSE, I WANTED
TO SEE YOUR PLACE.

299
00:10:20,555 --> 00:10:21,721
I JUST KNOW HOW
DIFFICULT IT CAN BE

300
00:10:21,756 --> 00:10:23,023
TO HAVE A HOUSE GUEST.

301
00:10:23,058 --> 00:10:24,124
WELL, YOU'RE NOT
A HOUSE GUEST,

302
00:10:24,159 --> 00:10:25,258
YOU'RE MY SISTER,

303
00:10:25,294 --> 00:10:26,559
AND I DO HAVE
A GUEST BEDROOM.

304
00:10:26,594 --> 00:10:27,593
OH, YOU KNOW ME,

305
00:10:27,662 --> 00:10:29,229
I LIKE STAYING
AT NICE HOTELS.

306
00:10:29,298 --> 00:10:30,363
AND ROOM SERVICE.

307
00:10:30,432 --> 00:10:31,331
YEAH, THAT TOO.

308
00:10:31,399 --> 00:10:32,265
OH, WOW...

309
00:10:39,942 --> 00:10:40,874
THANK YOU.

310
00:10:40,909 --> 00:10:41,875
MM-HMM.

311
00:10:47,115 --> 00:10:48,315
YOU KNOW, DANI,

312
00:10:48,350 --> 00:10:50,350
YOUR PLACE
IS REALLY NICE.

313
00:10:50,418 --> 00:10:51,417
YOU THINK?

314
00:10:51,453 --> 00:10:52,418
YEAH.

315
00:10:52,454 --> 00:10:53,486
WELL...

316
00:10:53,521 --> 00:10:55,355
IT TAKES A LITTLE
GETTING USED TO,

317
00:10:55,390 --> 00:10:56,689
BUT I MEAN THAT IN A GOOD WAY.

318
00:10:57,792 --> 00:10:58,758
YEAH.

319
00:11:00,028 --> 00:11:01,361
I'M A LITTLE SURPRISED

320
00:11:01,396 --> 00:11:03,964
THAT JUST, OUT OF THE BLUE,
YOU DECIDED TO VISIT.

321
00:11:03,999 --> 00:11:05,365
WELL, YOU KNOW,

322
00:11:05,400 --> 00:11:06,867
I WAS JUST THINKING ABOUT

323
00:11:06,902 --> 00:11:10,270
HOW FAST TIME IS JUST
SLIPPING AWAY,

324
00:11:10,305 --> 00:11:12,372
AND YOU HAVE TRIED
TO GET TOGETHER

325
00:11:12,407 --> 00:11:13,606
SO MANY TIMES OVER THE YEARS,

326
00:11:13,675 --> 00:11:15,876
SO... HERE I AM.

327
00:11:15,944 --> 00:11:17,710
BETTER LATE THAN NEVER, RIGHT?

328
00:11:17,746 --> 00:11:19,412
OKAY...

329
00:11:20,548 --> 00:11:21,714
OOH, YOU KNOW WHAT,

330
00:11:21,783 --> 00:11:22,916
I'M GOING TO SHOW YOU PICTURES
OF THE GIRLS.

331
00:11:22,951 --> 00:11:24,117
YOU WILL NOT BELIEVE
HOW BIG THEY'RE GETTING.

332
00:11:24,152 --> 00:11:25,151
MM.

333
00:11:25,187 --> 00:11:26,086
ONE SECOND.

334
00:11:29,191 --> 00:11:31,057
[♪♪♪]

335
00:11:36,731 --> 00:11:38,464
NO, IT WAS...
IT WAS FUN.

336
00:11:38,533 --> 00:11:39,399
I MEAN, EVERY SO OFTEN,

337
00:11:39,434 --> 00:11:41,134
THE OLD BETH ANN
WOULD PEEK OUT,

338
00:11:41,169 --> 00:11:44,771
BUT FOR THE MOST PART,
SHE WAS... NICE.

339
00:11:44,806 --> 00:11:45,705
DANI, DON'T BE
SO CYNICAL.

340
00:11:45,740 --> 00:11:47,140
PEOPLE CHANGE.

341
00:11:47,175 --> 00:11:48,341
[ENTRY BELL JINGLES]

342
00:11:50,512 --> 00:11:51,477
HI.

343
00:11:51,546 --> 00:11:53,013
UM, WE WERE JUST OUT

344
00:11:53,048 --> 00:11:54,714
LOOKING FOR SOME
THINGS FOR THE TOUR...

345
00:11:54,783 --> 00:11:55,848
AND CASSIE SAID

346
00:11:55,918 --> 00:11:57,217
THERE WAS A FAN
OF MINE IN HERE.

347
00:11:57,252 --> 00:11:58,919
RIGHT HERE.

348
00:11:58,954 --> 00:12:00,486
YOU MUST BE DANI.

349
00:12:00,522 --> 00:12:03,156
[LAUGHS GIDDILY]
HI. JOHN....

350
00:12:03,191 --> 00:12:04,791
IT'S NICE TO MEET YOU.

351
00:12:04,859 --> 00:12:05,858
AND YOU'RE PAMELA!

352
00:12:05,894 --> 00:12:07,493
I'VE LOVED YOU BOTH
FOR SO LONG.

353
00:12:07,529 --> 00:12:09,796
AW, THANKS.

354
00:12:09,831 --> 00:12:11,298
DANI, NOW'S YOUR CHANCE,
YOU CAN GET A PHOTO.

355
00:12:11,366 --> 00:12:12,732
OH, I DON'T WANT
TO BOTHER JOHN.

356
00:12:12,767 --> 00:12:14,067
IT'S NO BOTHER.

357
00:12:14,136 --> 00:12:15,435
GIVE PAM YOUR PHONE.

358
00:12:15,470 --> 00:12:16,903
I DON'T HAVE A PHONE.

359
00:12:16,939 --> 00:12:17,938
JENN, I DON'T
HAVE A PHONE--

360
00:12:17,973 --> 00:12:19,005
OH, USE MINE.

361
00:12:19,041 --> 00:12:19,973
HERE.

362
00:12:26,415 --> 00:12:27,180
[CAMERA SHUTTER CLICKS]

363
00:12:27,215 --> 00:12:28,214
PERFECT.

364
00:12:29,284 --> 00:12:30,483
OKAY, BABE,

365
00:12:30,552 --> 00:12:32,718
YOU ARE GOING
TO BE LATE.

366
00:12:32,754 --> 00:12:34,487
I'M GOING TO STAY
AND DO SOME SHOPPING.

367
00:12:34,522 --> 00:12:35,621
YES, MA'AM.

368
00:12:36,758 --> 00:12:37,958
IT WAS NICE
TO MEET YOU BOTH.

369
00:12:38,026 --> 00:12:39,592
IT'S NICE
TO MEET YOU, TOO.

370
00:12:39,661 --> 00:12:40,793
THANK YOU.

371
00:12:40,829 --> 00:12:41,761
JOHN DALTON...

372
00:12:43,865 --> 00:12:46,199
I HAVE A SET OF ROYAL ALBERT
AND I'M MISSING A COUPLE PIECES.

373
00:12:46,234 --> 00:12:47,233
DO YOU HAVE ANY?

374
00:12:47,302 --> 00:12:48,268
OH, UH, YES.

375
00:12:48,303 --> 00:12:49,502
BACK IN THE CORNER.

376
00:12:51,340 --> 00:12:53,173
HOW CUTE IS THAT?

377
00:12:58,213 --> 00:12:59,980
[STRUMMING]

378
00:13:02,284 --> 00:13:05,718
[EXPERIMENTALLY HUMMING A TUNE]

379
00:13:05,753 --> 00:13:07,820
[♪♪♪]

380
00:13:18,066 --> 00:13:19,099
[DOORBELL RINGS]

381
00:13:27,642 --> 00:13:29,542
SORRY TO COME BY SO LATE.

382
00:13:29,577 --> 00:13:31,378
CAN WE TALK?

383
00:13:31,413 --> 00:13:32,345
SURE.

384
00:13:32,381 --> 00:13:33,880
COME ON IN.

385
00:13:40,055 --> 00:13:42,889
SO, LISTEN, I'M SORRY
ABOUT THIS AFTERNOON.

386
00:13:42,924 --> 00:13:44,290
OKAY?

387
00:13:46,694 --> 00:13:49,262
YOU ARE AN INTEGRAL
PART OF THIS BAND,

388
00:13:49,297 --> 00:13:51,164
AND I-- AND JOHN--

389
00:13:51,199 --> 00:13:53,866
WE COULDN'T IMAGINE GOING
ON THIS TOUR WITHOUT YOU.

390
00:13:53,935 --> 00:13:56,136
JOHN MUST HAVE REALLY
LET YOU HAVE IT.

391
00:13:56,204 --> 00:13:57,404
THIS HAS NOTHING
TO DO WITH JOHN.

392
00:13:57,439 --> 00:13:59,072
I OVERREACTED.

393
00:13:59,141 --> 00:14:01,474
I KNOW THAT
WHEN THAT CURTAIN GOES UP,

394
00:14:01,510 --> 00:14:03,309
YOU WILL BE THERE 100%.

395
00:14:03,378 --> 00:14:04,744
WELL, THANK YOU.

396
00:14:06,981 --> 00:14:08,648
IS THERE ANYTHING GOING ON?

397
00:14:08,683 --> 00:14:11,017
ANYTHING YOU WANT TO TALK ABOUT?

398
00:14:11,053 --> 00:14:12,452
I'M FINE.

399
00:14:12,487 --> 00:14:15,655
I ALWAYS GET A LITTLE...
EMOTIONAL BEFORE A TOUR.

400
00:14:15,723 --> 00:14:16,456
HEY, YEAH, I GET THAT.

401
00:14:16,525 --> 00:14:18,091
I GET THAT. ME TOO.

402
00:14:19,294 --> 00:14:22,228
WELL, THANK YOU
FOR COMING OVER.

403
00:14:23,598 --> 00:14:26,166
YOU KNOW, I COULD USE A DRINK.

404
00:14:27,502 --> 00:14:28,834
UH...

405
00:14:28,903 --> 00:14:30,937
IT'S KINDA LATE, RICK.

406
00:14:31,005 --> 00:14:32,505
YEAH, YOU'RE RIGHT.

407
00:14:34,076 --> 00:14:35,308
I'LL LET MYSELF OUT.

408
00:14:35,377 --> 00:14:36,576
GOODNIGHT.

409
00:14:36,611 --> 00:14:38,344
YEAH.

410
00:14:49,791 --> 00:14:51,891
YOU'VE BEEN TO THE
SECOND AVE CLUB BEFORE, RIGHT?

411
00:14:51,960 --> 00:14:53,460
A LONG TIME AGO.

412
00:14:53,495 --> 00:14:54,794
WOULDN'T IT BE GREAT
IF WE STUCK AROUND

413
00:14:54,829 --> 00:14:56,862
AND WE COULD SEE
THE ACTUAL SHOW?

414
00:14:56,898 --> 00:14:58,698
YEAH, BUT SOUND CHECK
WILL BE FUN.

415
00:14:58,733 --> 00:15:00,666
OH, BETH ANN SAYS

416
00:15:00,735 --> 00:15:02,702
SHE WANTS TO WORK HERE
ONE AFTERNOON.

417
00:15:02,737 --> 00:15:03,769
OH.

418
00:15:03,838 --> 00:15:05,037
NOT HANG OUT,
BUT WORK?

419
00:15:05,073 --> 00:15:06,339
THAT'S WHAT SHE SAID.

420
00:15:06,374 --> 00:15:07,340
I SAY LET HER.

421
00:15:07,409 --> 00:15:08,708
SHE KNOWS ANTIQUES.

422
00:15:08,743 --> 00:15:10,009
OH, BUT CAN SHE SELL?

423
00:15:10,044 --> 00:15:12,712
I'VE ONLY EVER SEEN HER BUY.

424
00:15:12,780 --> 00:15:17,717
[♪♪♪]

425
00:15:17,752 --> 00:15:19,685
WHEW!

426
00:15:19,754 --> 00:15:20,520
HI. JENN AND DANI?

427
00:15:20,589 --> 00:15:21,921
WE'RE ON THE LIST?

428
00:15:23,758 --> 00:15:24,591
THANK YOU.

429
00:15:35,537 --> 00:15:36,603
I WILL
FIGURE IT OUT--

430
00:15:36,671 --> 00:15:38,037
-FIND HER.
-I WILL DEAL WITH IT--

431
00:15:38,072 --> 00:15:39,372
-FIND HER.
-OKAY.

432
00:15:41,876 --> 00:15:44,377
[PAMELA SIGHING
TESTILY]

433
00:15:44,412 --> 00:15:46,045
-HI.
-HI.

434
00:15:46,114 --> 00:15:47,880
IS EVERYTHING OKAY?

435
00:15:47,915 --> 00:15:50,150
LITA, OUR BASS PLAYER,
NEEDS TO BE HERE NOW.

436
00:15:50,185 --> 00:15:51,651
OUR SOUND CHECK
STARTS IN MINUTES.

437
00:15:51,686 --> 00:15:53,119
JOHN USES THIS
AS A LAST REHEARSAL,

438
00:15:53,155 --> 00:15:54,254
RUNS THROUGH STOPS AND STARTS--

439
00:15:54,289 --> 00:15:55,522
PAMELA!

440
00:16:00,094 --> 00:16:01,594
WHAT IS THIS?

441
00:16:01,630 --> 00:16:03,163
WE ALL JUST GOT THIS.

442
00:16:04,332 --> 00:16:06,633
"I CAN'T DO THIS ANYMORE.

443
00:16:06,668 --> 00:16:07,467
"LOVE YOU ALL.
GOODBYE.

444
00:16:07,502 --> 00:16:08,468
LITA."

445
00:16:08,537 --> 00:16:09,835
SHE CAN'T QUIT.

446
00:16:09,871 --> 00:16:11,704
NOT NOW.

447
00:16:11,773 --> 00:16:13,473
I'M GOING TO DRAG HER BACK HERE
BY THE SCRUFF OF THE NECK.

448
00:16:13,508 --> 00:16:14,807
CASSIE, DRIVE ME OVER.

449
00:16:14,876 --> 00:16:16,075
I'LL HAVE HER BACK
IN HALF AN HOUR.

450
00:16:17,679 --> 00:16:18,645
[RICK]:
ALL RIGHT, BACK TO WORK!

451
00:16:18,680 --> 00:16:20,180
BACK TO WORK!

452
00:16:20,248 --> 00:16:21,814
SOUND CHECK IN 30 MINUTES.

453
00:16:21,849 --> 00:16:23,716
THE SHOW STARTS ON TIME,
ALL RIGHT?

454
00:16:25,487 --> 00:16:26,819
YOU GUYS ARE WELCOME TO STAY.

455
00:16:26,854 --> 00:16:29,121
LOOKS LIKE WE'LL BE DELAYED
HALF AN HOUR OR SO.

456
00:16:29,191 --> 00:16:30,356
WHAT HAPPENED?

457
00:16:30,392 --> 00:16:31,857
OUR BASS PLAYER
JUST QUIT,

458
00:16:31,893 --> 00:16:32,958
BY TEXT.

459
00:16:44,706 --> 00:16:45,672
HER CAR'S HERE.

460
00:16:45,707 --> 00:16:46,639
YEAH.

461
00:16:49,377 --> 00:16:51,344
LITA!

462
00:16:51,379 --> 00:16:52,612
[BANGING]

463
00:16:52,647 --> 00:16:54,614
OPEN THE DOOR!

464
00:16:54,649 --> 00:16:55,915
[POUNDING]

465
00:16:57,252 --> 00:16:58,585
USE YOUR KEY.

466
00:17:06,961 --> 00:17:08,595
LITA?

467
00:17:10,665 --> 00:17:12,164
LITA?

468
00:17:13,735 --> 00:17:14,767
[GASPS IN HORROR]

469
00:17:15,870 --> 00:17:17,337
CALL 9-1-1.

470
00:17:25,146 --> 00:17:27,313
I-I NEED...
I NEED AN AMBULANCE.

471
00:17:43,523 --> 00:17:45,290
[CAMERA SHUTTERS SNAPPING]

472
00:17:46,359 --> 00:17:47,559
YOU GOT IT?

473
00:17:47,594 --> 00:17:48,426
YEAH.

474
00:17:48,495 --> 00:17:49,294
THANK YOU.

475
00:18:16,223 --> 00:18:17,989
WHAT ARE YOU
DOING HERE?

476
00:18:18,057 --> 00:18:19,790
WHAT ARE YOU DOING HERE?

477
00:18:19,859 --> 00:18:21,526
THIS ISN'T A HOMICIDE.

478
00:18:21,561 --> 00:18:23,828
A DETECTIVE GOES TO THE SCENE
OF ANY UNATTENDED DEATH.

479
00:18:23,863 --> 00:18:25,130
AND YOU?

480
00:18:25,165 --> 00:18:27,532
WELL, I WAS AT THE CLUB
WHEN EVERYONE GOT THE TEXT.

481
00:18:27,567 --> 00:18:29,534
LITA MERRILL BROUGHT
SOME THINGS INTO MY STORE.

482
00:18:29,603 --> 00:18:31,469
SHE'S SELLING THEM
ON CONSIGNMENT.

483
00:18:31,505 --> 00:18:32,803
AND?

484
00:18:32,872 --> 00:18:35,173
WELL, WHY DOES SOMEONE
SELL THINGS ON CONSIGNMENT

485
00:18:35,208 --> 00:18:36,907
IF THEY'RE PLANNING ON
KILLING THEMSELVES?

486
00:18:36,943 --> 00:18:39,210
WELL, THAT APPEARS TO BE
WHAT HAPPENED.

487
00:18:39,246 --> 00:18:40,445
OKAY.

488
00:18:40,514 --> 00:18:41,779
IF IT'S NOT A CRIME SCENE,

489
00:18:41,814 --> 00:18:43,814
THEN YOU DON'T MIND
IF I TAKE A LOOK AROUND, DO YOU?

490
00:18:43,850 --> 00:18:45,617
[SIGHS]

491
00:18:45,652 --> 00:18:47,218
ALL RIGHT.

492
00:18:47,254 --> 00:18:48,719
I'LL HUMOR YOU.

493
00:18:48,788 --> 00:18:51,956
JUST TAKE A LOOK AROUND,
AND TELL ME WHAT YOU SEE.

494
00:18:51,991 --> 00:18:52,923
I'LL BE BACK IN A MINUTE,

495
00:18:52,959 --> 00:18:55,493
AND DON'T TOUCH ANYTHING.

496
00:19:35,935 --> 00:19:37,435
[SIGHS SADLY]

497
00:19:46,879 --> 00:19:47,878
OKAY, SHERLOCK,

498
00:19:47,947 --> 00:19:49,180
KNOCK YOURSELF OUT.

499
00:19:49,249 --> 00:19:51,516
LET'S HEAR
WHAT YOU GOT.

500
00:19:51,551 --> 00:19:55,119
WELL, LET ME FIRST SAY,
THIS IS INCREDIBLY SAD.

501
00:19:55,154 --> 00:19:56,821
I MEAN, I DIDN'T KNOW
LITA MERRILL THAT WELL,

502
00:19:56,889 --> 00:19:59,724
BUT IT'S HARD TO BELIEVE
SHE'S GONE.

503
00:19:59,759 --> 00:20:01,192
BUT FROM A MYSTERY STANDPOINT,

504
00:20:01,228 --> 00:20:03,761
THERE DOESN'T APPEAR TO BE
ANY FORCED ENTRY.

505
00:20:03,796 --> 00:20:05,763
WERE THE DOORS LOCKED,
THE WINDOWS UNDISTURBED?

506
00:20:05,832 --> 00:20:07,532
ALL OF THEM.

507
00:20:07,567 --> 00:20:08,433
DID YOU SEE THE TEXT?

508
00:20:08,468 --> 00:20:09,667
NO.

509
00:20:09,736 --> 00:20:11,236
BUT PAMELA TOLD ME
THAT LITA WROTE

510
00:20:11,271 --> 00:20:13,304
SHE COULDN'T DO THIS ANYMORE,
SHE LOVED EVERYONE,

511
00:20:13,340 --> 00:20:14,472
AND GOODBYE.

512
00:20:14,507 --> 00:20:16,107
AND THERE'S YOUR SUICIDE NOTE.

513
00:20:16,142 --> 00:20:18,376
NOW, FROM WHAT I KNOW,

514
00:20:18,411 --> 00:20:21,479
DALTON AND CASSIE,
THEY KNOCKED ON THE DOOR,

515
00:20:21,514 --> 00:20:22,580
THERE'S NO ANSWER,

516
00:20:22,616 --> 00:20:23,548
AND THEY LET THEMSELVES IN.

517
00:20:23,583 --> 00:20:24,782
WAIT, THEY HAD A KEY?

518
00:20:24,851 --> 00:20:26,016
YES.

519
00:20:26,052 --> 00:20:28,219
CASSIE HAS ONE
FOR EVERY BAND MEMBER.

520
00:20:28,288 --> 00:20:29,721
SO, THEY ENTERED,

521
00:20:29,756 --> 00:20:31,289
THEY SAW HER HANGING.

522
00:20:31,358 --> 00:20:33,090
CASSIE CALLED 9-1-1,

523
00:20:33,159 --> 00:20:35,660
AND THEN JOHN LIFTED HER DOWN,

524
00:20:35,695 --> 00:20:38,463
AND ATTEMPTED RESUSCITATION.

525
00:20:38,498 --> 00:20:39,731
WHAT'S YOUR THEORY?

526
00:20:39,799 --> 00:20:41,999
SHE SEEMED SO HAPPY, FRANK.

527
00:20:42,034 --> 00:20:43,768
SHE WAS VERY EXCITED
ABOUT GOING ON TOUR.

528
00:20:43,803 --> 00:20:45,770
IT JUST DOESN'T FIT.

529
00:20:45,838 --> 00:20:46,638
WELL, A LOT OF PEOPLE,

530
00:20:46,673 --> 00:20:49,073
YOU KNOW, TROUBLED PEOPLE,

531
00:20:49,108 --> 00:20:51,208
THEY'RE ABLE TO HIDE
THEIR PROBLEMS.

532
00:20:51,244 --> 00:20:53,378
I'VE SEEN IT MANY TIMES BEFORE.

533
00:20:53,413 --> 00:20:55,913
NOW WHAT HAPPENS?

534
00:20:55,948 --> 00:20:56,914
WAIT FOR THE CORONER'S REPORT,

535
00:20:56,949 --> 00:20:59,584
AND IF ALL
IS AS IT SEEMS, THEN...

536
00:20:59,653 --> 00:21:01,286
IT IS WHAT IT IS.

537
00:21:13,333 --> 00:21:14,265
HERE YOU GO.

538
00:21:14,301 --> 00:21:15,433
THANK YOU.

539
00:21:18,004 --> 00:21:19,904
TAKE-OUT'S IN THE KITCHEN.

540
00:21:19,972 --> 00:21:21,472
I THOUGHT
YOU MIGHT NEED ITALIAN.

541
00:21:21,508 --> 00:21:23,474
YOU KNOW ME SO WELL.

542
00:21:23,543 --> 00:21:25,176
I'M SORRY ABOUT YOUR FRIEND.

543
00:21:26,613 --> 00:21:30,147
I KEEP THINKING ABOUT
THE LAST TIME I SAW LITA.

544
00:21:30,216 --> 00:21:31,248
I DON'T KNOW WHAT TO DO

545
00:21:31,284 --> 00:21:33,117
WITH THE STUFF
SHE BROUGHT IN THE STORE.

546
00:21:33,152 --> 00:21:34,585
WELL, IT BELONGS
TO THE ESTATE,

547
00:21:34,621 --> 00:21:36,253
SO SOMEONE
CAN COME AND CLAIM IT,

548
00:21:36,289 --> 00:21:38,756
OR YOU CAN BRING IT
TO THE POLICE.

549
00:21:38,825 --> 00:21:40,325
DOES SHE HAVE FAMILY HERE?

550
00:21:40,360 --> 00:21:41,459
I DON'T KNOW.

551
00:21:41,494 --> 00:21:43,628
I REALLY DON'T KNOW
THAT MUCH ABOUT HER.

552
00:21:44,664 --> 00:21:46,297
WE ARE LUCKY.

553
00:21:46,333 --> 00:21:48,032
WE HAVE EACH OTHER,

554
00:21:48,100 --> 00:21:49,567
WE HAVE TWO GREAT KIDS.

555
00:21:49,602 --> 00:21:50,401
LIFE IS GOOD.

556
00:21:50,437 --> 00:21:52,503
LIFE IS GOOD.

557
00:21:52,539 --> 00:21:53,938
BUT AS FOR THE TWO GREAT KIDS...

558
00:21:53,973 --> 00:21:55,005
[CHUCKLES]

559
00:21:55,074 --> 00:21:56,774
RIGHT NOW,
I'M THINKING ONLY ONE.

560
00:21:56,810 --> 00:21:59,711
HANNAH IS CAUSING ME
SO MUCH GRIEF AT WORK.

561
00:21:59,779 --> 00:22:00,911
ACTUALLY, NOT HANNAH,
MY DAUGHTER,

562
00:22:00,947 --> 00:22:02,647
BECAUSE NO ONE KNOWS
IT'S MY DAUGHTER

563
00:22:02,716 --> 00:22:05,416
WHO'S WORKING AGAINST
MY COMPANY'S BIGGEST PROJECT.

564
00:22:06,619 --> 00:22:08,820
IT'LL BE OKAY.

565
00:22:08,888 --> 00:22:10,087
I'LL, UH, GET YOU THE FOOD.

566
00:22:10,122 --> 00:22:11,556
THANKS.

567
00:22:15,294 --> 00:22:17,829
[♪♪♪]

568
00:22:17,864 --> 00:22:20,197
IT'S HORRIBLE.
I CAN'T BELIEVE IT.

569
00:22:20,266 --> 00:22:21,232
I KNEW SOMETHING
WAS WRONG

570
00:22:21,267 --> 00:22:22,367
THE MINUTE EVERYONE
CAME ON STAGE

571
00:22:22,402 --> 00:22:23,835
WITH THEIR CELL PHONES.

572
00:22:23,870 --> 00:22:25,236
YOU COULD SEE
FROM THEIR FACES,

573
00:22:25,304 --> 00:22:26,804
THE BAND WAS
JUST DEVASTATED.

574
00:22:28,575 --> 00:22:30,842
WHERE'S YOUR SISTER?

575
00:22:30,877 --> 00:22:33,277
UM, SHE'S BACK AT THE HOTEL.

576
00:22:33,312 --> 00:22:34,178
SHE GOT THEATRE TICKETS.

577
00:22:34,247 --> 00:22:35,413
WE'RE GOING LATER.

578
00:22:35,448 --> 00:22:37,415
OH, I THOUGHT SHE WANTED
TO WORK IN THE STORE.

579
00:22:37,450 --> 00:22:38,416
OH, SHE DOES.

580
00:22:38,485 --> 00:22:39,851
SHE'S WORKING UP TO IT.

581
00:22:42,054 --> 00:22:43,287
WHAT ARE YOU READING?

582
00:22:43,356 --> 00:22:45,456
OH, JUST A LITTLE
AGATHA CHRISTIE.

583
00:22:45,492 --> 00:22:46,791
OH, NO.

584
00:22:46,826 --> 00:22:48,393
WHAT?

585
00:22:48,428 --> 00:22:50,094
YOU'RE DOING IT AGAIN.

586
00:22:50,129 --> 00:22:51,562
DOING WHAT?

587
00:22:51,631 --> 00:22:54,265
I'M JUST READING
A LITTLE MYSTERY BOOK.

588
00:22:54,300 --> 00:22:57,769
OH, YES, AND MY SISTER'S HERE
BECAUSE SHE MISSES ME.

589
00:22:57,837 --> 00:23:00,438
SOLVE THAT MYSTERY.

590
00:23:16,523 --> 00:23:17,722
-HEY, DAD.
-HEY.

591
00:23:17,757 --> 00:23:19,189
UH, ARE YOU GOING?

592
00:23:19,225 --> 00:23:20,425
-I WAS GOING TO TALK TO YOU.
-YEAH, I'VE GOT STUDY GROUP.

593
00:23:20,460 --> 00:23:21,292
UM, NOT SURE
WHEN I'LL BE BACK,

594
00:23:21,327 --> 00:23:22,259
BUT WE'LL TALK.

595
00:23:22,295 --> 00:23:23,227
OKAY.

596
00:23:28,968 --> 00:23:31,803
I TALKED TO HANNAH
ABOUT THE HATCHER BUILDING.

597
00:23:31,838 --> 00:23:34,906
THAT BUILDING HAS NO
HISTORICAL SIGNIFICANCE.

598
00:23:34,941 --> 00:23:36,841
I MEAN, IT LOOKS GOOD
ON THE OUTSIDE,

599
00:23:36,876 --> 00:23:38,142
BUT THE INSIDE
IS COMPLETELY ROTTING.

600
00:23:38,177 --> 00:23:39,710
SHE'S PRETTY PASSIONATE
ABOUT IT,

601
00:23:39,746 --> 00:23:41,746
AND ISN'T THAT
HOW WE RAISED HER,

602
00:23:41,781 --> 00:23:43,113
TO FIGHT FOR WHAT
SHE BELIEVES IN?

603
00:23:43,182 --> 00:23:45,716
WELL, WHY COULDN'T SHE BE
PASSIONATE ABOUT NEW CONDOS?

604
00:23:45,785 --> 00:23:47,284
[CHUCKLES]

605
00:23:47,320 --> 00:23:49,887
[♪♪♪]

606
00:23:53,760 --> 00:23:55,426
THE SHOW'S BEEN
RESCHEDULED.

607
00:23:55,462 --> 00:23:57,027
IT'LL BE
A TRIBUTE TO LITA.

608
00:23:57,063 --> 00:23:59,597
I HAVE TICKETS,
IF YOU'RE STILL INTERESTED.

609
00:23:59,632 --> 00:24:00,565
WELL, I AM.

610
00:24:00,600 --> 00:24:01,599
THANK YOU.

611
00:24:01,634 --> 00:24:02,867
HOW'S JOHN?

612
00:24:02,902 --> 00:24:05,436
IT'S BEEN ROUGH.

613
00:24:05,472 --> 00:24:08,873
HE KIND OF WITHDREW INTO HIMSELF
FOR A FEW DAYS.

614
00:24:08,908 --> 00:24:11,843
IT WAS SO TRAUMATIC.

615
00:24:11,878 --> 00:24:14,244
HE HAD NO CLUE LITA WAS
GOING THROUGH ANYTHING.

616
00:24:14,280 --> 00:24:15,580
I GUESS SOMETIMES

617
00:24:15,615 --> 00:24:17,147
IT'S HARD
TO SEE THE SIGNS.

618
00:24:17,183 --> 00:24:18,148
ACTUALLY,

619
00:24:18,184 --> 00:24:19,350
OUR MANAGER NOTICED

620
00:24:19,418 --> 00:24:21,452
SHE SEEMED A LITTLE OUT OF IT
AT REHEARSAL.

621
00:24:21,488 --> 00:24:23,187
BUT...

622
00:24:23,222 --> 00:24:24,989
POOR JOHN.

623
00:24:25,024 --> 00:24:26,958
HE'S NEVER BEEN GOOD
AROUND DEATH,

624
00:24:26,993 --> 00:24:28,359
AND HE WALKS IN--

625
00:24:28,394 --> 00:24:30,027
THOUGHT SHE MIGHT
STILL BE ALIVE.

626
00:24:30,062 --> 00:24:31,061
HE PERFORMED CPR

627
00:24:31,130 --> 00:24:33,297
UNTIL THE AMBULANCE GUYS
ARRIVED.

628
00:24:33,332 --> 00:24:34,932
REALLY FREAKED HIM OUT.

629
00:24:34,968 --> 00:24:36,567
I'M SORRY.

630
00:24:36,603 --> 00:24:38,102
THANK YOU.

631
00:24:38,137 --> 00:24:40,805
IT'LL TAKE TIME, BUT...
WE'LL GET THROUGH IT.

632
00:24:44,343 --> 00:24:46,276
OKAY, YOU'RE NOT GOING
TO LIKE WHAT I'M THINKING.

633
00:24:46,312 --> 00:24:48,212
I ALREADY DON'T LIKE IT.

634
00:24:48,247 --> 00:24:50,381
I HAVE A PRETTY GOOD
SENSE ABOUT PEOPLE,

635
00:24:50,416 --> 00:24:51,549
YOU GRANT ME THAT, RIGHT?

636
00:24:51,618 --> 00:24:53,484
OKAY, GRANTED.

637
00:24:53,553 --> 00:24:55,252
I TOLD YOU THAT LITA
CAME INTO THE STORE

638
00:24:55,287 --> 00:24:56,654
BEFORE ALL THIS HAPPENED?

639
00:24:56,689 --> 00:24:57,989
I KNOW.

640
00:24:58,024 --> 00:24:59,189
SHE BROUGHT SOME THINGS IN
TO SELL ON CONSIGNMENT.

641
00:24:59,258 --> 00:25:00,825
YES.

642
00:25:00,860 --> 00:25:03,327
THAT'S NOT WHAT A SERIOUSLY
DEPRESSED PERSON DOES.

643
00:25:03,362 --> 00:25:05,930
I JUST DIDN'T GET
THAT FEELING FROM HER.

644
00:25:05,965 --> 00:25:07,464
SO..?

645
00:25:09,002 --> 00:25:11,101
SO, THIS REMINDS ME
OF AN AGATHA CHRISTIE MYSTERY,

646
00:25:11,137 --> 00:25:13,470
WHERE THERE WAS
A STAGED SUICIDE.

647
00:25:14,641 --> 00:25:15,873
GO AHEAD.

648
00:25:15,909 --> 00:25:16,874
I DON'T KNOW
THAT LITA MERRILL

649
00:25:16,910 --> 00:25:18,976
EVEN KICKED THAT CHAIR OVER.

650
00:25:19,012 --> 00:25:20,277
IS IT POSSIBLE

651
00:25:20,312 --> 00:25:22,246
THAT SOMEONE TIED THAT ROPE
OVER THE BEAM,

652
00:25:22,281 --> 00:25:23,881
LIFTED HER UP,
AND PLACED HER INTO THE ROPE,

653
00:25:23,950 --> 00:25:25,182
THEN FLUNG THE CHAIR OVER

654
00:25:25,251 --> 00:25:26,651
MAKING IT LOOK LIKE
IT WAS KICKED?

655
00:25:26,719 --> 00:25:28,519
AND I TOOK A CLOSE LOOK
AT THAT CHAIR?

656
00:25:28,555 --> 00:25:30,021
THERE WAS
A LOOSE SCREW ON THE LEG.

657
00:25:30,056 --> 00:25:31,055
I DON'T EVEN KNOW

658
00:25:31,123 --> 00:25:31,923
IF IT COULD HAVE
SUPPORTED THE WEIGHT

659
00:25:31,958 --> 00:25:32,924
OF SOMEONE STANDING ON IT.

660
00:25:34,794 --> 00:25:36,093
SO, MY AIRTIGHT,

661
00:25:36,162 --> 00:25:38,328
LOCKED-UP-AND-DONE SUICIDE

662
00:25:38,364 --> 00:25:39,764
IS NOW MURDER?

663
00:25:39,799 --> 00:25:41,298
NOT YET.

664
00:25:41,367 --> 00:25:42,733
BUT CAN WE TAKE
A CLOSER LOOK?

665
00:25:45,615 --> 00:25:47,748
SHE WAS PRETTY MUCH
ALONE IN THE WORLD.

666
00:25:48,007 --> 00:25:49,340
BOTH PARENTS DEAD,

667
00:25:48,875 --> 00:25:50,541
NO BROTHERS AND SISTERS.

668
00:25:51,845 --> 00:25:53,945
DID SHE OWN THIS HOUSE?

669
00:25:54,014 --> 00:25:55,312
WHO WOULD IT GO TO?

670
00:25:55,348 --> 00:25:57,181
WELL, IT DOESN'T APPEAR
SHE HAD A WILL,

671
00:25:57,216 --> 00:25:58,482
AND IF NO HEIRS COME FORWARD,

672
00:25:58,518 --> 00:25:59,951
THE ASSETS WILL GO TO THE STATE.

673
00:25:59,986 --> 00:26:01,252
WHAT WERE THE ASSETS?

674
00:26:01,287 --> 00:26:02,553
NOT MUCH.

675
00:26:02,588 --> 00:26:03,855
THE HOUSE HAS A MORTGAGE.

676
00:26:03,923 --> 00:26:05,222
SEVEN-YEAR-OLD CAR.

677
00:26:09,562 --> 00:26:12,396
IT'S SPOOKY IN HERE NOW.

678
00:26:12,431 --> 00:26:14,431
WELL, I'D LIKE TO SAY
YOU GET USED TO IT,

679
00:26:14,500 --> 00:26:16,768
BUT... NOT REALLY.

680
00:26:16,803 --> 00:26:17,902
SO...

681
00:26:17,937 --> 00:26:20,538
WHAT'S ON THE AGENDA
FOR US TODAY?

682
00:26:20,573 --> 00:26:22,840
WELL, I NEVER
REALLY DID GET TO SEE

683
00:26:22,876 --> 00:26:24,676
THE WHOLE HOUSE, SO...

684
00:26:24,744 --> 00:26:27,511
MAYBE JUST
LOOK AROUND, OKAY?

685
00:26:27,547 --> 00:26:28,913
MM-HMM.

686
00:26:30,917 --> 00:26:32,449
A HOME RECORDING STUDIO.

687
00:26:32,485 --> 00:26:34,385
I WONDER IF SHE LEFT A MESSAGE.

688
00:26:34,420 --> 00:26:36,821
WELL, I THINK THAT TEXT
COVERS MESSAGES.

689
00:26:36,856 --> 00:26:38,255
SHE SAID HER GOODBYES.

690
00:26:38,291 --> 00:26:42,393
DID SHE HAVE A DIARY,
OR ANYTHING LIKE THAT?

691
00:26:42,461 --> 00:26:43,327
NOPE.

692
00:26:44,731 --> 00:26:46,864
WHAT ABOUT A BOYFRIEND
OR AN EX?

693
00:26:46,900 --> 00:26:47,865
HER LAST RELATIONSHIP ENDED

694
00:26:47,901 --> 00:26:49,600
ABOUT TWO AND A HALF
YEARS AGO.

695
00:26:49,635 --> 00:26:51,235
HE'S MARRIED NOW,
LIVES IN FLORIDA.

696
00:26:58,812 --> 00:27:01,012
HEY, THERE ARE
TWO TOOTHBRUSHES IN HERE.

697
00:27:01,047 --> 00:27:02,046
TWO TOOTHBRUSHES?

698
00:27:02,082 --> 00:27:03,514
REALLY?

699
00:27:03,583 --> 00:27:05,817
SHE WAS MURDERED.

700
00:27:05,885 --> 00:27:07,085
MY WIFE HAS
TWO TOOTHBRUSHES.

701
00:27:07,120 --> 00:27:08,652
SO WHAT?

702
00:27:08,688 --> 00:27:09,754
CAN WE WRAP THIS UP?

703
00:27:09,789 --> 00:27:12,423
I'VE GOT A REAL MURDER
TO FOLLOW UP ON.

704
00:27:18,464 --> 00:27:19,697
FRANK...

705
00:27:20,900 --> 00:27:22,233
SEE?

706
00:27:22,301 --> 00:27:23,968
TAKE A LOOK AT THIS,
WHAT DO YOU THINK?

707
00:27:25,739 --> 00:27:27,504
WELL, IT'S
A LITTLE WOBBLY,

708
00:27:27,540 --> 00:27:29,440
DOESN'T MEAN SOMEBODY
COULDN'T STAND ON IT.

709
00:27:29,475 --> 00:27:32,610
YEAH, YOU'RE PROBABLY RIGHT.

710
00:27:32,645 --> 00:27:34,578
I DON'T KNOW, I JUST...

711
00:27:34,647 --> 00:27:37,181
SOMETHING DOESN'T FEEL RIGHT.

712
00:27:42,822 --> 00:27:44,889
HEY, DID YOU SEE THIS?

713
00:27:44,924 --> 00:27:46,657
THERE'S A SCRATCH ON THE FLOOR

714
00:27:46,692 --> 00:27:47,792
WHERE THE CHAIR WOULD HAVE BEEN,

715
00:27:47,827 --> 00:27:50,294
BUT THE LEGS ON THE CHAIR
HAVE FELT PADS.

716
00:27:50,329 --> 00:27:52,830
THEN THAT CHAIR
DIDN'T MAKE THAT SCRATCH.

717
00:27:52,866 --> 00:27:54,732
DO YOU KNOW WHAT DID?

718
00:27:54,801 --> 00:27:55,967
OR HOW LONG AGO?

719
00:27:57,670 --> 00:27:58,770
OKAY, TIME TO GO.

720
00:27:58,805 --> 00:28:00,371
[SIGHS]

721
00:28:00,406 --> 00:28:01,338
FRANK...

722
00:28:06,545 --> 00:28:08,045
THANK YOU.

723
00:28:08,081 --> 00:28:09,213
[SQUEALS IN EXCITEMENT]

724
00:28:09,282 --> 00:28:11,382
YOU WENT SHOPPING.

725
00:28:11,417 --> 00:28:14,252
HAPPY BELATED BIRTHDAY
TO MY BABY SISTER.

726
00:28:14,320 --> 00:28:15,286
OH.

727
00:28:15,321 --> 00:28:17,721
HERE WE GO.

728
00:28:17,757 --> 00:28:18,756
LOOK.

729
00:28:18,792 --> 00:28:19,657
SO PRETTY.

730
00:28:19,692 --> 00:28:22,126
OH. WOW...

731
00:28:22,162 --> 00:28:24,695
I LOVE THIS ONE.

732
00:28:24,730 --> 00:28:26,030
UM...

733
00:28:27,300 --> 00:28:29,366
OH, HONEY, I...

734
00:28:29,435 --> 00:28:31,435
I DON'T KNOW WHAT TO SAY.

735
00:28:31,470 --> 00:28:32,770
"THANK YOU." [LAUGHS]

736
00:28:32,839 --> 00:28:34,205
EXCEPT I JUST,

737
00:28:34,240 --> 00:28:35,940
I WOULDN'T WEAR ANY OF THESE.

738
00:28:35,975 --> 00:28:39,277
DANI, I WANTED
TO GET YOU SOMETHING NICE.

739
00:28:39,345 --> 00:28:40,477
AND THEY ARE NICE.

740
00:28:40,513 --> 00:28:42,579
AND THEY WOULD LOOK
LOVELY ON YOU.

741
00:28:42,615 --> 00:28:44,916
LISTEN, DANI, I AM...

742
00:28:44,951 --> 00:28:46,918
I'M TRYING TO HELP YOU.

743
00:28:46,986 --> 00:28:48,652
SWEETHEART, YOU'RE STILL SINGLE,

744
00:28:48,688 --> 00:28:51,155
AND YOU DRESS ARTSY.

745
00:28:51,191 --> 00:28:53,224
MAYBE, JUST MAYBE,
IT'S TIME TO...

746
00:28:53,259 --> 00:28:54,992
I DON'T KNOW,
TAKE THINGS MORE SERIOUSLY.

747
00:28:55,028 --> 00:28:57,929
DO SOMETHING MORE IMPORTANT
WITH YOUR LIFE.

748
00:28:57,964 --> 00:29:00,198
I WENT TO THE BATHROOM
WHEN I NEEDED SOAP,

749
00:29:00,233 --> 00:29:01,933
I WENT UNDER YOUR SINK,

750
00:29:01,968 --> 00:29:04,568
AND I FOUND CRYSTALS
ATTACHED TO YOUR PIPES.

751
00:29:04,603 --> 00:29:06,804
[LAUGHS] DANI...

752
00:29:06,840 --> 00:29:08,940
COME ON, I MEAN,
THAT NEW-AGE STUFF,

753
00:29:08,975 --> 00:29:11,209
IT SHOULD HAVE BEEN OVER
YEARS AGO.

754
00:29:11,244 --> 00:29:12,710
THEY CLEANSE THE ENERGY.

755
00:29:13,880 --> 00:29:14,678
YOU DON'T HAVE
TO BELIEVE IT.

756
00:29:14,714 --> 00:29:16,914
WELL, I DON'T.

757
00:29:16,950 --> 00:29:18,049
IT'S OKAY, IT'S FINE,

758
00:29:18,084 --> 00:29:20,451
YOU KNOW, I'M JUST
GONNA RETURN THESE.

759
00:29:20,486 --> 00:29:21,385
BETH ANN, I'M SORRY--

760
00:29:21,454 --> 00:29:23,587
NOT A BIG DEAL.

761
00:29:23,622 --> 00:29:24,956
I DIDN'T MEAN
TO HURT YOUR FEELINGS.

762
00:29:25,024 --> 00:29:27,458
REALLY, IT'S TOTALLY FINE.

763
00:29:27,493 --> 00:29:28,792
IT'S OKAY.

764
00:29:30,296 --> 00:29:31,562
[SIGHS HEAVILY]

765
00:29:40,073 --> 00:29:40,972
EXCUSE ME?

766
00:29:41,007 --> 00:29:41,873
HEY.

767
00:29:41,908 --> 00:29:43,207
DO YOU HAVE ACCESS?

768
00:29:43,243 --> 00:29:44,775
I'D LIKE TO GET INSIDE
AND TAKE SOME PHOTOS.

769
00:29:44,844 --> 00:29:46,377
WELL, YOU'RE GONNA HAVE
TO CONTACT THE OWNERS.

770
00:29:46,412 --> 00:29:47,778
SORRY.

771
00:29:47,813 --> 00:29:48,612
YOU KNOW THEY WANT
TO TEAR THIS DOWN

772
00:29:48,647 --> 00:29:49,580
AND MAKE CONDOS?

773
00:29:49,615 --> 00:29:51,215
YEAH, I HEARD.

774
00:29:51,251 --> 00:29:53,450
IT'S BEEN DETERIORATING
FOR QUITE SOME TIME NOW.

775
00:29:53,486 --> 00:29:54,585
WELL, IT DOESN'T
LOOK IT.

776
00:29:54,620 --> 00:29:56,053
YOU KNOW,
A BUNCH OF US AT SCHOOL

777
00:29:56,089 --> 00:29:57,855
ARE TRYING TO GET IT DESIGNATED
AS A HISTORICAL BUILDING.

778
00:29:57,891 --> 00:29:59,857
THEY CAN'T JUST
TEAR IT DOWN.

779
00:29:59,893 --> 00:30:01,792
THINGS AREN'T ALWAYS
THE WAY THEY LOOK.

780
00:30:01,827 --> 00:30:03,094
THESE OLD BUILDINGS
ARE IMPORTANT.

781
00:30:03,129 --> 00:30:04,695
WE'RE LOSING
ALL SENSE OF OUR PAST.

782
00:30:04,730 --> 00:30:06,330
I AGREE WITH YOU THERE,

783
00:30:06,366 --> 00:30:08,465
BUT THERE MIGHT BE BETTER
BUILDINGS FOR YOU TO SAVE.

784
00:30:08,501 --> 00:30:10,567
WELL, WE'RE STARTING
WITH THIS ONE.

785
00:30:10,603 --> 00:30:12,970
THEN WE'LL TACKLE THE OTHERS.

786
00:30:21,447 --> 00:30:22,780
DR. TRAMELL.

787
00:30:22,815 --> 00:30:23,781
OH, JENNIFER,

788
00:30:23,849 --> 00:30:25,416
THIS IS A SURPRISE,

789
00:30:25,484 --> 00:30:27,385
I HAVEN'T HAD
ANY MURDERS LATELY.

790
00:30:27,453 --> 00:30:28,619
I WAS AT THE SOUND CHECK

791
00:30:28,654 --> 00:30:30,554
WHEN LITA MERRILL
COMMITTED SUICIDE.

792
00:30:30,589 --> 00:30:32,423
I HAVE A COUPLE OF QUESTIONS,

793
00:30:32,491 --> 00:30:33,524
OFF THE RECORD.

794
00:30:33,559 --> 00:30:35,559
I WON'T TELL A SOUL.

795
00:30:38,264 --> 00:30:40,331
I'M JUST SPECULATING,

796
00:30:40,366 --> 00:30:43,901
HAVE YOU EVER HAD A MURDER
STAGED TO APPEAR AS A SUICIDE?

797
00:30:43,937 --> 00:30:45,202
WHY IN THE WORLD

798
00:30:45,238 --> 00:30:46,804
WOULD YOU EVEN BEGIN
TO THINK THAT IN THIS CASE?

799
00:30:46,839 --> 00:30:48,105
JUST A HUNCH.

800
00:30:51,177 --> 00:30:53,010
FOLLOW ME.

801
00:30:59,052 --> 00:31:00,151
LITA MERRILL,

802
00:31:00,186 --> 00:31:01,285
A 30-YEAR-OLD FEMALE,

803
00:31:01,321 --> 00:31:03,187
NORMAL WEIGHT,
APPARENTLY HEALTHY,

804
00:31:03,222 --> 00:31:05,356
NO OTHER SIGNS OF TRAUMA

805
00:31:05,391 --> 00:31:07,825
OTHER THAN THAT
ASSOCIATED WITH HANGING.

806
00:31:08,995 --> 00:31:11,395
WHAT IF SHE WAS
STRANGLED FIRST?

807
00:31:11,431 --> 00:31:12,896
WELL, THE BRUISE
ON HER NECK

808
00:31:12,966 --> 00:31:15,299
WOULD BE DIFFERENT.

809
00:31:15,335 --> 00:31:16,934
HERE, WE HAVE AN INVERTED "V",

810
00:31:16,970 --> 00:31:18,802
WHICH DOESN'T HAPPEN
WITH A STRANGULATION.

811
00:31:18,838 --> 00:31:21,439
THAT WOULD BE A STRAIGHT LINE.

812
00:31:21,474 --> 00:31:23,140
OKAY.

813
00:31:23,209 --> 00:31:25,576
WHAT IF SHE WERE DRUGGED FIRST?

814
00:31:25,644 --> 00:31:26,844
WELL, THERE WOULD BE
EVIDENCE OF THAT

815
00:31:26,879 --> 00:31:28,179
IN HER BLOOD STREAM,

816
00:31:28,247 --> 00:31:30,848
AND THERE'S NOT.

817
00:31:41,227 --> 00:31:42,093
HEY.

818
00:31:42,128 --> 00:31:43,660
HI, HON.

819
00:31:43,696 --> 00:31:45,463
YOU'RE LOOKING
AT OLD BUILDINGS?

820
00:31:45,498 --> 00:31:47,999
THE HATCHER BUILDING,
TO BE PRECISE.

821
00:31:48,067 --> 00:31:49,100
I WAS OUT THERE TODAY,

822
00:31:49,135 --> 00:31:50,201
AND I RAN INTO THAT STUDENT

823
00:31:50,236 --> 00:31:52,436
WHO WAS GIVING THE SPEECH
AT CITY COUNCIL.

824
00:31:52,472 --> 00:31:53,770
THE ONE
HANNAH WAS AT?

825
00:31:53,806 --> 00:31:55,106
YEAH.

826
00:31:55,141 --> 00:31:57,808
SHE KNOWS I WOULDN'T
TEAR DOWN AN IMPORTANT BUILDING.

827
00:31:57,843 --> 00:31:59,543
BUT I CAN'T
SEEM TO FIND

828
00:31:59,612 --> 00:32:02,146
ANYTHING IMPORTANT
ABOUT IT.

829
00:32:02,215 --> 00:32:03,914
WHAT DOES HANNAH SAY?

830
00:32:03,983 --> 00:32:05,383
WE HAVEN'T HAD
THAT CONVERSATION.

831
00:32:06,585 --> 00:32:08,819
BUT I DID TALK
WITH FRANK LYNWOOD TODAY.

832
00:32:08,888 --> 00:32:10,687
HE SAID YOU DRAGGED HIM
OUT TO THAT HOUSE

833
00:32:10,723 --> 00:32:12,490
WHERE THE MUSICIAN DIED.

834
00:32:12,525 --> 00:32:14,392
AND HE'S HOPING YOU'LL TALK
SOME SENSE INTO ME?

835
00:32:15,728 --> 00:32:17,261
LET ME ASK YOU THIS,

836
00:32:17,330 --> 00:32:19,330
IS IT POSSIBLE
THAT THIS IS JUST A CASE

837
00:32:19,365 --> 00:32:21,632
OF A DISTRAUGHT WOMAN
WHO TOOK HER OWN LIFE?

838
00:32:21,700 --> 00:32:23,167
YES.

839
00:32:23,202 --> 00:32:24,235
AND FRANK SAID

840
00:32:24,303 --> 00:32:25,469
THAT SHE HAD SENT A TEXT
FROM HER PHONE

841
00:32:25,505 --> 00:32:27,438
WITHIN AN HOUR
OF THEM DISCOVERING HER?

842
00:32:27,473 --> 00:32:29,340
THAT'S TRUE, TOO.

843
00:32:29,375 --> 00:32:31,208
AND THERE ARE NO SUSPECTS,
AND NO MOTIVE.

844
00:32:31,244 --> 00:32:33,310
BUT YOU THINK...

845
00:32:33,346 --> 00:32:35,846
I DON'T KNOW WHAT I THINK.

846
00:32:35,881 --> 00:32:37,581
I JUST GO BY MY FEELINGS,

847
00:32:37,650 --> 00:32:39,650
AND SOMETHING
DOESN'T FEEL RIGHT.

848
00:32:41,754 --> 00:32:42,719
HEY...

849
00:32:42,755 --> 00:32:44,721
YOU KNOW WHAT I WAS
THINKING ABOUT

850
00:32:44,790 --> 00:32:46,190
ON THE DRIVE HOME?

851
00:32:46,259 --> 00:32:47,891
OH, I COULD GUESS.

852
00:32:47,927 --> 00:32:49,260
THAT OMELETTE
YOU MAKE?

853
00:32:49,295 --> 00:32:50,894
THE ONE WITH
THE SWISS CHEESE

854
00:32:50,963 --> 00:32:51,895
AND THE PROVOLONE.

855
00:32:51,964 --> 00:32:53,764
OH, IT'S SO GOOD.

856
00:32:54,800 --> 00:32:56,833
I GUESSED WRONG.

857
00:32:56,869 --> 00:32:59,970
[LAUGHING]

858
00:33:02,908 --> 00:33:05,876
I DON'T KNOW HOW LONG
SHE'S GOING TO STAY.

859
00:33:05,945 --> 00:33:07,545
WE KIND OF GOT INTO IT.

860
00:33:07,580 --> 00:33:09,346
SHE BOUGHT ME
SOME NEW CLOTHES,

861
00:33:09,382 --> 00:33:11,182
THINKS I SHOULD LOOK
LESS "ARTSY,"

862
00:33:11,217 --> 00:33:12,416
AS SHE PUTS IT.

863
00:33:12,452 --> 00:33:14,751
WHICH YOU TAKE AS--

864
00:33:14,787 --> 00:33:16,120
HER BEING CRITICAL.

865
00:33:16,155 --> 00:33:18,222
AH.

866
00:33:18,291 --> 00:33:20,091
MAYBE I'M
OVER-REACTING?

867
00:33:20,126 --> 00:33:21,225
MAYBE.

868
00:33:23,329 --> 00:33:24,861
AT LEAST I SPOKE THE TRUTH.

869
00:33:24,897 --> 00:33:26,163
THAT'S PROGRESS, RIGHT?

870
00:33:26,199 --> 00:33:27,465
THAT IS PROGRESS.

871
00:33:27,500 --> 00:33:28,899
[ENTRY BELL JINGLES]

872
00:33:35,674 --> 00:33:37,575
EXCUSE ME,
CAN WE HELP YOU?

873
00:33:40,146 --> 00:33:41,579
I UNDERSTAND LITA MERRILL
BROUGHT SOME STUFF IN HERE

874
00:33:41,614 --> 00:33:42,746
TO SELL?

875
00:33:43,682 --> 00:33:45,015
UM...

876
00:33:45,050 --> 00:33:46,584
DO YOU KNOW LITA?

877
00:33:46,619 --> 00:33:47,918
YEAH.

878
00:33:47,953 --> 00:33:49,120
SHE'S MY WIFE.

879
00:33:49,155 --> 00:33:50,654
NOW DECEASED.

880
00:33:50,689 --> 00:33:52,490
ANYTHING SHE OWNED
BELONGS TO ME,

881
00:33:52,525 --> 00:33:54,425
AND I'D LIKE THEM BACK.

882
00:33:57,723 --> 00:34:00,033
WITH ALL DUE RESPECT,
I DON'T KNOW YOU,

883
00:34:00,033 --> 00:34:02,133
AND I'M NOT
GOING TO GIVE ANYTHING

884
00:34:02,168 --> 00:34:04,268
TO SOMEONE
OFF THE STREET.

885
00:34:04,304 --> 00:34:05,502
I'LL BE GIVING
LITA'S BELONGINGS

886
00:34:05,571 --> 00:34:06,637
TO THE POLICE,

887
00:34:06,705 --> 00:34:08,205
AND YOU CAN DEAL WITH THEM.

888
00:34:08,241 --> 00:34:09,473
OH, I WILL.

889
00:34:10,609 --> 00:34:13,610
YOU HAVE NO RIGHT TO KEEP THEM.

890
00:34:13,679 --> 00:34:15,846
THEY BELONG TO ME.

891
00:34:22,455 --> 00:34:24,922
IT'S BEEN SO HARD,

892
00:34:24,958 --> 00:34:29,393
ESPECIALLY FINDING HER
AND SEEING HER LIKE THAT.

893
00:34:29,462 --> 00:34:30,761
DID SHE SEEM DEPRESSED AT ALL?

894
00:34:30,796 --> 00:34:33,197
I THINK SHE WAS HAVING
RELATIONSHIP PROBLEMS.

895
00:34:33,232 --> 00:34:34,765
DO YOU KNOW
WHO SHE WAS INVOLVED WITH?

896
00:34:36,669 --> 00:34:38,702
NOT REALLY, NO.

897
00:34:38,737 --> 00:34:40,904
UM, ALL I KNOW IS THAT

898
00:34:40,940 --> 00:34:42,673
ONE DAY, LITA WAS REALLY HAPPY,

899
00:34:42,708 --> 00:34:44,175
AND THEN ALL OF A SUDDEN,
SHE WASN'T.

900
00:34:44,243 --> 00:34:45,642
YOU KNOW, SHE WAS
REALLY EXCITED TO GO ON TOUR,

901
00:34:45,711 --> 00:34:46,777
AND THEN IT WAS LIKE

902
00:34:46,846 --> 00:34:49,146
A DARK CLOUD
JUST MOVED IN.

903
00:34:49,182 --> 00:34:50,814
ANYBODY IN THE BAND
OR ON THE CREW

904
00:34:50,850 --> 00:34:51,949
THAT KNEW HER WELL?

905
00:34:51,985 --> 00:34:53,284
NO.

906
00:34:53,353 --> 00:34:55,052
SHE WAS KIND OF A LONER.

907
00:34:55,088 --> 00:34:56,787
SHE KEPT TO HERSELF,
KEPT HER SECRETS.

908
00:34:56,822 --> 00:34:58,789
I WAS PROBABLY
THE CLOSEST TO HER.

909
00:34:58,824 --> 00:35:00,858
THERE WAS A GUY
THAT CAME INTO MY STORE

910
00:35:00,893 --> 00:35:02,960
AND SAID THAT HE WAS
MARRIED TO LITA.

911
00:35:02,996 --> 00:35:04,295
BO?

912
00:35:04,330 --> 00:35:06,097
WOW.

913
00:35:06,132 --> 00:35:07,698
THEY DIVORCED YEARS AGO.

914
00:35:07,733 --> 00:35:09,166
I MEAN, BEFORE I EVEN MET HER.

915
00:35:09,202 --> 00:35:10,968
DID SHE TALK ABOUT HIM?

916
00:35:11,004 --> 00:35:15,006
YEAH, BUT I DON'T THINK
THAT SHE HAD ANY CONTACT.

917
00:35:15,041 --> 00:35:16,940
I MEAN, BO WAS A REAL MISTAKE.

918
00:35:16,976 --> 00:35:18,476
HE LIED, HE CHEATED,

919
00:35:18,544 --> 00:35:19,410
HE WASN'T GOING
ANYWHERE IN LIFE,

920
00:35:19,445 --> 00:35:21,945
EXCEPT TO BE
IN A BAR BAND.

921
00:35:21,981 --> 00:35:23,947
LITA DUMPED HIM
SHE NEVER LOOKED BACK.

922
00:35:23,983 --> 00:35:25,483
HE SAYS THEY'RE STILL MARRIED.

923
00:35:26,619 --> 00:35:28,119
NO WAY.

924
00:35:30,556 --> 00:35:32,189
UH-HUH...

925
00:35:33,126 --> 00:35:34,825
ALL RIGHT,
I'VE GOT IT.

926
00:35:34,860 --> 00:35:35,792
THANKS.

927
00:35:35,828 --> 00:35:36,760
[HANGS UP PHONE]

928
00:35:37,930 --> 00:35:40,664
OKAY, A BRODIE TAYLOR,

929
00:35:40,699 --> 00:35:41,698
"BO",

930
00:35:41,734 --> 00:35:42,933
IS CURRENTLY CLAIMING

931
00:35:42,968 --> 00:35:44,635
HE'S STILL MARRIED
TO LITA MERRILL.

932
00:35:44,703 --> 00:35:45,736
LITA TOLD EVERYONE

933
00:35:45,771 --> 00:35:47,371
SHE WAS DIVORCED
A LONG TIME AGO.

934
00:35:48,841 --> 00:35:50,241
OKAY.

935
00:35:50,276 --> 00:35:51,808
WE'LL SEE WHAT THE RECORDS SAY.

936
00:35:54,313 --> 00:35:55,479
ALL RIGHT.

937
00:35:55,515 --> 00:35:58,115
THEY WERE MARRIED
10 YEARS AGO...

938
00:35:58,151 --> 00:36:00,084
NO RECORD OF A DIVORCE.

939
00:36:00,153 --> 00:36:01,318
LOOKS LIKE THEY WERE
STILL MARRIED

940
00:36:01,354 --> 00:36:02,986
AT THE TIME
OF HER DEATH.

941
00:36:03,022 --> 00:36:05,356
WHEN DOES HE TAKE POSSESSION
OF HER BELONGINGS?

942
00:36:05,391 --> 00:36:06,823
NOT YET.

943
00:36:06,859 --> 00:36:08,625
THE PAPERWORK
IS STILL IN THE PROCESS.

944
00:36:08,661 --> 00:36:09,893
DON'T YOU FIND IT ODD

945
00:36:09,929 --> 00:36:11,762
THAT AFTER LITA DIES,

946
00:36:11,797 --> 00:36:14,665
HER ESTRANGED HUSBAND
SUDDENLY SHOWS UP?

947
00:36:14,700 --> 00:36:17,601
YOU'RE ASKING ME
TO TREAT THIS LIKE A MURDER.

948
00:36:17,636 --> 00:36:19,270
WELL, YOU WANT A SUSPECT.

949
00:36:19,338 --> 00:36:20,737
YOU WANT MOTIVE.

950
00:36:20,806 --> 00:36:23,574
THE HUSBAND IS ALWAYS
THE PRIME SUSPECT, RIGHT?

951
00:36:23,609 --> 00:36:25,543
AND THE MOTIVE IS HER ESTATE.

952
00:36:27,180 --> 00:36:28,912
FLIERS AND POSTERS ARE FINE,

953
00:36:28,948 --> 00:36:30,247
BUT WE NEED TO DO SOMETHING

954
00:36:30,283 --> 00:36:32,083
THAT'S REALLY GOING
TO HAVE AN IMPACT.

955
00:36:32,118 --> 00:36:33,584
WHAT DID YOU HAVE
IN MIND?

956
00:36:33,652 --> 00:36:34,651
I WAS THINKING
ALONG THE LINES

957
00:36:34,687 --> 00:36:36,320
OF A SHORT VIDEO
WE COULD PUT ON THE NET.

958
00:36:36,355 --> 00:36:37,421
THAT'S COOL.

959
00:36:37,457 --> 00:36:39,056
PEOPLE COULD
REALLY SEE IT.

960
00:36:39,092 --> 00:36:40,091
WE COULD HAVE A MONTAGE

961
00:36:40,159 --> 00:36:41,559
OF ALL THE OLD BUILDINGS
IN THIS TOWN

962
00:36:41,594 --> 00:36:43,494
THAT ARE NO LONGER HERE...

963
00:36:43,563 --> 00:36:45,062
ENDING WITH
THE HATCHER BUILDING

964
00:36:45,098 --> 00:36:46,029
WE NEED A SCRIPT.

965
00:36:46,065 --> 00:36:46,964
AMY CAN DO THAT.

966
00:36:46,999 --> 00:36:47,931
CAMERA?

967
00:36:47,967 --> 00:36:48,999
I'VE GOT IT.

968
00:36:49,034 --> 00:36:50,867
AND WE NEED A NARRATOR.

969
00:36:52,671 --> 00:36:54,037
COME ON, AJ, I'M NOT REALLY--

970
00:36:54,073 --> 00:36:55,038
DONE.

971
00:36:55,108 --> 00:36:57,608
YOU WILL BE GREAT.

972
00:37:02,115 --> 00:37:03,581
[ENTRY BELL JINGLES]

973
00:37:21,467 --> 00:37:24,401
I DIDN'T COME HERE
TO UPSET YOU, DANI,

974
00:37:24,437 --> 00:37:27,304
BUT THAT IS ALL I SEEM TO DO.

975
00:37:27,340 --> 00:37:29,006
YOU KNOW, I THOUGHT
I WAS BEING THOUGHTFUL

976
00:37:29,074 --> 00:37:29,940
AND GENEROUS.

977
00:37:29,975 --> 00:37:31,008
I KNOW,

978
00:37:31,043 --> 00:37:32,743
AND I APPRECIATE IT.

979
00:37:34,046 --> 00:37:35,746
UH... [CHUCKLES AWKWARDLY]

980
00:37:35,781 --> 00:37:38,115
I DON'T SEE ANY POINT
IN STAYING ANY LONGER.

981
00:37:39,418 --> 00:37:40,851
I DON'T KNOW
WHY YOU CAN'T ACCEPT ME

982
00:37:40,886 --> 00:37:42,753
JUST FOR BEING ME.

983
00:37:45,391 --> 00:37:48,192
ANYWAY, I JUST, I WANTED
TO LET YOU KNOW THAT I'M...

984
00:37:48,261 --> 00:37:49,960
I'M LEAVING NOW.

985
00:37:51,063 --> 00:37:52,429
GOODBYE.

986
00:37:52,498 --> 00:37:54,265
BYE.

987
00:38:00,640 --> 00:38:02,606
SO, YOU DON'T WANT
TO SAVE THE BUILDING?

988
00:38:02,642 --> 00:38:04,708
NO, I WANT TO BUILD
NEW BUILDINGS.

989
00:38:04,743 --> 00:38:05,676
HANNAH TOLD ME

990
00:38:05,711 --> 00:38:06,677
THAT YOU GUYS ARE
GOING TO MOVE

991
00:38:06,712 --> 00:38:07,678
THE CONDO PROJECT.

992
00:38:07,713 --> 00:38:08,479
REALLY?

993
00:38:08,514 --> 00:38:09,413
YEAH.

994
00:38:09,448 --> 00:38:11,649
WELL, WE'RE NOT.

995
00:38:11,684 --> 00:38:12,650
YOU KNOW,
THAT'LL GO EASIER

996
00:38:12,685 --> 00:38:14,185
IF YOU HEAT IT
WITH A HAIR DRYER.

997
00:38:14,253 --> 00:38:15,719
HANNAH'S GOT ONE.

998
00:38:15,754 --> 00:38:17,188
[SIGHS]

999
00:38:20,759 --> 00:38:23,727
[ZIPPING LUGGAGE]

1000
00:38:25,898 --> 00:38:27,665
[KNOCK ON BEDROOM DOOR]

1001
00:38:29,635 --> 00:38:31,368
DANI...

1002
00:38:31,404 --> 00:38:32,570
HI.

1003
00:38:32,638 --> 00:38:34,471
HI.

1004
00:38:35,741 --> 00:38:38,108
I DON'T
WANT YOU TO GO.

1005
00:38:38,177 --> 00:38:40,544
I MEAN,
NOT LIKE THIS.

1006
00:38:40,613 --> 00:38:41,645
WE OBVIOUSLY HAVE

1007
00:38:41,681 --> 00:38:43,681
SOME STUFF
TO WORK THROUGH,

1008
00:38:43,716 --> 00:38:46,049
BUT I'M WILLING IF YOU ARE.

1009
00:38:47,486 --> 00:38:48,586
BESIDES,

1010
00:38:48,621 --> 00:38:50,721
YOU PROMISED
TO HELP OUT AT THE STORE.

1011
00:38:51,591 --> 00:38:53,190
[GUSHES] AW...!

1012
00:38:55,595 --> 00:38:56,727
AW, DANI,

1013
00:38:56,762 --> 00:38:58,562
THANK YOU FOR COMING.

1014
00:38:58,631 --> 00:39:01,064
IT MEANS SO MUCH TO ME.

1015
00:39:03,469 --> 00:39:04,801
I BROUGHT YOU A PRESENT.

1016
00:39:04,837 --> 00:39:06,103
YOU DIDN'T HAVE TO DO THAT.

1017
00:39:06,138 --> 00:39:08,071
NO, I KNOW,
BUT I WANTED TO.

1018
00:39:08,107 --> 00:39:10,207
I WANTED TO APOLOGIZE.

1019
00:39:10,243 --> 00:39:12,008
THANK YOU.

1020
00:39:13,178 --> 00:39:14,778
[LAUGHS]

1021
00:39:14,813 --> 00:39:16,547
-CRYSTALS?
-MM-HMM.

1022
00:39:16,582 --> 00:39:17,648
AW...

1023
00:39:17,683 --> 00:39:19,149
OH, DARLING, THEY'RE LOVELY.

1024
00:39:19,184 --> 00:39:20,251
NOW, THEY WILL WORK ANYWHERE.

1025
00:39:20,286 --> 00:39:21,452
JUST ON THE DRESSER IS FINE.

1026
00:39:21,487 --> 00:39:22,686
ALL RIGHT,

1027
00:39:22,722 --> 00:39:24,988
AND THEY'LL CLEAR OUT
ALL OF THE BAD ENERGY?

1028
00:39:25,023 --> 00:39:26,123
MAYBE.

1029
00:39:29,128 --> 00:39:30,761
WE WON'T BE
NEEDING THAT.

1030
00:39:30,829 --> 00:39:32,363
SHE'S STAYING.

1031
00:39:32,398 --> 00:39:34,398
THANK YOU.

1032
00:39:40,339 --> 00:39:41,305
BYE, MOM.

1033
00:39:41,340 --> 00:39:43,240
HAVE A GOOD DAY,
HONEY.

1034
00:39:43,276 --> 00:39:44,141
HAVE YOU
SEEN HANNAH?

1035
00:39:44,176 --> 00:39:45,242
GONE.

1036
00:39:45,311 --> 00:39:46,343
SHE HAD A COMMITTEE MEETING.

1037
00:39:46,379 --> 00:39:47,645
WELL, WHEN YOU SEE HER,
CAN YOU TELL HER

1038
00:39:47,680 --> 00:39:49,546
THAT SHE AND I NEED
TO SIT DOWN AND HAVE A TALK?

1039
00:39:49,582 --> 00:39:50,814
THAT'S FUNNY,

1040
00:39:50,849 --> 00:39:52,383
SHE TOLD ME TO TELL YOU
THE SAME THING.

1041
00:40:04,096 --> 00:40:06,797
AW, COME ON.

1042
00:40:06,832 --> 00:40:08,732
[SIGHS HEAVILY]

1043
00:40:08,768 --> 00:40:10,434
OKAY, LET'S TAKE IT AGAIN,
AND THIS TIME,

1044
00:40:10,503 --> 00:40:11,402
GESTURE
AT THE OLD BUILDING

1045
00:40:11,470 --> 00:40:12,503
THAT'S ABOUT TO BE
TORN DOWN.

1046
00:40:12,538 --> 00:40:14,271
-YOU READY?
-YEAH.

1047
00:40:14,307 --> 00:40:15,105
OKAY.

1048
00:40:15,140 --> 00:40:16,940
ACTION.

1049
00:40:17,009 --> 00:40:19,677
FIRST BUILDING IN THIS COUNTY
WITH AN ELEVATOR,

1050
00:40:19,745 --> 00:40:21,244
DESIGNED
BY NOTED ARCHITECT

1051
00:40:21,280 --> 00:40:22,546
ADRIAN BERNARD,

1052
00:40:22,581 --> 00:40:25,048
AND THREE PRESIDENTS
HAVE STAYED UNDER ITS ROOF.

1053
00:40:25,117 --> 00:40:27,484
NOW WE HAVE A CHANCE TO SAVE IT.

1054
00:40:27,553 --> 00:40:29,353
CONDOS CAN GO ANYWHERE.

1055
00:40:29,388 --> 00:40:32,155
THE HATCHER BUILDING
CAN ONLY BE HERE.

1056
00:40:32,191 --> 00:40:33,524
[BEEPS RECORDING OFF]

1057
00:40:33,559 --> 00:40:34,391
THAT WAS GREAT, HANNAH.

1058
00:40:34,427 --> 00:40:35,592
WE'RE GOOD?

1059
00:40:35,628 --> 00:40:37,828
YEAH, I THINK
WE GOT IT.

1060
00:40:37,863 --> 00:40:39,663
SO...

1061
00:40:39,699 --> 00:40:42,132
DO YOU WANT TO GET TOGETHER
SATURDAY NIGHT?

1062
00:40:42,201 --> 00:40:44,501
TO, LIKE, EDIT?

1063
00:40:44,537 --> 00:40:47,571
I WAS THINKING MAYBE
WE COULD JUST GO FOR DINNER,

1064
00:40:47,606 --> 00:40:48,939
OR HANG OUT?

1065
00:40:49,007 --> 00:40:51,007
LIKE A DATE?

1066
00:40:51,043 --> 00:40:53,310
YEAH, I GUESS.

1067
00:40:53,346 --> 00:40:54,478
UH, YEAH.

1068
00:40:54,547 --> 00:40:55,912
I'D LIKE THAT.

1069
00:40:57,416 --> 00:40:59,783
-GOOD.
-COOL.

1070
00:40:59,819 --> 00:41:01,552
I JUST WALKED RIGHT
INTO HER ROOM

1071
00:41:01,587 --> 00:41:03,487
AND TOLD HER
I WANTED HER TO STAY.

1072
00:41:03,522 --> 00:41:05,121
WOW.

1073
00:41:05,157 --> 00:41:06,357
I'M IMPRESSED.

1074
00:41:06,425 --> 00:41:07,624
WE'VE GOT
A LONG WAY TO GO,

1075
00:41:07,660 --> 00:41:09,393
BUT I GAVE HER
SOME CRYSTALS,

1076
00:41:09,428 --> 00:41:10,961
SHE ACCEPTED THEM.

1077
00:41:10,996 --> 00:41:12,796
OOH... WELL,
I MIGHT BE SEEING YOU

1078
00:41:12,832 --> 00:41:14,765
IN A SWEATER SET
AND PEARLS AFTER ALL.

1079
00:41:14,800 --> 00:41:15,766
NOT LIKELY.

1080
00:41:15,835 --> 00:41:17,033
[LAUGHS]
[ENTRY BELL JINGLES]

1081
00:41:17,069 --> 00:41:18,034
HEY.

1082
00:41:18,103 --> 00:41:19,169
[EXHALING]

1083
00:41:19,204 --> 00:41:20,270
OKAY.

1084
00:41:20,305 --> 00:41:22,239
NOW, I FOUND OUT
THAT LITA AND BO

1085
00:41:22,274 --> 00:41:23,407
WERE SEPARATED YEARS AGO.

1086
00:41:23,476 --> 00:41:25,976
THE DIVORCE WAS STARTED,
BUT NEVER COMPLETED.

1087
00:41:26,011 --> 00:41:28,345
WHY IS HE HERE?

1088
00:41:28,381 --> 00:41:29,212
WELL, HE LIVES OUT OF STATE,

1089
00:41:29,248 --> 00:41:31,314
AND FOR REASONS YET UNLEARNED,

1090
00:41:31,350 --> 00:41:34,117
HE CAME HERE A FEW DAYS
BEFORE LITA'S DEATH.

1091
00:41:34,152 --> 00:41:36,487
THAT IS VERY INTERESTING.

1092
00:41:36,522 --> 00:41:38,054
WELL, IT GETS
MORE INTERESTING.

1093
00:41:38,123 --> 00:41:40,223
THERE'S A LIFE-INSURANCE POLICY
ON LITA.

1094
00:41:40,259 --> 00:41:42,426
BO IS THE BENEFICIARY.

1095
00:41:42,495 --> 00:41:44,194
SHE MAY NOT EVEN
HAVE KNOWN ABOUT IT.

1096
00:41:44,229 --> 00:41:46,129
HE'S BEEN PAYING THE PREMIUMS?

1097
00:41:46,164 --> 00:41:47,865
LOOKS THAT WAY.

1098
00:42:02,347 --> 00:42:04,146
THANKS FOR COMING.

1099
00:42:04,215 --> 00:42:05,348
I'M HAPPY TO HELP
IN ANY WAY I CAN.

1100
00:42:05,383 --> 00:42:06,482
THANK YOU.

1101
00:42:06,517 --> 00:42:08,351
I CHECKED
WITH DETECTIVE LYNWOOD,

1102
00:42:08,386 --> 00:42:10,052
AND HE SAID YOU WERE DISCREET,

1103
00:42:10,088 --> 00:42:12,654
WHICH WE APPRECIATE.

1104
00:42:12,690 --> 00:42:15,491
WE ARE ALL DISTRAUGHT
OVER LITA'S DEATH.

1105
00:42:15,526 --> 00:42:18,227
I UNDERSTAND.

1106
00:42:18,262 --> 00:42:20,196
DETECTIVE LYNWOOD TOLD ME
THAT LITA WAS STILL MARRIED,

1107
00:42:20,231 --> 00:42:21,297
AND THAT HER HUSBAND IS HERE.

1108
00:42:21,332 --> 00:42:22,365
THAT CAN'T BE TRUE.

1109
00:42:22,433 --> 00:42:24,467
IT APPEARS THEY WERE.

1110
00:42:24,535 --> 00:42:25,401
I HANDLED ALL
OF LITA'S CONTRACTS,

1111
00:42:25,436 --> 00:42:27,136
HER TAX FORMS.

1112
00:42:27,171 --> 00:42:29,005
SHE NEVER SAID SHE WAS MARRIED
IN ANY OF THEM.

1113
00:42:29,073 --> 00:42:31,240
THEY SEPARATED
EIGHT YEARS AGO.

1114
00:42:31,275 --> 00:42:32,608
THEY STARTED
DIVORCE PROCEEDINGS,

1115
00:42:32,676 --> 00:42:34,443
BUT NOTHING WAS FINALIZED.

1116
00:42:34,479 --> 00:42:36,545
SO, WHAT
DOES THAT MEAN?

1117
00:42:36,580 --> 00:42:38,580
THE CAUSE OF DEATH
IS LISTED AS A SUICIDE.

1118
00:42:38,616 --> 00:42:39,848
THAT HASN'T
CHANGED, HAS IT?

1119
00:42:39,884 --> 00:42:41,117
NO.

1120
00:42:41,152 --> 00:42:43,619
THAT TEXT WAS CLEARLY
A SUICIDE NOTE,

1121
00:42:43,654 --> 00:42:44,753
AND JOHN AND CASSIE
WENT TO HER HOUSE

1122
00:42:44,788 --> 00:42:46,155
RIGHT AFTER GETTING IT.

1123
00:42:46,190 --> 00:42:47,723
HOW COULD IT POSSIBLY
BE ANYTHING ELSE?

1124
00:42:47,791 --> 00:42:49,625
I DON'T KNOW.

1125
00:42:49,660 --> 00:42:52,061
BUT CASSIE HAD THE IMPRESSION
THAT YOU THINK

1126
00:42:52,096 --> 00:42:54,130
THAT THIS MIGHT NOT
HAVE BEEN A SUICIDE.

1127
00:42:56,734 --> 00:42:59,835
WHEN I SAW LITA,
SHE WAS UPBEAT AND HAPPY.

1128
00:42:59,870 --> 00:43:01,203
SHE EVEN BROUGHT SOME THINGS
INTO MY STORE

1129
00:43:01,272 --> 00:43:03,539
TO BE SOLD ON CONSIGNMENT.

1130
00:43:03,574 --> 00:43:06,409
THAT DOESN'T SEEM LIKE
SUICIDAL BEHAVIOR.

1131
00:43:06,477 --> 00:43:08,511
WELL, ON THE DAY
BEFORE SHE DIED,

1132
00:43:08,579 --> 00:43:11,047
SHE SEEMED REALLY DOWN.

1133
00:43:11,082 --> 00:43:12,814
WE HAD A TALK.

1134
00:43:12,850 --> 00:43:13,982
FRANKLY,
I WAS WORRIED TO THE POINT

1135
00:43:14,018 --> 00:43:15,817
THAT I WENT TO SEE HER
THAT NIGHT.

1136
00:43:15,853 --> 00:43:17,953
DID SHE SAY
WHAT WAS BOTHERING HER?

1137
00:43:18,022 --> 00:43:19,255
NO.

1138
00:43:19,323 --> 00:43:20,789
BUT I COULD TELL
SOMETHING WAS UP.

1139
00:43:20,824 --> 00:43:22,224
SHE WASN'T HERSELF.

1140
00:43:22,260 --> 00:43:23,259
[FOOTSTEPS APPROACHING]

1141
00:43:25,863 --> 00:43:27,029
JOHN.

1142
00:43:27,065 --> 00:43:28,431
JENNIFER.

1143
00:43:28,466 --> 00:43:31,233
I'VE BEEN WRITING SOMETHING.

1144
00:43:31,269 --> 00:43:33,936
MAYBE OPEN THE SHOW WITH...
FOR LITA...

1145
00:43:33,971 --> 00:43:35,938
LET'S HEAR.

1146
00:43:35,973 --> 00:43:37,106
YEAH.

1147
00:43:37,141 --> 00:43:38,207
YEAH...

1148
00:43:49,087 --> 00:43:51,053
I JUST STARTED...

1149
00:43:51,089 --> 00:43:52,254
A LYRIC.

1150
00:43:52,323 --> 00:43:54,490
[♪♪♪]

1151
00:43:56,227 --> 00:43:58,760
♪ NEVER SAID GOODBYE ♪

1152
00:43:58,829 --> 00:44:02,131
♪ NEVER THOUGHT SHE'D GO ♪

1153
00:44:02,166 --> 00:44:04,366
♪ STILL DON'T KNOW WHY ♪

1154
00:44:04,402 --> 00:44:08,304
♪ AND I GUESS
I'LL NEVER KNOW... ♪

1155
00:44:09,974 --> 00:44:11,240
WHAT DO YOU THINK?

1156
00:44:11,275 --> 00:44:12,975
IT'S A START.

1157
00:44:13,010 --> 00:44:15,478
IT'S A GOOD START.

1158
00:44:15,546 --> 00:44:16,878
YEAH, MAN,
THAT'S ONE FROM THE HEART.

1159
00:44:18,382 --> 00:44:19,482
IT'S BEAUTIFUL.

1160
00:44:20,518 --> 00:44:21,484
THINK SO?

1161
00:44:21,519 --> 00:44:23,452
I DO.

1162
00:44:24,522 --> 00:44:27,856
THEN I'LL TRY TO FINISH IT.

1163
00:44:35,299 --> 00:44:36,265
JENN...

1164
00:44:36,300 --> 00:44:39,301
THIS HAS HIT JOHN HARD.

1165
00:44:39,337 --> 00:44:41,903
HE WAS CONSIDERING
CANCELING THE TOUR.

1166
00:44:41,939 --> 00:44:44,873
WE HAVEN'T TOLD HIM YET
THAT BO TAYLOR SHOWED UP,

1167
00:44:44,908 --> 00:44:47,109
OR ANYTHING ELSE.

1168
00:44:47,145 --> 00:44:49,077
I DON'T THINK
HE COULD HANDLE IT.

1169
00:44:49,113 --> 00:44:51,413
I UNDERSTAND.

1170
00:44:51,482 --> 00:44:54,783
I'LL LET YOU KNOW
IF ANYTHING COMES UP.

1171
00:44:59,790 --> 00:45:00,956
ALL RIGHT,
I ASKED HIM

1172
00:45:00,991 --> 00:45:02,424
TO DROP BY
FOR AN INTERVIEW.

1173
00:45:02,460 --> 00:45:05,461
NOW, HE'S NOT A SUSPECT,
AND THERE IS NO CRIME,

1174
00:45:05,496 --> 00:45:07,763
EXCEPT IN THAT OVER-ACTIVE
MIND OF YOURS,

1175
00:45:07,798 --> 00:45:10,533
BUT I THOUGHT
YOU'D LIKE TO OBSERVE.

1176
00:45:10,568 --> 00:45:12,834
[LYNWOOD]:
<i>I APPRECIATE YOU COMING DOWN.</i>

1177
00:45:12,870 --> 00:45:15,771
<i>NOW, THE PRELIMINARY REPORTS</i>
<i>SAY DEATH BY SUICIDE,</i>

1178
00:45:15,806 --> 00:45:17,273
<i>SO ONCE THAT'S ALL FORMALIZED,</i>

1179
00:45:17,341 --> 00:45:19,341
<i>LITA'S ESTATE WILL BE PROCESSED.</i>

1180
00:45:19,377 --> 00:45:20,409
[BO]:<i> I HOPE SO.</i>

1181
00:45:20,444 --> 00:45:21,810
THIS HAS TAKEN WAY TOO LONG.

1182
00:45:21,879 --> 00:45:23,078
I NEED TO GET BACK
TO SOUTH CAROLINA.

1183
00:45:23,113 --> 00:45:24,980
I UNDERSTAND.

1184
00:45:25,015 --> 00:45:26,948
WELL, IF YOU JUST HELP US
FILL IN SOME HOLES,

1185
00:45:26,984 --> 00:45:28,417
WE'LL GET IT PROCESSED FASTER.

1186
00:45:28,452 --> 00:45:30,052
SOUNDS GOOD.

1187
00:45:30,087 --> 00:45:31,520
ARE YOU AWARE

1188
00:45:31,556 --> 00:45:34,423
THAT LITA NEVER TOLD ANYONE
THAT SHE WAS STILL MARRIED?

1189
00:45:34,458 --> 00:45:37,560
<i>ON HER TAX RETURNS,</i>
<i>ON HER EMPLOYMENT CONTRACTS...</i>

1190
00:45:37,595 --> 00:45:39,127
SHE SAID SHE WAS SINGLE.

1191
00:45:39,163 --> 00:45:40,329
[CHUCKLES]

1192
00:45:40,364 --> 00:45:42,398
SHE PROBABLY THOUGHT
SHE WAS DIVORCED.

1193
00:45:42,433 --> 00:45:43,932
I NEVER FILED IT.

1194
00:45:44,001 --> 00:45:45,801
THERE WAS NO SUPPORT,
NO ALIMONY,

1195
00:45:45,836 --> 00:45:47,436
NO PROPERTY TO SPLIT UP.

1196
00:45:47,471 --> 00:45:48,604
WHY DIDN'T YOU
FILE THE PAPERS?

1197
00:45:48,639 --> 00:45:49,705
I ALWAYS KNEW

1198
00:45:49,740 --> 00:45:51,207
HOW TALENTED SHE WAS.

1199
00:45:51,242 --> 00:45:53,975
I THOUGHT SHE MIGHT
AMOUNT TO SOMETHING.

1200
00:45:54,011 --> 00:45:55,611
SHE DID.

1201
00:45:55,646 --> 00:45:57,846
[LYNWOOD]:<i> SO, YOU LIVE</i>
<i>A COUPLE THOUSAND MILES AWAY,</i>

1202
00:45:57,881 --> 00:45:59,348
<i>YOU HAVEN'T BEEN</i>
<i>IN CONTACT FOR YEARS...</i>

1203
00:45:59,383 --> 00:46:01,584
YET YOU FLY OUT

1204
00:46:01,619 --> 00:46:04,353
AND JUST HAPPEN TO BE HERE
WHEN SHE COMMITS SUICIDE?

1205
00:46:06,524 --> 00:46:08,257
I THOUGHT THIS WAS A FRIENDLY
INTERVIEW, DETECTIVE.

1206
00:46:08,292 --> 00:46:09,592
IT IS.

1207
00:46:09,627 --> 00:46:11,694
IT IS, BUT YOU GOT TO ADMIT
IT IS A LITTLE BIT...

1208
00:46:11,729 --> 00:46:13,161
COINCIDENTAL.

1209
00:46:15,466 --> 00:46:18,467
OKAY.

1210
00:46:18,502 --> 00:46:21,470
THINGS HAVEN'T BEEN
GOING SO WELL FOR ME.

1211
00:46:21,539 --> 00:46:23,105
I DON'T HAVE A GIG.

1212
00:46:23,173 --> 00:46:24,373
I'M BEHIND ON MY RENT.

1213
00:46:24,408 --> 00:46:26,908
I NEEDED A LOAN.

1214
00:46:26,944 --> 00:46:29,678
SO, WHY,
AFTER ALL THIS TIME,

1215
00:46:29,714 --> 00:46:31,447
WOULD SHE LOAN YOU MONEY?

1216
00:46:31,482 --> 00:46:33,349
YEAH, I MUST HAVE BEEN CRAZY.

1217
00:46:33,417 --> 00:46:35,183
SHE LAUGHED AT ME.

1218
00:46:35,219 --> 00:46:37,620
I WAS LIKE A STRANGER,
SOMEONE SHE USED TO KNOW.

1219
00:46:37,655 --> 00:46:39,255
SO, SHE REFUSED
TO GIVE YOU MONEY?

1220
00:46:39,290 --> 00:46:41,890
[BO]:<i> THAT WOULD BE</i>
<i>AN UNDERSTATEMENT.</i>

1221
00:46:41,925 --> 00:46:44,960
<i>SHE JUST WENT OFF,</i>
<i>HOW HORRIBLE I WAS.</i>

1222
00:46:44,995 --> 00:46:46,194
[LYNWOOD]:
<i>AND DID YOU MENTION</i>

1223
00:46:46,264 --> 00:46:47,329
<i>THAT YOU NEVER FINALIZED</i>
<i>THE DIVORCE?</i>

1224
00:46:47,398 --> 00:46:50,899
I OFFERED
TO FINALLY TAKE CARE OF IT,

1225
00:46:50,968 --> 00:46:53,935
FOR A $5,000 LOAN.

1226
00:46:53,971 --> 00:46:55,738
SHE TOLD ME TO GET OUT.

1227
00:46:55,773 --> 00:46:58,206
AND HOW ABOUT
THAT INSURANCE POLICY

1228
00:46:58,276 --> 00:46:59,241
YOU PUT OUT ON HER?

1229
00:46:59,277 --> 00:47:01,243
[CHUCKLES]

1230
00:47:02,680 --> 00:47:04,813
HOW'D YOU KNOW ABOUT THAT?

1231
00:47:04,848 --> 00:47:06,815
[CHUCKLES KNOWINGLY]

1232
00:47:06,884 --> 00:47:10,185
<i>30 BUCKS A MONTH,</i>
<i>10 YEARS AGO.</i>

1233
00:47:10,220 --> 00:47:12,854
<i>I GUESS SHE GETS THE LAST LAUGH.</i>

1234
00:47:12,923 --> 00:47:15,891
<i>LIFE INSURANCE DOESN'T PAY</i>
<i>IF YOU KILL YOURSELF.</i>

1235
00:47:19,029 --> 00:47:20,729
DO YOU THINK HE'S SMART?

1236
00:47:20,765 --> 00:47:22,364
BECAUSE I DON'T THINK
HE'S THAT SMART.

1237
00:47:22,400 --> 00:47:24,667
[CHUCKLES]
HARD TO SAY.

1238
00:47:24,702 --> 00:47:26,067
LIFE INSURANCE PAYS

1239
00:47:26,103 --> 00:47:27,736
EVEN IN THE CASE
OF A SUICIDE

1240
00:47:27,772 --> 00:47:29,438
TWO YEARS
AFTER THE POLICY.

1241
00:47:29,473 --> 00:47:30,706
HOW MUCH IS THE PAYOUT?

1242
00:47:30,741 --> 00:47:32,908
MM, ABOUT 100 GRAND.

1243
00:47:32,943 --> 00:47:35,110
THAT COULD BE
A LOT OF MONEY FOR BO.

1244
00:47:35,179 --> 00:47:36,878
SO, HE KILLS HER,
FAKES THE SUICIDE,

1245
00:47:36,914 --> 00:47:38,447
COLLECTS THE INSURANCE,

1246
00:47:38,482 --> 00:47:40,248
AND THERE'S
NO MURDER INVESTIGATION.

1247
00:47:40,284 --> 00:47:41,350
BUT HOW?

1248
00:47:41,385 --> 00:47:42,718
SHE'S NOT JUST
GOING TO SIT THERE

1249
00:47:42,753 --> 00:47:44,453
AND LET HIM
DO THAT TO HER.

1250
00:47:44,488 --> 00:47:47,222
CORONER SAID
NO SIGN OF STRUGGLE.

1251
00:47:47,257 --> 00:47:49,658
MAYBE HE
INCAPACITATED HER SOMEHOW.

1252
00:47:49,694 --> 00:47:50,826
CHLOROFORM?

1253
00:47:50,861 --> 00:47:53,161
WOULD HAVE SHOWN UP
IN THE AUTOPSY.

1254
00:47:53,230 --> 00:47:55,096
AS WOULD HAVE
SLEEPING PILLS,

1255
00:47:55,165 --> 00:47:57,299
ROOFIES, WHATEVER.

1256
00:47:58,268 --> 00:47:59,167
YOU'RE OVER-THINKING THIS.

1257
00:48:00,471 --> 00:48:01,903
I KNOW.

1258
00:48:01,939 --> 00:48:03,539
NO, IF HE DID
STAGE THE WHOLE THING,

1259
00:48:03,574 --> 00:48:05,574
WHY NOT LEAVE AFTER SHE DIED?

1260
00:48:05,609 --> 00:48:06,642
WHY COME IN THE STORE

1261
00:48:06,711 --> 00:48:08,043
AND ASK FOR
HER CONSIGNMENT ITEMS?

1262
00:48:08,078 --> 00:48:08,977
HMM.

1263
00:48:09,913 --> 00:48:11,246
YEAH.

1264
00:48:13,116 --> 00:48:17,353
[♪♪♪]

1265
00:48:22,827 --> 00:48:24,326
LADIES...

1266
00:48:24,362 --> 00:48:25,961
HOW DO I LOOK?
IS THIS GOOD?

1267
00:48:25,996 --> 00:48:27,262
-YOU LOOK GREAT.
-GORGEOUS.

1268
00:48:27,297 --> 00:48:28,530
EXCELLENT.

1269
00:48:28,566 --> 00:48:30,999
MAY I MAKE A LITTLE SUGGESTION
ABOUT THE STORE?

1270
00:48:31,034 --> 00:48:32,067
PLEASE.

1271
00:48:32,102 --> 00:48:32,901
I NOTICED THIS
YESTERDAY.

1272
00:48:32,936 --> 00:48:36,071
THIS PIECE HERE...

1273
00:48:36,139 --> 00:48:37,272
AND THIS PIECE

1274
00:48:37,307 --> 00:48:38,741
ARE MADE FROM
THE SAME ENGLISH MAKER,

1275
00:48:38,776 --> 00:48:40,308
AND I WAS THINKING THAT MAYBE,

1276
00:48:40,378 --> 00:48:41,810
PERHAPS WE SHOULD
PLACE THEM TOGETHER,

1277
00:48:41,846 --> 00:48:43,379
BECAUSE IF SOMEONE
IS INTERESTED IN ONE,

1278
00:48:43,447 --> 00:48:44,480
THEY MIGHT LIKE BOTH.

1279
00:48:44,515 --> 00:48:45,914
THAT'S GOOD.

1280
00:48:45,949 --> 00:48:47,716
THAT'S A GOOD IDEA.

1281
00:48:47,752 --> 00:48:48,884
[ENTRY BELL JINGLES]

1282
00:48:51,021 --> 00:48:52,954
OH, SURE.

1283
00:48:54,592 --> 00:48:56,157
[♪♪♪]

1284
00:48:56,193 --> 00:48:57,526
HELLO.

1285
00:48:57,595 --> 00:48:58,994
WELCOME TO RAGS TO RICHES.

1286
00:48:59,062 --> 00:49:00,863
CAN I HELP YOU WITH ANYTHING?

1287
00:49:00,898 --> 00:49:03,766
I'M NOT SURE I'M REALLY EVEN
IN THE RIGHT PLACE.

1288
00:49:03,801 --> 00:49:05,634
IS THAT A VINTAGE HAMILTON?

1289
00:49:05,669 --> 00:49:06,602
OH, YES, IT IS.

1290
00:49:06,637 --> 00:49:07,569
GOOD EYE.

1291
00:49:07,605 --> 00:49:08,404
THANK YOU.

1292
00:49:08,472 --> 00:49:10,005
NICE EYE YOURSELF.

1293
00:49:10,040 --> 00:49:11,273
OH, THAT'S LOVELY.

1294
00:49:11,308 --> 00:49:13,709
NOW, I WAS LOOKING
FOR A BIRTHDAY PRESENT

1295
00:49:13,744 --> 00:49:14,710
FOR MY NIECE.

1296
00:49:14,745 --> 00:49:15,677
HOW OLD IS SHE?

1297
00:49:15,713 --> 00:49:17,012
12.

1298
00:49:17,080 --> 00:49:18,547
YOU KNOW WHAT, I THINK
I MAY HAVE THE PERFECT THING.

1299
00:49:18,582 --> 00:49:19,548
COME WITH ME.

1300
00:49:19,583 --> 00:49:20,582
IT'S A SET,

1301
00:49:20,651 --> 00:49:22,117
AND IT'S ABSOLUTELY
EXQUISITE.

1302
00:49:24,955 --> 00:49:27,022
HEY, SWEETHEART.

1303
00:49:28,526 --> 00:49:29,658
THOSE ARE COOL.

1304
00:49:29,693 --> 00:49:30,826
CAN I HAVE ONE?

1305
00:49:30,895 --> 00:49:32,728
NO, THEY'RE GOING
TO THE POLICE TOMORROW.

1306
00:49:32,763 --> 00:49:34,162
WE WERE GOING TO SELL
THEM ON CONSIGNMENT,

1307
00:49:34,197 --> 00:49:36,799
BUT UNFORTUNATELY,
THE OWNER PASSED AWAY.

1308
00:49:36,834 --> 00:49:37,599
THAT'S SAD.

1309
00:49:37,635 --> 00:49:39,067
YEAH.

1310
00:49:39,102 --> 00:49:41,036
YOU KNOW THERE'S NOTHING
TO EAT IN THE KITCHEN.

1311
00:49:41,071 --> 00:49:42,037
WHAT?

1312
00:49:42,105 --> 00:49:43,505
I JUST WENT TO THE MARKET.

1313
00:49:43,574 --> 00:49:45,908
THERE'S PLENTY TO EAT
IN THE FRIDGE.

1314
00:49:45,943 --> 00:49:47,175
[HUFFS TESTILY]

1315
00:49:47,210 --> 00:49:48,477
TEENAGERS...

1316
00:49:58,456 --> 00:50:00,564
LOGAN!

1317
00:50:02,635 --> 00:50:03,836
LOGAN!

1318
00:50:04,121 --> 00:50:05,186
HEY.

1319
00:50:05,222 --> 00:50:06,288
CAN YOU TELL ME
WHAT'S ON THIS?

1320
00:50:06,356 --> 00:50:07,488
YEAH, I COULD TRY.

1321
00:50:08,959 --> 00:50:10,458
[TYPING]

1322
00:50:11,861 --> 00:50:13,761
THAT DOESN'T WORK.

1323
00:50:15,165 --> 00:50:16,464
AND...

1324
00:50:16,499 --> 00:50:18,566
THAT DIDN'T WORK EITHER.

1325
00:50:18,601 --> 00:50:21,202
LOOKS LIKE SOME KIND
OF MUSIC SOFTWARE.

1326
00:50:21,238 --> 00:50:22,770
WE MAY HAVE
TO BUY A COPY

1327
00:50:22,806 --> 00:50:23,972
BEFORE WE CAN SEE
WHAT'S ON IT.

1328
00:50:24,007 --> 00:50:24,806
WELL, DO YOUR BEST.

1329
00:50:24,874 --> 00:50:25,840
CAN YOU MAKE A DUPLICATE?

1330
00:50:25,875 --> 00:50:27,875
YEAH, THAT'S
NO PROBLEM.

1331
00:50:27,911 --> 00:50:29,344
BUT IF YOU WANT TO SEE
WHAT'S ON THERE,

1332
00:50:29,413 --> 00:50:30,545
WE EITHER NEED
THE SOFTWARE

1333
00:50:30,580 --> 00:50:32,447
OR THE COMPUTER
IT CAME FROM.

1334
00:50:34,051 --> 00:50:37,319
THE PROJECT
IS GOING FORWARD.

1335
00:50:37,387 --> 00:50:38,886
NO ONE BUT HANNAH
AND HER GROUP

1336
00:50:38,922 --> 00:50:41,156
THINKS THE BUILDING
IS WORTH SAVING.

1337
00:50:41,191 --> 00:50:42,757
YOU'LL HAVE TO HAVE
A TALK WITH HER.

1338
00:50:42,792 --> 00:50:45,126
I'M NOT SURE
THAT'S GOING TO DO ANY GOOD.

1339
00:50:45,195 --> 00:50:46,527
WHY DOES IT HAVE TO BE
BUILT THERE?

1340
00:50:46,563 --> 00:50:47,695
ISN'T THERE
SOME KIND OF COMPROMISE

1341
00:50:47,730 --> 00:50:49,130
YOU GUYS CAN MAKE?

1342
00:50:49,166 --> 00:50:52,533
EVERYONE AT WORK THINKS
IT'S GONNA BLOW OVER.

1343
00:50:52,569 --> 00:50:55,770
WE HAVE THE APPROVALS,
WE HAVE THE PERMITS.

1344
00:50:55,805 --> 00:50:57,738
I'D SAY DON'T WORRY, BUT...

1345
00:50:57,774 --> 00:50:59,107
BUT WHAT?

1346
00:50:59,176 --> 00:51:01,142
BUT EVER SINCE
HANNAH WAS THREE,

1347
00:51:01,178 --> 00:51:04,145
SHE COULD GET YOU TO DO
ANYTHING SHE WANTED.

1348
00:51:05,415 --> 00:51:06,481
OH, BOY.

1349
00:51:09,286 --> 00:51:11,453
IT'LL PROBABLY WORK
ON LITA'S LAPTOP.

1350
00:51:11,521 --> 00:51:13,021
YOU'VE GOT A SUSPECT
AND MOTIVE.

1351
00:51:13,056 --> 00:51:14,522
I KNOW.

1352
00:51:14,557 --> 00:51:15,957
I DID A LITTLE DIGGING.

1353
00:51:15,993 --> 00:51:18,994
BO TAYLOR HAS A RECORD,
MAINLY ALCOHOL RELATED,

1354
00:51:19,029 --> 00:51:20,962
BUT SOME
DOMESTIC VIOLENCE.

1355
00:51:20,998 --> 00:51:22,464
SEEMS HE HAS
A TEMPER.

1356
00:51:22,499 --> 00:51:23,931
WHERE WAS HE THE DAY LITA DIED?

1357
00:51:23,967 --> 00:51:25,766
THERE'S NO ALIBI,

1358
00:51:25,835 --> 00:51:27,935
BUT THERE'S NOTHING
THAT TIES HIM TO LITA'S DEATH

1359
00:51:27,971 --> 00:51:29,471
OTHER THAN CIRCUMSTANTIAL.

1360
00:51:29,506 --> 00:51:30,771
WE NEED MORE.

1361
00:51:30,807 --> 00:51:32,607
OKAY.

1362
00:51:32,642 --> 00:51:34,775
I'D LIKE TO GO THROUGH
LITA'S STUFF,

1363
00:51:34,811 --> 00:51:36,444
COMPUTER, NOTEBOOKS, PAPERS?

1364
00:51:37,914 --> 00:51:40,348
SOMEHOW, I THOUGHT
YOU MIGHT WANT TO DO THAT.

1365
00:51:40,384 --> 00:51:41,849
I CHECKED WITH THE CHIEF.

1366
00:51:41,918 --> 00:51:43,818
HE SAYS IT'S OKAY
IF YOU TAKE A LOOK,

1367
00:51:43,887 --> 00:51:44,752
BUT INSISTS THAT
I BE THERE

1368
00:51:44,787 --> 00:51:45,887
THE WHOLE TIME.

1369
00:51:45,922 --> 00:51:46,854
GREAT, LET'S GO.

1370
00:51:46,890 --> 00:51:47,989
LET'S NOT.

1371
00:51:48,025 --> 00:51:50,325
I STILL HAVE PAPERWORK
TO FINISH UP HERE.

1372
00:51:50,360 --> 00:51:51,259
I CAN MEET YOU
UP AT LITA'S HOUSE

1373
00:51:51,294 --> 00:51:52,227
AROUND 4:00.

1374
00:51:52,262 --> 00:51:53,728
I'LL BE THERE.

1375
00:51:53,796 --> 00:51:55,296
I'M SURE YOU WILL.

1376
00:52:01,905 --> 00:52:03,804
DANI, CAN YOU
BE BACK FOR 3:30?

1377
00:52:03,873 --> 00:52:04,939
YES, MA'AM.

1378
00:52:05,008 --> 00:52:06,374
NOW, COME WITH ME OR STAY?

1379
00:52:06,410 --> 00:52:07,608
IT'S UP TO YOU.

1380
00:52:07,644 --> 00:52:09,710
OH, NO, I'VE NEVER BEEN
TO A GARAGE SALE.

1381
00:52:09,746 --> 00:52:11,979
AREN'T THOSE JUST BASICALLY
JUNK SALES?

1382
00:52:12,015 --> 00:52:13,648
YOU KNOW, THIS LOOKS
LIKE A MEISSEN.

1383
00:52:13,683 --> 00:52:14,582
IS THIS A REPRO?

1384
00:52:14,617 --> 00:52:15,583
IT'S REAL.

1385
00:52:15,618 --> 00:52:16,951
19TH CENTURY.

1386
00:52:17,020 --> 00:52:18,386
FOUND IT AT A GARAGE SALE.

1387
00:52:18,422 --> 00:52:19,654
$3.00.

1388
00:52:20,823 --> 00:52:21,989
OKAY, I'M GOING.

1389
00:52:22,025 --> 00:52:23,258
GET YOUR COAT.

1390
00:52:34,671 --> 00:52:38,506
WE USUALLY SPLIT UP
TO COVER MORE GROUND.

1391
00:52:38,542 --> 00:52:39,640
DO YOU WANT TO GO
ON YOUR OWN,

1392
00:52:39,676 --> 00:52:41,076
OR DO YOU WANT
TO COME WITH ME?

1393
00:52:41,111 --> 00:52:43,911
CAN I LOOK IN CLOSETS
AND JUST SNOOP AROUND?

1394
00:52:43,947 --> 00:52:45,646
UNLESS THERE'S A SIGN
THAT SAYS "OFF LIMITS,"

1395
00:52:45,682 --> 00:52:47,449
EVERYTHING
IS FAIR GAME.

1396
00:52:47,484 --> 00:52:49,117
ALL RIGHT,
LET'S SPLIT UP THEN.

1397
00:52:50,420 --> 00:52:52,087
[♪♪♪]

1398
00:53:17,847 --> 00:53:18,646
[BETH ANN,
DISTRAUGHT]: NO...

1399
00:53:19,849 --> 00:53:21,316
PETER, THERE IS
NO GOING BACK,

1400
00:53:21,351 --> 00:53:22,250
THERE'S NO
STARTING OVER,

1401
00:53:22,285 --> 00:53:24,152
I DON'T WANT TO.

1402
00:53:24,187 --> 00:53:26,020
I'M DONE.

1403
00:53:26,055 --> 00:53:27,755
I MEAN IT.

1404
00:53:27,790 --> 00:53:29,190
NO, PLEASE, CAN YOU...

1405
00:53:29,226 --> 00:53:32,860
PLEASE, JUST BE OUT
BY THE TIME I GET HOME.

1406
00:53:32,895 --> 00:53:34,762
YES, REALLY, PETER.

1407
00:53:35,798 --> 00:53:37,565
YEAH.

1408
00:53:40,370 --> 00:53:41,469
[STIFLES A SOB]

1409
00:53:45,875 --> 00:53:47,742
WELL, I AM CONCERNED.

1410
00:53:47,777 --> 00:53:48,743
IF THERE'S ANY DELAYS,

1411
00:53:48,778 --> 00:53:50,345
THE COSTS ARE
GOING TO ESCALATE.

1412
00:53:50,380 --> 00:53:51,712
THIS BUILDING
DOESN'T QUALIFY

1413
00:53:51,748 --> 00:53:53,314
FOR HISTORICAL
STATUS, RIGHT?

1414
00:53:53,350 --> 00:53:54,982
NOT AS FAR
AS WE CAN MAKE OUT.

1415
00:53:55,051 --> 00:53:56,117
IT WAS DESIGNED
BY A NOTED ARCHITECT,

1416
00:53:56,186 --> 00:53:57,118
BUT THAT'S ABOUT IT.

1417
00:53:57,154 --> 00:53:58,186
ANY REASON

1418
00:53:58,221 --> 00:54:00,188
WE CAN'T MOVE UP
THE GROUND-BREAKING?

1419
00:54:00,257 --> 00:54:02,557
NO.

1420
00:54:04,561 --> 00:54:06,528
[♪♪♪]

1421
00:54:48,305 --> 00:54:49,737
[GASPS IN FRIGHT]

1422
00:54:49,772 --> 00:54:50,838
[SIGHS] OH...

1423
00:54:50,873 --> 00:54:52,840
THANKS A LOT.

1424
00:54:52,875 --> 00:54:54,175
ARE WE LOOKING
FOR ANYTHING IN PARTICULAR,

1425
00:54:54,211 --> 00:54:56,411
OR ARE WE JUST WANDERING AROUND?

1426
00:54:56,446 --> 00:54:58,879
OH, I DEFINITELY HAVE
SOME THINGS IN MIND.

1427
00:54:58,948 --> 00:55:00,815
[EXHALING]

1428
00:55:02,586 --> 00:55:04,952
WE CAN LOOK AT HER MOST
RECENT INTERNET SEARCHES.

1429
00:55:04,987 --> 00:55:06,187
IF YOU HAVE
HER PASSWORD.

1430
00:55:06,256 --> 00:55:07,288
OR IF IT DOESN'T NEED ONE.

1431
00:55:08,425 --> 00:55:09,924
AND IT DOESN'T.

1432
00:55:09,992 --> 00:55:12,460
OKAY, HERE
IS WHERE SHE WENT.

1433
00:55:12,495 --> 00:55:13,494
WHEN?

1434
00:55:13,563 --> 00:55:14,696
NIGHT BEFORE HER DEATH.

1435
00:55:14,731 --> 00:55:17,164
ROAD TESTS FOR NEW CARS...

1436
00:55:17,200 --> 00:55:19,967
HERE'S A WEB SITE
FOR CAR LOANS.

1437
00:55:20,002 --> 00:55:22,570
THAT DOESN'T SOUND LIKE SOMEONE
ABOUT TO DO THEMSELVES IN.

1438
00:55:22,606 --> 00:55:24,672
NO MENTAL HEALTH HOTLINES,

1439
00:55:24,708 --> 00:55:27,942
NO WEB SEARCHES
ABOUT DEPRESSION OR SUICIDE.

1440
00:55:27,977 --> 00:55:29,877
NONE OF THAT
CHANGES THE FACT

1441
00:55:29,912 --> 00:55:32,146
THAT JOHN AND CASSIE
DISCOVERED THE BODY

1442
00:55:32,181 --> 00:55:34,949
35 MINUTES
AFTER SHE SENT THE TEXT.

1443
00:55:35,017 --> 00:55:37,518
IF YOU CAN'T EXPLAIN THAT,
YOU GOT NOTHING.

1444
00:55:37,554 --> 00:55:39,086
[SIGHS HEAVILY]

1445
00:55:53,903 --> 00:55:55,836
WHAT EXACTLY
ARE YOU LOOKING FOR?

1446
00:55:55,872 --> 00:55:58,806
IF SOMEONE
STAGED THE SUICIDE...

1447
00:55:58,841 --> 00:56:01,576
THEN THE TIPPED-OVER CHAIR
WAS JUST FOR SHOW,

1448
00:56:01,611 --> 00:56:02,977
AND THE HARDWOOD FLOOR

1449
00:56:03,012 --> 00:56:05,346
HAS WHAT LOOKS TO BE
A FRESH SCRATCH.

1450
00:56:30,373 --> 00:56:31,939
FRANK, LOOK AT THIS.

1451
00:56:31,974 --> 00:56:34,241
IT'S MISSING A RUBBER LEG CAP,
AND IT'S BARE METAL.

1452
00:56:44,020 --> 00:56:44,786
HMM.

1453
00:56:46,389 --> 00:56:47,755
I'LL GIVE IT TO YOU,

1454
00:56:47,791 --> 00:56:50,325
THAT SCRATCH WAS MADE
BY THAT STEPLADDER.

1455
00:57:03,606 --> 00:57:05,306
WHAT'S THIS?

1456
00:57:05,342 --> 00:57:07,342
LOOKS LIKE AN AFID TAG.

1457
00:57:07,377 --> 00:57:09,176
WHICH IS?

1458
00:57:09,212 --> 00:57:11,446
IT'S A PIECE OF CONFETTI
FROM A TASER.

1459
00:57:11,481 --> 00:57:13,047
THAT NUMBER,
IT'S A SERIAL NUMBER.

1460
00:57:13,082 --> 00:57:14,982
IT HELPS IDENTIFY THE OWNER.

1461
00:57:15,017 --> 00:57:17,017
THIS TINY PIECE OF PAPER
CAME FROM A TASER?

1462
00:57:17,053 --> 00:57:18,252
A WHOLE BUNCH OF THEM,

1463
00:57:18,287 --> 00:57:20,221
THEY SHOOT OUT
WHEN THE PROBES ARE DEPLOYED.

1464
00:57:20,256 --> 00:57:23,023
WE CAN'T USE BALLISTICS,
SO WE USE CONFETTI.

1465
00:57:23,059 --> 00:57:25,493
[♪♪♪]

1466
00:57:25,562 --> 00:57:27,027
FRANK, THAT'S IT.

1467
00:57:27,063 --> 00:57:28,863
THAT'S HOW
SHE WAS INCAPACITATED.

1468
00:57:33,218 --> 00:57:34,450
WOULD A TASER
INCAPACITATE HER

1469
00:57:34,486 --> 00:57:35,652
LONG ENOUGH
FOR SOMEONE TO HANG HER

1470
00:57:35,687 --> 00:57:36,586
WITHOUT A STRUGGLE?

1471
00:57:36,622 --> 00:57:37,687
IT'S QUESTIONABLE.

1472
00:57:37,723 --> 00:57:39,556
WHEN YOU GET HIT
WITH 50,000 VOLTS,

1473
00:57:39,591 --> 00:57:41,057
YOU ARE TEMPORARILY PARALYZED.

1474
00:57:41,126 --> 00:57:42,191
FOR HOW LONG?

1475
00:57:42,260 --> 00:57:43,326
ASSUME 30 SECONDS,

1476
00:57:43,395 --> 00:57:44,427
BUT IF THE PROBE'S
STILL ATTACHED,

1477
00:57:44,462 --> 00:57:46,696
PULL THE TRIGGER AGAIN,
30 SECONDS MORE.

1478
00:57:46,732 --> 00:57:48,097
A PERSON COULD BE STUNNED

1479
00:57:48,133 --> 00:57:50,233
IF THEY FALL
AND HIT THEIR HEAD...

1480
00:57:50,268 --> 00:57:52,068
WH-WHAT SORT OF FLOOR WAS THIS?

1481
00:57:52,103 --> 00:57:53,870
HARDWOOD.

1482
00:57:53,906 --> 00:57:56,006
BUT DON'T TASERS
LEAVE MARKS ON THE BODY?

1483
00:57:56,074 --> 00:57:57,541
WELL, NOT IF THE PRONGS
HIT CLOTHING.

1484
00:57:57,576 --> 00:57:59,743
THE CHARGE WOULD THEN
ARC TO THE BODY.

1485
00:58:02,180 --> 00:58:03,647
LET ME GET THIS STRAIGHT,

1486
00:58:03,715 --> 00:58:05,015
YOU'RE SAYING

1487
00:58:05,050 --> 00:58:07,517
THE KILLER MADE IT LOOK
LIKE A SUICIDE,

1488
00:58:07,553 --> 00:58:09,285
STAGED EVERYTHING?

1489
00:58:09,320 --> 00:58:10,420
RIGHT.

1490
00:58:10,455 --> 00:58:11,421
THAT'S RIDICULOUS.

1491
00:58:11,456 --> 00:58:13,289
I REMEMBER, I OPENED THE DOOR,

1492
00:58:13,324 --> 00:58:15,324
JOHN RAN IN,
AND HE GOT HER DOWN,

1493
00:58:15,360 --> 00:58:16,459
AND THAT DOOR WAS LOCKED,

1494
00:58:16,494 --> 00:58:17,460
SO HOW CAN THAT BE MURDER?

1495
00:58:17,529 --> 00:58:18,562
THE TIMING WORKS

1496
00:58:18,597 --> 00:58:20,830
IF THE KILLER FORCED HER
TO SEND THE TEXT.

1497
00:58:20,866 --> 00:58:21,965
THEN, HE LEAVES,

1498
00:58:22,000 --> 00:58:23,399
LOCKS THE DOOR WITH HER KEY.

1499
00:58:23,435 --> 00:58:24,467
YOU AND JOHN SHOW UP,

1500
00:58:24,502 --> 00:58:26,502
AND IT LOOKS
LIKE A SUICIDE.

1501
00:58:26,538 --> 00:58:28,404
DO YOU HAVE ANYTHING
TO SUPPORT THIS?

1502
00:58:28,440 --> 00:58:30,406
THERE WAS EVIDENCE
AT THE SCENE

1503
00:58:30,442 --> 00:58:32,141
THAT A TASER
MIGHT HAVE BEEN USED.

1504
00:58:34,112 --> 00:58:37,346
EITHER YOU'RE CRAZY,
OR YOU'RE MAKING THINGS UP.

1505
00:58:37,382 --> 00:58:39,348
YOU KNOW, LITA MERRILL,
SHE WAS A REAL PERSON,

1506
00:58:39,384 --> 00:58:41,184
AND IT'S BEEN HARD ENOUGH
DEALING WITH HER DEATH

1507
00:58:41,252 --> 00:58:42,752
WITHOUT HAVING TO RELIVE IT
OVER AND OVER AGAIN

1508
00:58:42,788 --> 00:58:44,754
BECAUSE YOU LIKE MYSTERY BOOKS,

1509
00:58:44,790 --> 00:58:46,155
SO PLEASE LEAVE.

1510
00:58:46,191 --> 00:58:47,857
I'M SORRY, I DIDN'T MEAN
TO UPSET YOU.

1511
00:58:47,926 --> 00:58:49,425
I WAS ALREADY UPSET.

1512
00:58:49,461 --> 00:58:52,328
NOW, IF YOU'LL EXCUSE ME,
I HAVE WORK TO DO.

1513
00:58:59,705 --> 00:59:02,472
NO, I HAVEN'T DECIDED.

1514
00:59:02,507 --> 00:59:04,240
IT'S KIND OF SCARY.

1515
00:59:04,275 --> 00:59:07,343
YEAH, I'VE SPENT
MY WHOLE LIFE IN SCHOOL.

1516
00:59:07,378 --> 00:59:10,046
ONE MORE YEAR, AND GRADUATION.

1517
00:59:10,082 --> 00:59:12,482
WELCOME TO THE REAL WORLD.

1518
00:59:12,517 --> 00:59:13,516
GRAD SCHOOL'S SOUNDING
BETTER AND BETTER.

1519
00:59:13,551 --> 00:59:15,184
WHAT ABOUT YOU?

1520
00:59:15,220 --> 00:59:17,053
I DON'T KNOW.

1521
00:59:17,089 --> 00:59:18,321
I WANT TO TRAVEL.

1522
00:59:18,356 --> 00:59:19,188
PARIS?

1523
00:59:19,224 --> 00:59:21,124
-OH, ABSOLUTELY.
-ME, TOO.

1524
00:59:21,159 --> 00:59:23,392
I SPENT THREE YEARS
TAKING FRENCH,

1525
00:59:23,428 --> 00:59:25,194
SO I FIGURED
I MIGHT AS WELL USE IT.

1526
00:59:25,230 --> 00:59:26,395
THAT'S SO FUNNY.

1527
00:59:26,464 --> 00:59:27,530
I'VE BEEN WATCHING
THIS DOCUMENTARY

1528
00:59:27,599 --> 00:59:29,232
ON WHAT'S UNDERNEATH PARIS,

1529
00:59:29,267 --> 00:59:31,868
OLD ROMAN AQUADUCTS,
CATACOMBS.

1530
00:59:31,903 --> 00:59:33,003
IT'S REALLY COOL.

1531
00:59:33,038 --> 00:59:34,403
I WANT TO SEE IT.

1532
00:59:34,439 --> 00:59:36,740
HMM?
ALLONS CHEZ MOI.

1533
00:59:36,775 --> 00:59:38,241
BETH...

1534
00:59:38,309 --> 00:59:41,177
PARENTS ARE ALWAYS MORE STRICT
WITH THE FIRST CHILD, RIGHT?

1535
00:59:41,246 --> 00:59:43,513
COME ON,
IT WENT WAY BEYOND THAT.

1536
00:59:43,548 --> 00:59:46,549
DANI, I HAD TO BE RESPONSIBLE,

1537
00:59:46,618 --> 00:59:48,151
GET STRAIGHT "A"S,

1538
00:59:48,219 --> 00:59:49,218
ONLY DATE BOYS

1539
00:59:49,254 --> 00:59:51,387
THAT THEY APPROVED OF.

1540
00:59:51,422 --> 00:59:52,656
DO YOU REMEMBER

1541
00:59:52,691 --> 00:59:53,990
DAD USED TO ALWAYS
CALL ME HIS "PRIDE."

1542
00:59:54,026 --> 00:59:55,125
YES.

1543
00:59:55,160 --> 00:59:58,628
BUT YOU
WERE HIS "JOY."

1544
00:59:58,664 --> 01:00:00,930
I WANTED TO BE HIS JOY, TOO.

1545
01:00:00,966 --> 01:00:04,734
OH, MAN, I WAS SO JEALOUS
OF THE WAY HE WOULD LIGHT UP

1546
01:00:04,803 --> 01:00:07,737
WHENEVER YOU WERE AROUND.

1547
01:00:07,773 --> 01:00:08,972
AND OF YOUR TALENT.

1548
01:00:09,041 --> 01:00:10,840
YOU'RE TALENTED.

1549
01:00:10,876 --> 01:00:12,375
NOT LIKE YOU.

1550
01:00:12,443 --> 01:00:13,509
YOU'RE THE ARTIST.

1551
01:00:13,578 --> 01:00:14,678
I'M JUST...

1552
01:00:14,746 --> 01:00:16,179
I WANT TO SHOW YOU SOMETHING.

1553
01:00:26,424 --> 01:00:28,424
OH, WOW, THAT'S OUR HOUSE,

1554
01:00:28,459 --> 01:00:29,693
WHERE WE GREW UP...

1555
01:00:29,728 --> 01:00:30,894
MM-HMM.

1556
01:00:30,929 --> 01:00:32,595
YOU PAINTED THAT.

1557
01:00:32,630 --> 01:00:34,230
WHAT?

1558
01:00:36,601 --> 01:00:38,134
OH, MY GOODNESS, I DID.

1559
01:00:38,170 --> 01:00:39,169
DIDN'T I?

1560
01:00:39,204 --> 01:00:40,336
MM-HMM.

1561
01:00:40,405 --> 01:00:42,072
YOU'VE KEPT THIS?

1562
01:00:42,107 --> 01:00:44,708
OF COURSE, I KEPT IT,
IT'S BEAUTIFUL.

1563
01:00:44,743 --> 01:00:46,509
BETH, YOU'RE REALLY GOOD.

1564
01:00:51,216 --> 01:00:53,416
[SIGHS HEAVILY]

1565
01:00:53,451 --> 01:00:55,719
HONEY, I OVERHEARD
YOUR PHONE CALL TODAY.

1566
01:00:56,988 --> 01:00:58,621
WHAT DO YOU MEAN?

1567
01:00:58,656 --> 01:01:02,258
WELL, I WAS OUTSIDE THE DOOR
WHEN YOU WERE TALKING TO PETER.

1568
01:01:03,361 --> 01:01:06,162
MY MARRIAGE IS OVER.

1569
01:01:06,198 --> 01:01:08,064
BETH, I AM SO SORRY.

1570
01:01:08,100 --> 01:01:09,065
IT'S OKAY.

1571
01:01:10,635 --> 01:01:12,501
AND I FEEL OKAY.

1572
01:01:14,873 --> 01:01:17,040
AND I HOPE WE'RE OKAY.

1573
01:01:17,075 --> 01:01:18,174
ARE WE OKAY?

1574
01:01:18,210 --> 01:01:19,609
WE'RE GOOD, RIGHT?

1575
01:01:19,644 --> 01:01:21,644
OH, YEAH.

1576
01:01:21,713 --> 01:01:24,013
YEAH, WE'RE GETTING THERE.

1577
01:01:24,049 --> 01:01:26,582
I DON'T KNOW,
I FEEL STRONGER.

1578
01:01:26,618 --> 01:01:29,219
I FEEL LIKE I'M READY
TO GO BACK

1579
01:01:29,254 --> 01:01:32,421
AND DEAL WITH THE THINGS
THAT I NEED TO DEAL WITH.

1580
01:01:32,457 --> 01:01:33,923
AND YOU KNOW
WHAT I THINK HELPED?

1581
01:01:33,959 --> 01:01:34,791
WHAT?

1582
01:01:34,860 --> 01:01:36,159
THE CRYSTALS.

1583
01:01:36,194 --> 01:01:37,360
YEAH.

1584
01:01:37,395 --> 01:01:38,628
FOR REAL.

1585
01:01:38,663 --> 01:01:40,830
I MEAN, I REALLY ACTUALLY
THINK THAT THEY WORK.

1586
01:01:40,899 --> 01:01:43,332
[WHISPERING] I HAVE MORE.

1587
01:01:43,368 --> 01:01:45,201
IT'S SPOOKY DOWN THERE.

1588
01:01:45,270 --> 01:01:47,170
ALL THOSE BONES?
WOW...

1589
01:01:47,239 --> 01:01:48,704
I'D STILL GO.

1590
01:01:48,740 --> 01:01:51,007
I LOVE THAT PART
OF NOTRE DAME.

1591
01:01:53,444 --> 01:01:54,310
HANNAH...

1592
01:01:57,015 --> 01:01:58,948
CAN I TALK TO YOU
FOR A MINUTE?

1593
01:01:58,984 --> 01:02:00,483
AJ, THIS IS
MY DAD, JASON,

1594
01:02:00,551 --> 01:02:01,918
AND DAD,
THIS IS AJ.

1595
01:02:01,953 --> 01:02:02,819
WE'VE ALREADY MET.

1596
01:02:02,854 --> 01:02:03,753
HELLO, AJ.

1597
01:02:03,789 --> 01:02:05,855
HI.

1598
01:02:05,924 --> 01:02:07,490
YOU'RE HANNAH'S DAD?

1599
01:02:07,558 --> 01:02:08,925
YUP.

1600
01:02:08,994 --> 01:02:10,860
WHERE DID YOU MEET?

1601
01:02:10,896 --> 01:02:13,163
HANNAH?

1602
01:02:20,272 --> 01:02:23,072
OH, IT CAN'T BE
THAT BAD.

1603
01:02:23,141 --> 01:02:24,373
MY DAUGHTER'S
GOING OUT WITH A GUY

1604
01:02:24,442 --> 01:02:26,342
WHO THINKS I'M TRYING
TO DESTROY OUR TOWN'S HISTORY.

1605
01:02:26,411 --> 01:02:27,576
THEY'RE JUST FRIENDS.

1606
01:02:27,612 --> 01:02:28,711
JENN...

1607
01:02:28,746 --> 01:02:31,047
NO ONE'S JUST FRIENDS
AT THAT AGE.

1608
01:02:31,116 --> 01:02:32,648
IS THERE A WAY

1609
01:02:32,684 --> 01:02:35,118
FOR YOU TWO TO FIND
A COMMON GROUND?

1610
01:02:35,187 --> 01:02:36,719
I'M WORKING ON IT.

1611
01:02:38,290 --> 01:02:41,991
SO, I WAS
AT THE MORGUE TODAY...

1612
01:02:47,032 --> 01:02:48,364
WHEN DO YOU
WANT TO EDIT?

1613
01:02:48,399 --> 01:02:49,432
ARE YOU SURE?

1614
01:02:49,467 --> 01:02:50,466
YOUR DAD'S NOT
GOING TO BE HAPPY...

1615
01:02:50,501 --> 01:02:51,667
OH, LET ME WORRY
ABOUT MY DAD.

1616
01:02:51,703 --> 01:02:53,169
HE'S COOL, REALLY.

1617
01:02:53,205 --> 01:02:55,571
I'LL TAKE
YOUR WORD FOR IT.

1618
01:02:55,606 --> 01:02:56,706
[CHUCKLING]

1619
01:02:56,741 --> 01:02:57,974
HOW'S TUESDAY SOUND?

1620
01:02:58,009 --> 01:02:59,309
THAT WORKS.

1621
01:02:59,344 --> 01:03:01,744
AND... I REALLY HAD FUN TONIGHT.

1622
01:03:01,779 --> 01:03:03,479
I MEAN, BEFORE.

1623
01:03:03,514 --> 01:03:05,348
ME, TOO.

1624
01:03:06,952 --> 01:03:08,351
SEE YOU TUESDAY.

1625
01:03:08,386 --> 01:03:09,418
SEE YOU THEN.

1626
01:03:14,092 --> 01:03:15,258
DETECTIVE LYNWOOD SAID

1627
01:03:15,327 --> 01:03:16,625
HE IS NOW
SERIOUSLY CONSIDERING

1628
01:03:16,661 --> 01:03:17,827
THIS COULD BE A MURDER.

1629
01:03:17,863 --> 01:03:19,162
HOW IS THAT POSSIBLE?

1630
01:03:19,231 --> 01:03:21,764
IT'S STILL UP IN THE AIR,

1631
01:03:21,833 --> 01:03:26,069
BUT THEY FOUND EVIDENCE THAT
A TASER MIGHT HAVE BEEN USED.

1632
01:03:26,104 --> 01:03:27,703
I DIDN'T SEE
A TASER.

1633
01:03:27,739 --> 01:03:28,972
NO TASER
FOUND,

1634
01:03:29,007 --> 01:03:30,773
JUST EVIDENCE
THAT ONE MIGHT HAVE BEEN USED.

1635
01:03:30,808 --> 01:03:32,541
[JOHN]: THAT DOESN'T
MAKE ANY SENSE.

1636
01:03:32,577 --> 01:03:35,211
[SIGHS]
THIS IS HORRIBLE.

1637
01:03:35,247 --> 01:03:36,846
WAS IT THIS BO TAYLOR?

1638
01:03:36,882 --> 01:03:40,250
DETECTIVE LYNWOOD IS TRYING
TO FIND OUT WHO OWNED IT.

1639
01:03:41,219 --> 01:03:42,852
HOW?

1640
01:03:42,888 --> 01:03:45,288
THEY LEAVE BEHIND TAGS
THAT CAN I.D. THE OWNER.

1641
01:03:45,323 --> 01:03:47,823
REALLY?

1642
01:03:47,859 --> 01:03:49,725
THAT'LL BE
INTERESTING.

1643
01:03:49,794 --> 01:03:50,526
THAT'S NOT "INTERESTING."

1644
01:03:51,796 --> 01:03:53,229
I CAN'T HANDLE THIS.

1645
01:03:55,700 --> 01:03:57,200
I'M SORRY.

1646
01:03:58,569 --> 01:04:02,005
WE CAN DEAL WITH A MUSICIAN
DYING BEFORE THE TOUR.

1647
01:04:02,040 --> 01:04:04,274
IT'S SAD, AND WE'LL HONOR HER.

1648
01:04:04,309 --> 01:04:06,209
BUT A MURDER?

1649
01:04:06,244 --> 01:04:08,677
THAT'S ALL THE PRESS
IS GONNA CARE ABOUT.

1650
01:04:32,203 --> 01:04:32,936
[GLASS SHATTERING]

1651
01:04:51,656 --> 01:04:53,356
[LOUD THUD]

1652
01:05:00,571 --> 01:05:04,140
<i>[POLICE RADIO CHATTER]</i>

1653
01:05:07,112 --> 01:05:08,077
JENN, HEY.

1654
01:05:08,113 --> 01:05:09,112
YOU CAN'T GO IN THERE,

1655
01:05:09,180 --> 01:05:10,312
THEY'RE STILL
COLLECTING EVIDENCE.

1656
01:05:10,348 --> 01:05:11,848
I JUST SAW CASSIE YESTERDAY.

1657
01:05:11,883 --> 01:05:12,949
WHAT HAPPENED?

1658
01:05:12,984 --> 01:05:14,083
LOOKS LIKE
A ROBBERY GONE WRONG.

1659
01:05:14,119 --> 01:05:15,885
TYPICAL SMASH-AND-GRAB.

1660
01:05:15,920 --> 01:05:17,486
HOW DID SHE DIE?

1661
01:05:17,521 --> 01:05:18,721
APPEARS SHE CONFRONTED
THE THIEF.

1662
01:05:18,790 --> 01:05:19,822
IT WAS LATE AT NIGHT,

1663
01:05:19,858 --> 01:05:21,891
OBVIOUSLY, HE ASSUMED
SHE WAS SLEEPING.

1664
01:05:21,926 --> 01:05:25,027
THERE'S SOME DEFINITE
EVIDENCE OF A STRUGGLE.

1665
01:05:25,063 --> 01:05:26,996
SHE TOOK SOME BLOWS TO THE HEAD
FROM A BRASS LAMP.

1666
01:05:28,399 --> 01:05:29,598
YOU SHOULD GO
BACK TO THE STORE, JENN.

1667
01:05:29,667 --> 01:05:30,800
I'LL TALK TO YOU LATER.

1668
01:05:30,835 --> 01:05:31,934
OKAY.

1669
01:05:31,970 --> 01:05:33,136
I KNOW WHAT YOU'RE THINKING,

1670
01:05:33,171 --> 01:05:34,904
AND I DON'T KNOW
IF THIS IS CONNECTED

1671
01:05:34,939 --> 01:05:36,839
TO LITA MERRILL'S DEATH OR NOT.

1672
01:05:36,875 --> 01:05:39,308
FRANK, ONE MORE THING,

1673
01:05:39,343 --> 01:05:41,110
ANY WORD ON THE OWNER
OF THE TASER GUN?

1674
01:05:41,146 --> 01:05:42,245
NOT YET.

1675
01:05:42,280 --> 01:05:44,413
WE'VE CONTACTED
THE MANUFACTURER, THOUGH.

1676
01:05:44,482 --> 01:05:46,482
OH, AND TO MAKE THINGS
A LITTLE MORE INTERESTING,

1677
01:05:46,517 --> 01:05:48,217
BO'S DISAPPEARED.

1678
01:05:48,253 --> 01:05:50,486
I WENT TO THE MOTEL
WHERE HE'S BEEN STAYING.

1679
01:05:50,521 --> 01:05:52,054
YEAH, THE MANAGER SAID
THAT HE CLEARED OUT

1680
01:05:52,123 --> 01:05:53,489
IN THE MIDDLE OF THE NIGHT.

1681
01:05:57,561 --> 01:05:59,328
IT'S TOO MUCH OF A COINCIDENCE.

1682
01:05:59,363 --> 01:06:01,931
LYNWOOD SAYS IT WAS A ROBBERY,
BUT I DON'T THINK SO.

1683
01:06:01,966 --> 01:06:03,065
IF THESE DEATHS ARE CONNECTED,

1684
01:06:03,101 --> 01:06:04,566
WHAT DID CASSIE KNOW
THAT GOT HER KILLED?

1685
01:06:04,635 --> 01:06:05,868
I DON'T KNOW,

1686
01:06:05,937 --> 01:06:07,603
BUT WHEN I SAW HER YESTERDAY,
SOMETHING WAS OFF.

1687
01:06:07,638 --> 01:06:10,006
BO TAYLOR WAS YOUR SUSPECT
IN LITA'S DEATH.

1688
01:06:10,041 --> 01:06:12,474
NOW, WHAT IS THERE
TO CONNECT HIM TO CASSIE?

1689
01:06:13,812 --> 01:06:16,712
I DON'T SEE A CONNECTION.

1690
01:06:16,747 --> 01:06:18,047
MAYBE IT WAS A ROBBERY.

1691
01:06:19,317 --> 01:06:20,249
HI, LOGAN.

1692
01:06:20,285 --> 01:06:21,784
HEY, DANI.

1693
01:06:21,853 --> 01:06:23,252
HEY, UM, I WAS ABLE
TO OPEN THE FLASH.

1694
01:06:23,321 --> 01:06:25,521
MY FRIEND HAS
A HOME STUDIO.

1695
01:06:25,589 --> 01:06:27,389
GREAT.
WHAT WAS ON IT?

1696
01:06:27,425 --> 01:06:29,525
BUNCH OF SONGS,
SOUNDED LIKE DEMOS.

1697
01:06:29,560 --> 01:06:32,628
MOSTLY "LOVE IS WONDERFUL"
KIND OF STUFF,

1698
01:06:32,663 --> 01:06:35,198
BUT THE MOST RECENT ONE
IT'S DIFFERENT.

1699
01:06:35,233 --> 01:06:36,532
IT'S A REAL DOWNER.

1700
01:06:36,567 --> 01:06:37,934
WELL, CAN I HEAR IT?

1701
01:06:37,969 --> 01:06:39,235
YEAH, THE SOFTWARE'S
ON MY COMPUTER,

1702
01:06:39,270 --> 01:06:40,970
SO YOU'LL HAVE TO LISTEN TO IT
WHEN YOU GET HOME,

1703
01:06:41,039 --> 01:06:44,307
BUT HERE,
I WROTE YOU DOWN THE LYRICS.

1704
01:06:44,342 --> 01:06:46,075
ANYWAYS, I'VE GOT
TO BOOK IT, SO...

1705
01:06:46,110 --> 01:06:47,143
SEE YA.

1706
01:06:47,212 --> 01:06:48,610
THANKS, HONEY,
I'LL SEE YOU TONIGHT.

1707
01:06:49,714 --> 01:06:51,547
WHAT'S IT SAY?

1708
01:06:51,615 --> 01:06:53,549
SEEMS TO BE ABOUT A...

1709
01:06:53,584 --> 01:06:55,751
A WOMAN IN LOVE WITH A...

1710
01:06:55,820 --> 01:06:57,519
WELL, I'M GUESSING,
A MARRIED MAN.

1711
01:06:57,555 --> 01:07:00,589
IT SAYS, "YOU SAID
YOU'D TELL HER YOURSELF.

1712
01:07:00,624 --> 01:07:02,058
"WELL, I CAN'T WAIT HERE
ON THE SHELF.

1713
01:07:02,093 --> 01:07:04,493
"SHE'S GOING
TO HEAR THE NEWS FROM ME.

1714
01:07:04,528 --> 01:07:06,963
"IT'S TIME THAT WE WERE ALL
SET FREE.

1715
01:07:06,998 --> 01:07:10,399
"TRUE TO YOU IS JUST NOT TRUE

1716
01:07:10,468 --> 01:07:13,602
AND NOT BEING TRUE
IS ALL ABOUT YOU..."

1717
01:07:13,637 --> 01:07:15,104
YOU DIDN'T HAPPEN
TO MENTION THE GUY'S NAME

1718
01:07:15,173 --> 01:07:16,405
IN THERE ANYWHERE?

1719
01:07:16,474 --> 01:07:17,506
AFRAID NOT.

1720
01:07:17,541 --> 01:07:20,076
IT COULD JUST BE A SONG.

1721
01:07:20,111 --> 01:07:21,177
RIGHT.

1722
01:07:21,212 --> 01:07:22,678
RIGHT.

1723
01:07:24,615 --> 01:07:25,915
I DON'T HAVE
ANY OBJECTION.

1724
01:07:25,950 --> 01:07:27,049
I ACTUALLY LIKE
THE IDEA.

1725
01:07:27,085 --> 01:07:28,384
DO YOU THINK
IT'LL GET PASSED?

1726
01:07:28,419 --> 01:07:29,585
I SPENT HALF THE DAY
YESTERDAY

1727
01:07:29,653 --> 01:07:30,552
AT THE MAYOR'S OFFICE.

1728
01:07:30,621 --> 01:07:31,954
THEY'RE ALL SUPPORTIVE.

1729
01:07:31,990 --> 01:07:34,090
[CELL PHONE RINGING]

1730
01:07:34,125 --> 01:07:36,725
YEAH?

1731
01:07:37,661 --> 01:07:40,462
OKAY, THANKS.

1732
01:07:40,531 --> 01:07:43,366
THERE'S SOMETHING I THINK
WE SHOULD TAKE A LOOK AT.

1733
01:07:43,401 --> 01:07:44,934
[VIDEO PLAYING BACK]

1734
01:07:44,969 --> 01:07:47,236
<i>FIRST BUILDING IN THIS COUNTY</i>
<i>WITH AN ELEVATOR,</i>

1735
01:07:47,272 --> 01:07:50,773
<i>DESIGNED BY NOTED ARCHITECT</i>
<i>ADRIAN BERNARD...</i>

1736
01:07:50,808 --> 01:07:52,275
"SHANNON?"

1737
01:07:52,310 --> 01:07:54,210
[CHUCKLING]
ANY RELATION TO YOU, JASON?

1738
01:07:54,245 --> 01:07:55,644
YEAH.

1739
01:07:55,679 --> 01:07:58,114
THAT'S MY DAUGHTER.

1740
01:07:58,149 --> 01:08:01,384
<i>...BUT THE HATCHER BUILDING</i>
<i>CAN ONLY BE HERE.</i>

1741
01:08:06,524 --> 01:08:08,357
-HANNAH!
-YEAH?

1742
01:08:08,393 --> 01:08:11,427
COULD YOU COME DOWN
FOR A SEC?

1743
01:08:14,498 --> 01:08:16,765
I GUESS YOU SAW
THE INTERNET VIDEO.

1744
01:08:16,801 --> 01:08:17,666
YEAH, WE NEED
TO TALK ABOUT THAT--

1745
01:08:17,701 --> 01:08:18,734
I CALLED YOU EARLIER.

1746
01:08:18,769 --> 01:08:20,269
I DIDN'T WANT YOU
TO BE SURPRISED.

1747
01:08:20,305 --> 01:08:21,570
WELL, I WAS--

1748
01:08:21,605 --> 01:08:23,806
WELL, I'M SORRY ABOUT THAT,
BUT NOT ABOUT THE VIDEO.

1749
01:08:23,841 --> 01:08:25,408
-I DON'T THINK YOU UNDERSTAND--
-I DO.

1750
01:08:25,443 --> 01:08:27,509
DAD, I'VE NEVER BEEN
DISAPPOINTED IN YOU.

1751
01:08:27,545 --> 01:08:28,577
YOU COULD DO ANYTHING.

1752
01:08:28,646 --> 01:08:30,546
YOU'RE MY HERO.
YOU STILL ARE,

1753
01:08:30,614 --> 01:08:32,614
BUT I JUST WISH YOUR COMPANY
WASN'T BUILDING THIS PROJECT.

1754
01:08:32,650 --> 01:08:34,016
I'VE GOTTA GO,

1755
01:08:34,052 --> 01:08:35,717
I'M BEING INTERVIEWED
BY THE STUDENT NEWSPAPER.

1756
01:08:35,753 --> 01:08:36,685
HANNAH...

1757
01:08:38,156 --> 01:08:40,990
I WANT YOU TO MEET ME
AT THE BUILDING IN AN HOUR.

1758
01:08:41,025 --> 01:08:43,292
I MAY HAVE
A BETTER STORY FOR YOU.

1759
01:08:47,999 --> 01:08:49,798
AH, NO,
IT REALLY HAS BEEN GREAT,

1760
01:08:49,834 --> 01:08:51,467
BUT I DO, I NEED TO GET BACK.

1761
01:08:51,502 --> 01:08:52,701
WELL, HOPEFULLY, YOU'LL
COME BACK AND VISIT.

1762
01:08:52,736 --> 01:08:54,170
I THINK YOU HAVE A FUTURE
IN ANTIQUE SALES.

1763
01:08:54,205 --> 01:08:55,237
YEAH.

1764
01:08:55,306 --> 01:08:57,139
I WILL.
HONESTLY, WORKING HERE

1765
01:08:57,175 --> 01:08:58,874
HAS BEEN THE MOST FUN
I'VE HAD IN AGES.

1766
01:08:58,909 --> 01:09:00,343
OH, HEY, DANI WAS TELLING ME

1767
01:09:00,378 --> 01:09:01,810
ABOUT THE MYSTERY
YOU'RE TRYING TO SOLVE.

1768
01:09:01,846 --> 01:09:03,512
DO YOU EVER READ CONAN DOYLE?

1769
01:09:03,547 --> 01:09:05,114
OH, MY MYSTERY BIBLE.

1770
01:09:05,149 --> 01:09:06,248
ALONG WITH AGATHA.

1771
01:09:06,284 --> 01:09:07,916
ME TOO. YOU KNOW
WHAT, NEXT TRIP,

1772
01:09:07,986 --> 01:09:09,218
WE'LL HAVE TO TALK MYSTERIES.

1773
01:09:09,287 --> 01:09:10,619
HE HAS THIS SAYING,

1774
01:09:10,654 --> 01:09:12,688
"ONCE YOU HAVE ELIMINATED
THE IMPOSSIBLE,

1775
01:09:12,723 --> 01:09:14,556
WHATEVER REMAINS,
HOWEVER IMPROBABLE--"

1776
01:09:14,592 --> 01:09:15,657
"--MUST BE TRUE."

1777
01:09:15,693 --> 01:09:16,792
YES.

1778
01:09:16,827 --> 01:09:18,461
DOES THAT HELP?

1779
01:09:18,496 --> 01:09:20,096
ACTUALLY, IT DOES.

1780
01:09:20,164 --> 01:09:21,063
THANK YOU, BETH.

1781
01:09:27,805 --> 01:09:29,771
WHAT'S GOING ON?

1782
01:09:29,807 --> 01:09:31,573
LET'S WALK.

1783
01:09:34,379 --> 01:09:36,012
IT'S A PRETTY
COOL-LOOKING BUILDING.

1784
01:09:36,047 --> 01:09:38,747
YEAH, I THINK SO.

1785
01:09:38,782 --> 01:09:41,317
YOU MOTHER WAS WONDERING
IF THERE WAS ANY WAY

1786
01:09:41,352 --> 01:09:42,651
WE COULD GET
YOUR GROUP TO, UH,

1787
01:09:42,686 --> 01:09:44,320
GO ALONG
WITH THIS PROJECT?

1788
01:09:44,389 --> 01:09:45,787
UH, NOT UNLESS
YOU'RE WILLING

1789
01:09:45,856 --> 01:09:47,689
TO BUILD IT
SOMEPLACE ELSE.

1790
01:09:47,725 --> 01:09:49,791
THAT'S A THOUGHT.

1791
01:09:49,827 --> 01:09:51,760
THE DEVELOPER
IS ONLY INTERESTED

1792
01:09:51,795 --> 01:09:53,229
IN MAKING MONEY.

1793
01:09:53,264 --> 01:09:54,796
SAD, BUT TRUE.

1794
01:09:54,832 --> 01:09:56,665
SO, I LOOKED INTO IT,
AND YOU WERE RIGHT.

1795
01:09:57,635 --> 01:09:58,767
ABOUT?

1796
01:09:58,802 --> 01:10:00,169
ABOUT GAINING
HISTORIC STATUS.

1797
01:10:00,204 --> 01:10:02,304
THE CITY, IT TURNS OUT,
LOVES THE IDEA,

1798
01:10:02,340 --> 01:10:05,374
SO WE'RE APPLYING
FOR A HISTORICAL DESIGNATION.

1799
01:10:05,410 --> 01:10:07,176
DAD...

1800
01:10:07,211 --> 01:10:08,177
ARE YOU SERIOUS?

1801
01:10:08,212 --> 01:10:09,811
YUP.

1802
01:10:09,847 --> 01:10:11,613
WAIT, WHAT ABOUT YOUR PROJECT?

1803
01:10:11,649 --> 01:10:13,282
THAT STAYS RIGHT HERE.

1804
01:10:13,317 --> 01:10:15,484
BY RESTORING THE BUILDING
WITH A HISTORIC DESIGNATION,

1805
01:10:15,520 --> 01:10:17,486
THERE ARE TAX CREDITS,
SPECIAL LOANS,

1806
01:10:17,555 --> 01:10:18,921
ALL IN ALL, IT'S A WIN-WIN.

1807
01:10:18,956 --> 01:10:20,022
YOU'RE NOT KIDDING?

1808
01:10:20,058 --> 01:10:21,157
LOOK AT THE SIGN.

1809
01:10:25,229 --> 01:10:26,929
DAD...

1810
01:10:26,997 --> 01:10:27,863
YOU'RE THE BEST.

1811
01:10:41,879 --> 01:10:42,911
[WHISPERING]
JASON!

1812
01:10:42,947 --> 01:10:44,480
[GRUMBLES] MM?

1813
01:10:44,549 --> 01:10:46,549
THE PROBLEM
IS THE TEXT.

1814
01:10:46,584 --> 01:10:47,649
WHAT?

1815
01:10:47,685 --> 01:10:49,418
EVERYTHING ELSE
POINTS TO MURDER,

1816
01:10:49,454 --> 01:10:50,786
AND IF CASSIE'S DEATH
IS CONNECTED,

1817
01:10:50,821 --> 01:10:53,422
IT'S PROBABLY NOT
THE EX-HUSBAND BO TAYLOR.

1818
01:10:53,491 --> 01:10:55,524
YEAH, YOU'RE RIGHT.
NOW GO BACK TO SLEEP.

1819
01:10:55,593 --> 01:10:56,825
BUT HOW DOES SOMEONE

1820
01:10:56,894 --> 01:10:58,094
SEND A TEXT
FROM LITA'S PHONE

1821
01:10:58,129 --> 01:10:59,695
IF IT'S NOT LITA?

1822
01:10:59,730 --> 01:11:01,830
AND HOW DOES THE PHONE
END UP ON HER BODY?

1823
01:11:01,865 --> 01:11:03,799
[GROGGILY]
DON'T... KNOW...

1824
01:11:06,604 --> 01:11:07,703
[GROANS SLEEPILY]

1825
01:11:10,341 --> 01:11:11,907
[KNOCKS] LOGAN?

1826
01:11:13,043 --> 01:11:13,875
[KNOCKING]

1827
01:11:13,911 --> 01:11:15,010
LOGAN?

1828
01:11:15,045 --> 01:11:17,546
[VIDEO GAME BLEEPING]

1829
01:11:25,123 --> 01:11:26,222
OH.

1830
01:11:26,257 --> 01:11:28,657
HEY, YEAH, I WAS
JUST ABOUT TO GO TO BED.

1831
01:11:28,692 --> 01:11:29,758
I CAN SEE THAT.

1832
01:11:29,793 --> 01:11:30,926
I NEED YOUR HELP.

1833
01:11:30,961 --> 01:11:32,894
WITH A LIFE PROBLEM
OR A MYSTERY PROBLEM?

1834
01:11:32,930 --> 01:11:34,630
MYSTERY PROBLEM.

1835
01:11:34,665 --> 01:11:35,897
I KNOW THERE'S AN APP

1836
01:11:35,933 --> 01:11:36,798
THAT CAN FIND
YOUR CELL PHONE

1837
01:11:36,834 --> 01:11:38,367
IF IT'S LOST
OR STOLEN.

1838
01:11:38,402 --> 01:11:40,136
RIGHT, YEAH, YOU CAN GET THAT
ON YOUR LAPTOP, TOO.

1839
01:11:40,171 --> 01:11:40,969
BUT CAN YOU
GO BACK IN TIME,

1840
01:11:41,005 --> 01:11:42,138
SAY, TWO WEEKS,

1841
01:11:42,173 --> 01:11:43,405
AND SEE WHERE YOUR PHONE WAS?

1842
01:11:43,441 --> 01:11:45,574
NO, ALL THE APPS
ARE IN REAL TIME.

1843
01:11:45,610 --> 01:11:46,675
BUT I MEAN, IF YOU MADE
A CELL PHONE CALL,

1844
01:11:46,710 --> 01:11:47,843
YOU COULD GET THE POLICE

1845
01:11:47,878 --> 01:11:49,512
TO GO AND CHECK
WHICH TOWER IT CAME FROM.

1846
01:11:49,580 --> 01:11:51,013
WHAT ABOUT A TEXT?

1847
01:11:51,048 --> 01:11:52,181
YEAH, SAME.

1848
01:11:52,216 --> 01:11:53,982
HERE, LET ME SHOW YOU.

1849
01:11:58,022 --> 01:12:00,623
OKAY, SO,
HERE'S A MAP OF OUR TOWN,

1850
01:12:00,658 --> 01:12:02,758
AND THESE LITTLE SYMBOLS,
THOSE ARE CELL TOWERS.

1851
01:12:02,793 --> 01:12:04,226
WHEN YOU MAKE A CELL PHONE CALL,

1852
01:12:04,262 --> 01:12:05,427
YOUR PHONE CONNECTS
TO THE NEAREST TOWER,

1853
01:12:05,496 --> 01:12:06,862
AND IT'S SENT
FROM ONE TO ANOTHER

1854
01:12:06,897 --> 01:12:08,997
UNTIL IT REACHES
ITS DESTINATION.

1855
01:12:09,066 --> 01:12:11,066
SO, LET ME GET THIS STRAIGHT.

1856
01:12:11,101 --> 01:12:13,469
IF I WERE AT DANI'S,
AND I KILLED HER--

1857
01:12:13,504 --> 01:12:14,470
MOM!

1858
01:12:14,505 --> 01:12:15,904
HYPOTHETICAL.

1859
01:12:15,939 --> 01:12:17,739
I POISON HER,
AND SHE DIES.

1860
01:12:17,775 --> 01:12:19,508
I THEN TAKE
HER CELL PHONE,

1861
01:12:19,544 --> 01:12:21,177
AND I BRING TO A BAR
WHERE I'M MEETING SOME FRIENDS.

1862
01:12:21,212 --> 01:12:22,511
I GO INTO THE RESTROOM,

1863
01:12:22,580 --> 01:12:25,648
AND I SEND A TEXT
FROM DANI'S PHONE TO MY PHONE

1864
01:12:25,683 --> 01:12:27,816
THAT SAYS "COME ON OVER."

1865
01:12:27,851 --> 01:12:31,420
I THEN SHOW THAT TEXT
TO MY FRIENDS.

1866
01:12:31,455 --> 01:12:33,322
I GET ONE OF THEM
TO DRIVE ME OVER THERE.

1867
01:12:33,357 --> 01:12:35,157
WE DISCOVER THE BODY--

1868
01:12:35,193 --> 01:12:36,325
--AND NOBODY
WOULD EVER GUESS

1869
01:12:36,394 --> 01:12:37,793
THAT THE PHONE
THAT WAS RECEIVING THE TEXT

1870
01:12:37,828 --> 01:12:39,995
IS IN THE SAME ROOM AS THE PHONE
THAT SENT THE TEXT.

1871
01:12:40,030 --> 01:12:40,929
EXACTLY!

1872
01:12:43,234 --> 01:12:45,000
CAN I GO TO BED NOW?

1873
01:12:45,035 --> 01:12:46,802
OH, YES, OF COURSE.

1874
01:12:46,837 --> 01:12:47,869
AND THANK YOU.

1875
01:12:47,938 --> 01:12:49,771
YOU ARE A GENIUS.

1876
01:12:49,807 --> 01:12:51,073
GOOD NIGHT.

1877
01:12:54,907 --> 01:12:57,106
IT APPEARS TO HAVE
BEEN A ROBBERY.

1878
01:12:57,406 --> 01:12:59,206
SHE DIED AS A RESULT.

1879
01:12:59,275 --> 01:13:01,908
CASSIE, OH, MAN...

1880
01:13:01,944 --> 01:13:03,210
SHE WAS TOUGH.

1881
01:13:03,245 --> 01:13:05,112
SHE PROBABLY
WENT RIGHT AT HIM.

1882
01:13:06,748 --> 01:13:09,616
THIS HAS BEEN
A DIFFICULT TIME...

1883
01:13:09,685 --> 01:13:11,385
FOR ALL OF US.

1884
01:13:11,454 --> 01:13:14,821
FIRST, LITA'S SUICIDE,
AND NOW THIS.

1885
01:13:14,890 --> 01:13:17,657
JOHN ASKED ME TO BRING
YOU GUYS TOGETHER TODAY, SO...

1886
01:13:17,693 --> 01:13:19,860
JOHN?

1887
01:13:19,928 --> 01:13:23,263
CASSIE WAS
OUR LIGHT.

1888
01:13:23,332 --> 01:13:25,832
NEVER ONSTAGE,
BUT ALWAYS THERE.

1889
01:13:25,868 --> 01:13:28,802
SHE WAS OUR DEN MOTHER,

1890
01:13:28,871 --> 01:13:31,605
OUR CONFESSOR.

1891
01:13:31,640 --> 01:13:33,507
SHE KNEW OUR SECRETS.

1892
01:13:33,575 --> 01:13:36,710
AND, UNFORTUNATELY, KNEW
WHEN WE GAINED A FEW POUNDS.

1893
01:13:39,048 --> 01:13:40,114
I WANTED TO ASK YOU,

1894
01:13:40,149 --> 01:13:42,716
AS A BAND,

1895
01:13:42,751 --> 01:13:46,686
HOW YOU FEEL
ABOUT MOVING FORWARD.

1896
01:13:46,755 --> 01:13:49,023
DO WE PLAY THE SHOW TONIGHT?

1897
01:13:49,058 --> 01:13:50,524
DO WE CANCEL THE TOUR?

1898
01:13:50,559 --> 01:13:52,859
JOHN, YOU KNOW
IF CASS WAS HERE,

1899
01:13:52,928 --> 01:13:54,128
SHE'D KICK YOUR BUTT

1900
01:13:54,163 --> 01:13:55,996
FOR EVEN
SUGGESTING WE QUIT.

1901
01:13:56,032 --> 01:13:57,797
SHE WAS
A "SHOW MUST GO ON" TYPE,

1902
01:13:57,833 --> 01:13:59,266
ALL THE WAY,

1903
01:13:59,301 --> 01:14:03,203
BUT JOHNNY, I MEAN,
IT'S UP TO YOU.

1904
01:14:03,239 --> 01:14:05,272
I MEAN, YOU GOTTA GO
FACE THE AUDIENCE.

1905
01:14:05,307 --> 01:14:06,573
THEY COME HERE
TO SEE YOU,

1906
01:14:06,608 --> 01:14:08,142
THEY COME HERE
TO HAVE A GOOD TIME.

1907
01:14:08,210 --> 01:14:10,477
YOU THINK
YOU CAN DO THAT?

1908
01:14:12,348 --> 01:14:14,948
I DON'T KNOW.

1909
01:14:22,591 --> 01:14:23,557
[KNOCKS GENTLY]

1910
01:14:24,626 --> 01:14:25,992
COME ON IN, JENN.

1911
01:14:26,028 --> 01:14:28,395
MR. TAYLOR HERE WAS
JUST ABOUT TO LEAVE.

1912
01:14:34,437 --> 01:14:37,171
I'M A LOT OF THINGS,
BUT I'M NOT A KILLER.

1913
01:14:45,981 --> 01:14:47,448
WELL... IT SEEMS

1914
01:14:47,483 --> 01:14:50,617
HE REALLY DIDN'T KNOW
THE POLICY WOULD PAY OFF.

1915
01:14:50,652 --> 01:14:52,752
WHEN HE FOUND OUT IT DID,
WELL, HE PANICKED,

1916
01:14:52,788 --> 01:14:54,288
THOUGHT WE'D PIN
THE MURDER ON HIM.

1917
01:14:54,356 --> 01:14:55,689
AND?

1918
01:14:55,724 --> 01:14:58,158
AND... I'VE GOT
SOME NEWS FOR YOU.

1919
01:14:58,194 --> 01:15:00,094
IT'S A LITTLE BIT ODD.

1920
01:15:00,129 --> 01:15:02,862
THE TASER TAG I.D.
THAT WE FOUND ON THE STEPLADDER,

1921
01:15:02,898 --> 01:15:05,799
IT BELONGS TO A GUN
SOLD TO CASSIE PARKER.

1922
01:15:05,834 --> 01:15:08,235
CASSIE?

1923
01:15:08,270 --> 01:15:10,604
THE TASER BELONGED TO CASSIE?

1924
01:15:10,639 --> 01:15:11,505
NO, SHE JUST BOUGHT IT.

1925
01:15:11,540 --> 01:15:13,107
IT DOESN'T MEAN SHE FIRED IT.

1926
01:15:13,142 --> 01:15:15,909
DOESN'T EVEN MEAN IT WAS FIRED
IN LITA'S LIVING ROOM.

1927
01:15:15,978 --> 01:15:16,876
BUT IF SHE DIDN'T FIRE IT,

1928
01:15:16,945 --> 01:15:18,278
SHE PROBABLY KNEW WHO DID,

1929
01:15:18,314 --> 01:15:19,480
AND SUDDENLY,

1930
01:15:19,548 --> 01:15:21,248
IT'S NOT LOOKING LIKE
A ROBBERY AT CASSIE'S.

1931
01:15:22,551 --> 01:15:25,185
FRANK, I DON'T THINK
THE TEXT WAS SENT BY LITA,

1932
01:15:25,254 --> 01:15:26,720
OR EVEN SENT FROM LITA'S HOUSE.

1933
01:15:28,290 --> 01:15:30,557
WHAT DO YOU MEAN?

1934
01:15:30,626 --> 01:15:32,058
CAN YOU HAVE THE PHONE COMPANY
CHECK THEIR CELL TOWER RECORDS

1935
01:15:32,094 --> 01:15:34,194
AND SEE WHERE THAT TEXT
ORIGINATED FROM?

1936
01:15:34,230 --> 01:15:35,729
I'LL HAVE TO GET A WARRANT,

1937
01:15:35,764 --> 01:15:37,531
AND IT WOULDN'T GIVE US
THE EXACT LOCATION,

1938
01:15:37,600 --> 01:15:38,398
JUST THE NEAREST CELL TOWER.

1939
01:15:38,434 --> 01:15:39,733
FINE.

1940
01:15:39,768 --> 01:15:42,469
START WITH THE CELL TOWER
CLOSET TO THE SOUND CHECK.

1941
01:15:42,505 --> 01:15:43,970
[LITA'S DEMOS PLAYING BACK]

1942
01:15:44,006 --> 01:15:47,341
<i>♪ ...WELL, I CAN'T WAIT HERE</i>
<i>ON THE SHELF ♪</i>

1943
01:15:47,376 --> 01:15:50,277
<i>♪ SHE'S GONNA</i>
<i>HEAR THE NEWS FROM ME... ♪</i>

1944
01:15:50,312 --> 01:15:51,811
WHAT ARE YOU LISTENING TO?

1945
01:15:51,847 --> 01:15:53,413
<i>♪ ...IT'S TIME THAT WE WERE</i>
<i>ALL SET FREE... ♪</i>

1946
01:15:53,449 --> 01:15:54,615
LITA MERRIL.

1947
01:15:54,683 --> 01:15:56,116
SONGS SHE WROTE.

1948
01:15:56,152 --> 01:15:57,851
IT'S SAD.

1949
01:15:57,919 --> 01:15:59,819
IT'S ALL RIGHT THERE
IN HER MUSIC.

1950
01:15:59,888 --> 01:16:02,389
WHAT'S ALL RIGHT THERE?

1951
01:16:02,424 --> 01:16:05,492
SHE WAS IN LOVE
WITH A MARRIED MAN.

1952
01:16:05,561 --> 01:16:07,361
SAYS SHE'S GOING
TO TELL THE WIFE,

1953
01:16:07,396 --> 01:16:08,695
SAYS SHE'S GOING
TO TELL THE WORLD.

1954
01:16:08,730 --> 01:16:09,796
THAT'S NOT GOOD.

1955
01:16:09,831 --> 01:16:11,565
I ASSUME SHE'S TALKING
ABOUT HERSELF.

1956
01:16:11,600 --> 01:16:13,467
I THINK SO.

1957
01:16:13,536 --> 01:16:14,934
SHE DIDN'T MENTION
THE GUY'S NAME

1958
01:16:15,003 --> 01:16:16,403
ANYWHERE IN THE SONG, DID SHE?

1959
01:16:16,438 --> 01:16:18,004
NO.

1960
01:16:41,397 --> 01:16:43,163
[KNOCKING ON DOOR]

1961
01:16:44,933 --> 01:16:47,033
WHAT ARE YOU DOING IN HERE?

1962
01:16:47,069 --> 01:16:48,968
I'M ABOUT TO GO ON.

1963
01:16:49,004 --> 01:16:50,537
I THINK YOU MIGHT
WANT TO HEAR

1964
01:16:50,606 --> 01:16:51,938
WHAT I HAVE TO SAY.

1965
01:16:51,973 --> 01:16:53,773
I'M ABOUT TO CALL SECURITY.

1966
01:16:53,842 --> 01:16:55,875
YOU KILLED LITA.

1967
01:16:55,944 --> 01:16:56,943
YOU WERE HAVING AN AFFAIR,

1968
01:16:56,978 --> 01:16:58,612
AND YOU PROMISED
TO DIVORCE PAMELA,

1969
01:16:58,647 --> 01:17:00,280
BUT YOU KEPT STALLING,

1970
01:17:00,349 --> 01:17:02,349
SO LITA GAVE YOU AN ULTIMATUM.

1971
01:17:02,384 --> 01:17:04,017
EITHER YOU GO PUBLIC,
OR SHE WOULD.

1972
01:17:04,086 --> 01:17:06,019
AND THAT
COULDN'T HAPPEN,

1973
01:17:06,054 --> 01:17:08,388
BECAUSE YOUR FANS LOVE
YOU AND PAMELA TOGETHER.

1974
01:17:08,424 --> 01:17:11,425
YOU'VE BEEN "TRUE TO HER,"
AS THE SONG GOES.

1975
01:17:12,894 --> 01:17:14,661
YOU'VE GOT
AN ACTIVE IMAGINATION.

1976
01:17:14,697 --> 01:17:16,430
NO, I HAVE
A FLASH DRIVE

1977
01:17:16,465 --> 01:17:17,731
WITH A SONG THAT
LITA MERRILL WROTE

1978
01:17:17,766 --> 01:17:19,199
DESCRIBING THE WHOLE THING.

1979
01:17:21,870 --> 01:17:24,104
LITA WAS DEAD
WHEN CASS AND I ARRIVED.

1980
01:17:24,139 --> 01:17:25,872
IT'S IMPOSSIBLE FOR ME
TO HAVE KILLED HER.

1981
01:17:25,907 --> 01:17:27,341
ARE YOU TALKING
ABOUT CASSIE OR LITA?

1982
01:17:27,376 --> 01:17:28,842
BECAUSE THEY'RE BOTH DEAD.

1983
01:17:30,312 --> 01:17:32,613
YOU PLANNED LITA'S DEATH
PERFECTLY, ALMOST.

1984
01:17:32,681 --> 01:17:34,548
YOU STOLE THE TASER
FROM CASSIE...

1985
01:17:36,352 --> 01:17:38,818
<i>THE TIMING HAD TO BE RIGHT.</i>

1986
01:17:38,854 --> 01:17:41,355
<i>ON YOUR WAY TO SOUND CHECK,</i>
<i>YOU DROPPED BY LITA'S...</i>

1987
01:17:41,390 --> 01:17:44,157
<i>IT WAS EASY TO GET INSIDE</i>
<i>BECAUSE YOU HAD YOUR OWN KEY.</i>

1988
01:18:07,683 --> 01:18:09,249
LET ME GO GET DRESSED.

1989
01:18:09,285 --> 01:18:10,250
I'LL BE RIGHT BACK.

1990
01:18:15,491 --> 01:18:17,491
YOU PLACED THE STEPLADDER
UNDER THE BEAM.

1991
01:18:17,559 --> 01:18:19,259
YOU HAD TO ACT FAST...

1992
01:18:32,240 --> 01:18:33,407
[METAL SCRAPING]

1993
01:18:40,683 --> 01:18:43,183
[TASER VOLTS CRACKLING]

1994
01:18:44,219 --> 01:18:45,752
YOU HAD THE ROPE,

1995
01:18:45,788 --> 01:18:47,454
YOU STAGED THE SUICIDE...

1996
01:18:51,893 --> 01:18:53,226
<i>AND YOU MAY NOT HAVE KNOWN</i>
<i>ABOUT THE LITTLE I.D. TAGS</i>

1997
01:18:53,261 --> 01:18:54,695
<i>THAT SHOOT OUT,</i>

1998
01:18:54,730 --> 01:18:56,229
<i>BUT YOU SURE KNEW</i>
<i>NOT TO LEAVE THEM BEHIND.</i>

1999
01:18:56,264 --> 01:18:58,231
<i>YOU PICKED THEM UP,</i>

2000
01:18:58,266 --> 01:19:01,535
<i>ALL EXCEPT THE ONE THAT LANDED</i>
<i>ON THE STEPLADDER,</i>

2001
01:19:01,603 --> 01:19:03,136
<i>THE ONE YOU DIDN'T SEE.</i>

2002
01:19:04,105 --> 01:19:05,605
THIS IS INSANE.

2003
01:19:05,674 --> 01:19:08,508
I GOT THE TEXT AT THE SAME TIME
EVERYBODY ELSE DID.

2004
01:19:08,544 --> 01:19:11,144
BUT YOU SENT THE TEXT,
RIGHT FROM THIS DRESSING ROOM.

2005
01:19:11,213 --> 01:19:13,347
YOU'RE ONE CRAZY LADY.

2006
01:19:13,382 --> 01:19:15,315
THE PHONE WAS IN HER POCKET
WHEN THEY FOUND HER.

2007
01:19:15,351 --> 01:19:17,083
AND HOW WOULD
YOU KNOW THAT?

2008
01:19:18,520 --> 01:19:20,654
YOU KNOW THAT
BECAUSE YOU PUT IT THERE.

2009
01:19:20,689 --> 01:19:22,789
YOU HAD CASSIE DRIVE YOU
BACK TO LITA'S,

2010
01:19:22,825 --> 01:19:23,790
WHERE, HORRIFIED,

2011
01:19:23,826 --> 01:19:25,258
YOU RUSHED
TO LOWER LITA'S BODY.

2012
01:19:25,293 --> 01:19:26,693
BUT WHAT YOU REALLY DID WAS

2013
01:19:26,729 --> 01:19:29,262
YOU SLID THE PHONE
BACK INTO LITA'S PANTS POCKET.

2014
01:19:30,566 --> 01:19:32,165
PAM!

2015
01:19:32,200 --> 01:19:33,533
GET IN HERE!

2016
01:19:34,603 --> 01:19:36,102
YOU CAN'T PROVE A THING.

2017
01:19:38,039 --> 01:19:39,573
KEEP THIS WHACK JOB
AWAY FROM ME.

2018
01:19:39,641 --> 01:19:40,874
I'VE GOT A SHOW TO DO.

2019
01:19:50,686 --> 01:19:51,585
HE'S COMING UP, LET'S GO,

2020
01:19:51,620 --> 01:19:53,019
LET'S GET OUT THERE, ALL RIGHT?

2021
01:19:53,054 --> 01:19:54,588
[MANAGER CLAPPING
IN ENCOURAGEMENT]

2022
01:20:08,404 --> 01:20:10,771
HERE WE GO.

2023
01:20:10,806 --> 01:20:11,772
OKAY, JOHN.

2024
01:20:11,840 --> 01:20:13,940
[BAND STARTS PLAYING]

2025
01:20:13,975 --> 01:20:15,509
JOHN DALTON,

2026
01:20:15,577 --> 01:20:16,476
YOU'RE UNDER ARREST

2027
01:20:16,545 --> 01:20:17,911
FOR THE MURDERS
OF LITA MERRILL

2028
01:20:17,946 --> 01:20:20,146
AND CASSIE PARKER.

2029
01:20:20,181 --> 01:20:21,748
WHAT?

2030
01:20:22,918 --> 01:20:24,050
[BAND STOPS PLAYING]

2031
01:20:26,054 --> 01:20:27,287
[HANDCUFFS RATTLING]

2032
01:20:37,666 --> 01:20:39,232
WATCH YOUR HEAD.

2033
01:20:55,451 --> 01:20:57,283
[♪♪♪]

2034
01:21:00,021 --> 01:21:01,488
-THIS IS FROM BETH ANN?
-MM-HMM.

2035
01:21:01,523 --> 01:21:02,456
WHAT IN THE WORLD?

2036
01:21:02,491 --> 01:21:03,723
OH, I FEEL A FRAME.

2037
01:21:03,759 --> 01:21:05,091
IT'S A PAINTING.

2038
01:21:06,562 --> 01:21:07,661
OOH...

2039
01:21:08,730 --> 01:21:11,397
[GASPS IN DELIGHT]

2040
01:21:11,433 --> 01:21:13,767
IT'S REALLY GOOD.

2041
01:21:15,170 --> 01:21:18,004
AND IT'S NOT FOR SALE.

2042
01:21:23,946 --> 01:21:26,012
ALL RIGHT, GUYS,
DINNER'S READY.

2043
01:21:26,047 --> 01:21:27,180
HANNAH, DO YOU
NEED HELP?

2044
01:21:27,248 --> 01:21:28,314
NO, THANKS,
I GOT IT COVERED.

2045
01:21:28,383 --> 01:21:30,249
BESIDES, IT'S SUPPOSED
TO BE A SURPRISE.

2046
01:21:30,285 --> 01:21:32,318
YOU KNOW
SHE DOESN'T COOK.

2047
01:21:32,354 --> 01:21:34,087
[CHUCKLING]

2048
01:21:36,057 --> 01:21:37,056
WHERE WAS I?

2049
01:21:37,092 --> 01:21:38,358
OH.

2050
01:21:38,393 --> 01:21:39,693
SO...

2051
01:21:39,761 --> 01:21:41,728
IT WAS ALMOST
THE PERFECT MURDER.

2052
01:21:41,763 --> 01:21:43,830
THEN THERE WAS
CASSIE PARKER.

2053
01:21:43,866 --> 01:21:45,532
JOHN STOLE THE TASER FROM HER.

2054
01:21:45,567 --> 01:21:46,466
WHEN HE LEARNED

2055
01:21:46,502 --> 01:21:47,634
THE GUN COULD BE TRACED,

2056
01:21:47,669 --> 01:21:48,702
HE HAD TO GET RID OF HER.

2057
01:21:48,737 --> 01:21:50,370
SHE WAS THE ONLY ONE
WHO KNEW HE HAD IT.

2058
01:21:51,974 --> 01:21:53,740
I GOT A CALL
FROM THE CHIEF TODAY,

2059
01:21:53,775 --> 01:21:56,209
CONGRATULATING ME
ON ANOTHER JOB WELL DONE.

2060
01:21:57,713 --> 01:21:58,712
DID YOU TELL HIM
MY MOM FIGURED IT OUT?

2061
01:21:58,780 --> 01:22:00,113
ACTUALLY,

2062
01:22:00,148 --> 01:22:01,147
I DID.

2063
01:22:01,182 --> 01:22:02,215
REALLY?

2064
01:22:02,250 --> 01:22:03,550
WELL, IT'S NOT
LIKE HE WAS...

2065
01:22:03,585 --> 01:22:05,385
CLUELESS.

2066
01:22:05,453 --> 01:22:06,319
[ALL GROANING AT THE PUN]

2067
01:22:06,354 --> 01:22:08,822
OUCH.

2068
01:22:08,857 --> 01:22:10,056
HE REMINDED ME
THAT SHERLOCK HOLMES

2069
01:22:10,091 --> 01:22:12,158
ACTUALLY WASN'T
A POLICE DETECTIVE,

2070
01:22:12,193 --> 01:22:13,459
HE WAS A "CONSULTING DETECTIVE,"

2071
01:22:13,495 --> 01:22:15,962
UNOFFICIALLY
HELPING THE POLICE.

2072
01:22:16,031 --> 01:22:17,898
I CAN BE
A CONSULTING DETECTIVE?

2073
01:22:17,966 --> 01:22:19,298
NO.

2074
01:22:19,334 --> 01:22:20,767
HE SAYS YOU CAN'T.

2075
01:22:20,802 --> 01:22:22,569
TOO MUCH OF A LIABILITY.

2076
01:22:22,604 --> 01:22:24,738
BUT HE WANTS
TO THANK YOU,

2077
01:22:24,806 --> 01:22:26,806
AND LET YOU KNOW,
MOVING FORWARD,

2078
01:22:26,842 --> 01:22:28,975
NOT TO CONFRONT KILLERS.

2079
01:22:30,245 --> 01:22:31,511
SERIOUSLY.

2080
01:22:31,547 --> 01:22:32,612
ALL RIGHT...

2081
01:22:32,648 --> 01:22:35,782
IN HONOR
OF THE HATCHER BUILDING...

2082
01:22:36,985 --> 01:22:38,685
BOEUF BOURGUIGNON.

2083
01:22:38,720 --> 01:22:40,286
WOW.

2084
01:22:40,321 --> 01:22:42,689
WHAT'S FRENCH ABOUT
THE HATCHER BUILDING?

2085
01:22:42,724 --> 01:22:44,724
WELL, ADRIAN BERNARD
THE ARCHITECT WAS FRENCH.

2086
01:22:44,793 --> 01:22:47,427
AND I FOUND AN EASY RECIPE.

2087
01:22:47,462 --> 01:22:48,294
[CHUCKLING]

2088
01:22:48,363 --> 01:22:49,696
LOOKS GREAT.

2089
01:22:49,731 --> 01:22:52,198
WELL, HERE'S
TO MY BEAUTIFUL WIFE,

2090
01:22:52,267 --> 01:22:53,466
WHO SOMEHOW
PUT THE PIECES TOGETHER

2091
01:22:53,501 --> 01:22:55,134
AND SOLVED ANOTHER MYSTERY.

2092
01:22:56,271 --> 01:22:58,872
I DON'T KNOW
HOW SHE DOES IT,

2093
01:22:58,941 --> 01:23:00,941
BUT I'M SURE SHE'LL KEEP
THE CHIEF'S WISE WORDS IN MIND.

2094
01:23:00,976 --> 01:23:02,408
AND KEEP SOLVING CRIMES?

2095
01:23:02,444 --> 01:23:03,743
SAFELY.

2096
01:23:08,050 --> 01:23:10,650
[♪♪♪]